50 American Patriotic Military Songs is presented as a four-vinyl LP set of the greatest patriotic music available! This album features over fifteen traditional favorites such as 'This Land is Your Land', 'God Bless America', 'You're a Grand Old Flag', and 'God Bless the USA', along with all the service songs, and Naval and Air Force hymns. This best-selling album also features original compositions by members of the military band including the songs 'The Flag Still Flies High', 'They Died For You, They Died for Me', and 'Honor With Dignity'. This is a great patriotic collection with over two and a half hours of marches, concert band, choral, sing-a-long, and contemporary songs for all to enjoy!

The three renowned Danish jazz artists, bassist Lennart Ginman, drummer Thomas Blachman and pianist Carsten Dahl, collectively known under the moniker GinmanBlachmanDahl, are set to release their new album on Storyville Records on April 5th. Bearing the title, “What’s to Come!”, this record is a testament to the power of spontaneity, unpredictability, and collaboration in the realm of jazz.

The combination of these three masterful musicians has resulted in yet another album that simply oozes swing, timing, dexterity, and imagination. They are simply put - some of the most visionary and innovative Danish jazz musicians and composers, and their music reflects their never-ending quest to push the boundaries of what’s possible.

Unlike a conventional studio recording, this album was born out of raw spontaneity and creative synergy within the trio – every note, every chord, every rhythm was created in the spur of the moment. The result is a sonic journey into the heart and essence of improvisation.

What’s to Come! invites listeners into the intimate dialogue between three masterful musicians. With a nod to the luminaries who have shaped the genre—Thelonious Monk, Miles Davis, Bill Evans—the trio infuses their compositions with a sense of homage and reverence, yet never shy away from boldly charting their own course. From the introspective melodies that stir the soul to the explosive bursts of energy that ignite the senses, this recording captures the full spectrum of human experience in all its complexity and nuance.

As the final notes fade into the ether, one cannot help but feel the palpable sense of anticipation lingering in the air—a promise of What’s to Come!, and an invitation to join them on their ongoing odyssey of sound and expression.

An audiophile LP transfer for an
immersive tribute to a remote island
off the coast of Brittany.
Having become celebrated for his score
to Amélie (2001), the French composer
moved to the island of Ushant
(Ouessant/Eusa), and this album is a
musical tribute to his home, comprising
ten pieces about ten specific places on
the island. In 2016, Tiersen published a
collection of pieces called Eusa, which
Jeroen van Veen has combined with his
2021 collection, Kerber, named after a
chapel on the island, to produce Island.
The album has been a best-seller on CD
for its contemplative mood and beauty.
Among the 10 tracks, some offer the
perfect soundtrack for contemplation on
a long walk or staring out of a window on
a train journey. Others seem predestined
to be background music for study or
relaxation. The pieces sound at times
dreamy and wistful, at times bittersweet,
at other times happily playful. With each
song, your imagination can easily conjure
a scene from a movie: a breakup after a
fight in a cosy café or a nature
documentary showing two baby birds
opening their eyes for the very first
time.
This isn’t a collection about isolation;
it’s more an expression of awareness of
your own environment and your place
within it: a sonic encapsulation of the
hyper-local. Tiersen relates this
approach to a night spent studying the
stars – which he himself does. ‘You can
look at things that are thousands of
light years away and relate your own
existence to this really cosmic element,’
he says. ‘But you get that same feeling
with the things all around you.’

Irma Neumüller is a Swedish jazz vocalist and composer who writes music in both Swedish and English, infusing the traditional jazz sound with her personal touch. Her music is characterized by its swinging, uplifting, and sometimes emotional qualities. Influenced by artists such as Carmen McRae, Monica Zetterlund, and Stevie Wonder, Irma brings a fresh perspective to the jazz genre. With her strong stage presence, she warmly invites the audience into her musical world.

Born in 2001 in Stockholm, Irma Neumüller began her musical journey in the classical realm, starting to play the cello at the age of four. After twelