TACET Musikproduktion
131 products
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Scarlatti: Complete Piano Sonatas, Vol. 10
$21.99CDTACET Musikproduktion
Jun 13, 2025TACET279CD -
Gyorgy Kurtag: Complete Flute Music
$21.99CDTACET Musikproduktion
Jul 18, 2025TACET281CD -
Domenico Scarlatti: Complete Piano Sonatas, Vol. 12
$21.99CDTACET Musikproduktion
Mar 20, 2026TACET282CD -
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Koroliov Series, Vol. 26 - Russian Music
$21.99CDTACET Musikproduktion
Sep 12, 2025TACET264CD -
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Beethoven: Violin Concerto, Op. 61 & String Trio, Op. 3 / Gaede, Rajski, Polish Chamber Philharmonic
Andreas Speer writes of this new album: “A soft knock at the door. Who is it? Could it be? - Hopefully it is! - Hidden feelings, longings arise, a sense of who and what it could be, and then the door opens, and it's him – rather than crashing in he enters cautiously, and the reality is even sweeter and more beautiful than imagined - Please excuse me giving rein to such unrestrained romanticism, but these are pretty much the associations running through my mind as I listen to this recording. The tapping motif in the timpani and the singing lover are as one: Beethoven's Violin Concerto is chamber music. Daniel Gaede plays unaffectedly without any soloistic pretensions and on the same wavelength as the Polish Chamber Philharmonic Orchestra under Wojciech Rajski. As a prelude rather than an encore, the three brothers in spirit, Daniel, Thomas and Sebastian Gaede play the Serenade op. 3.”
V4: COMPLETE PIANO SONATAS
Mozart: Symphonies Nos. 39 & 41 / Nikolic, Netherlands Chamber Orchestra
There is a new recording of Mozart opus KV 551 and KV 543! Some reviewers shake their heads. "Yet another one!". Fortunately, these two are so devilishly good that centuries after their creation they still knock people who have an antenna for it off their feet. Wait a minute, antennas, did they exist back then? Silly? Yeah, silly. Who would say that Mozart wasn't occasionally silly? And bold, cheeky! The way he throws down the last movement of the Jupiter symphony like a gauntlet at the feet of his contemporaries is inimitable. Unfortunately, you can't see it on this album when the bassoons and cellos laugh up their sleeves, but you can hear it all the better. What contrasts! After the bright beginning with timpani and trumpets, the second movement comes from a completely different world. "Con sordino", seductively and gently Gordan Nikolic and the girls and guys of the Netherlands Chamber Orchestra caress the ears. And so it goes on and on. Same with the E flat major symphony. Yes, but aren't there already many wonderful recordings of these works? Yes there are. But as is the case with Mozart, the most famous interpreters can fail and the least known can hit the mark. Decide yourself.
Scarlatti: Complete Piano Sonatas, Vol. 10
Gyorgy Kurtag: Complete Flute Music
Domenico Scarlatti: Complete Piano Sonatas, Vol. 12
Scarlatti: Complete Piano Sonatas, Vol. 8 / Ullrich
Sometimes time flies by. For example, when something stimulating happens all the time, as here with the new volume No. 8 of the complete recording of all 555 sonatas by Domenico Scarlatti. And not because of the two organ sonatas, which are actually played here on an organ, nor because of the acoustics at the new recording venue Marienmünster. Once again, Christoph Ullrich is exclusively responsible for these stimuli, and he knows how to shape these gems, which seem to have been written for him, with such never-ending imagination, exuberant ideas, nuances that always seem spontaneous but are nevertheless carefully woven, that two hours go by like two shooting stars.
Scarlatti: Complete Piano Sonatas, Vol. 9 / Ullrich
What is spontaneous creativity? I imagine a kind of spring, no, rather a waterfall. Something gushes forth, seemingly eternally, effortlessly and never running dry, from the pen of Domenico Scarlatti, from the fingers of Christoph Ullrich. An unimaginative person like me thinks: That's it now. He can't think of another sonata that doesn't repeat something long since invented. But yes, there's another one! New again, different again, freshly born again.
What do 555 sonatas mean? It means: an infinite number of sonatas, let anyone count them. This is exactly how Christoph Ullrich proceeds in the 12th of 17 episodes. Not only is every new Scarlatti sonata unique, but every version that Ullrich plays is also new. He cannot play such a unique piece the same way twice. He keeps telling me during the recordings: turn the tape back on, I'll try something else. Both like children at play, endlessly creative. Every version is bursting with ideas, every bar, every take. Every day, every second. All double unique! Domenico's Ullrich? Christoph's Scarlatti!
Budzinska-Bennett: Mare Balticum, Vol. 4: Pomerania / Ensemble Peregrina
Faure: Complete Works for Violin & Piano
Scarlatti: Complete Piano Sonatas, Vol. 7 / Ullrich
Vox dilecti mei - The Voice of My Beloved / Ensemble Peregrina
"We are very happy to present this collection of completely unknown yet outstanding pieces to the public. We hope that the charm of the Latin Song of Songs text together with the absolutely unique and elaborate musical settings we chose for this program will surprise and captivate you with its eternal beauty." - Agnieszka Budzinska-Bennett, founder and director of Ensemble Peregrina
REVIEW:
This album contains a collection of completely unknown and yet outstanding pieces inspired by the Latin text of the Song of Songs and originating from various regions, England, Silesia, France, and Bavaria.
Agnieszka Budzinska-Bennett once again demonstrates a thorough understanding of this repertoire. The inspired narrative performance is impeccable, and the singing is very expressive throughout, powerfully luminous and richly colored. The voices are perfectly blended with flawless intonation.
Thanks to Tacet’s Real Surround Sound, the sound is once again of the very best quality.
The booklet contains notes and translations of the lyrics in German and English.
-- Pizzicato
Scarlatti: Complete Piano Sonatas, Vol. 6
Summary, Vol. 2 - Miklós Perényi
There are always musical child prodigies. Faster, more powerful, more perfect than previously imaginable. But there are also "senior prodigies". They reveal not only structure and time earned wisdom but also an inner sense of greatness. At the same time they talk about themselves and their lives, where they come from or where they are going, on the basis of pieces that they have often carried around with them since youth. About their dreams, which are also those of youth. "What would you most like to play?" I asked 74-year-old Miklós Perényi when we were thinking together about the program for this recording. The result was an unusual recital, volume 2 of the TACET series "Summary".
J.S. Bach: Partitas Part 2 - BWV 827, 828 & 829
Koroliov Series, Vol. 26 - Russian Music
Bruckner: Symphony No. 7 / Keller, Concerto Budapest
Cut or Uncut?
Anton Bruckner would have been 200 years old in 2024. Instead of using flowery but ultimately helpless advertising slogans to promote the 100th release for the Bruckner Year, we are trying to encourage people to think about production processes in classical music with a special release. What is a recording actually about?
Anton Bruckner's 7th Symphony twice in full length, each time on one CD. A live recording (uncut) and a studio production (cut) under identical conditions. Compare them! And don't allow your judgement to be swayed by different recording circumstances!
This comparison would not have been possible without András Keller and Concerto Budapest. András Keller follows an unbroken European tradition that stretches way back into the last century, perhaps even as far back as Anton Bruckner himself. And the monumental arches and climaxes in Anton Bruckner's music are perfect for every listener to ask themselves: What do I want from a recording? What moves me more, live or produced, cut or uncut?
Mahler: Symphony No. 9
This is not the ninth 5th, but still the fifth 9th symphony by András Keller with Concerto Budapest on TACET! After Bruckner, Dvořák, Shostakovich and Schubert (it now counts as the 8th), now Mahler. An impressive testament to the range of this unusual orchestra and its unique conductor. Certainly there are countless other recordings, also very good, of these last finished symphonies of great composers. However, I find that Keller's interpretations, with his unconditional will to express in detail, can compete with any, even the best known. Recordings of that repertoire in TACET Real SS are completely new. They bring to light previously hidden beauties and place the listener in the middle of the music. This also allows you to hear these works in a completely new way.
STRING QUARTETS
HUHN JAGD KÖNIGIN: HAYDN SYMPH
WHAT ABOUT THIS, MR. TÁRREGA?
PIANO CONCERTOS & SYMPHONIES (
WHAT ABOUT THIS, MR. CLEMENTI?
PARTITEN FFOR SOLO VIOLIN
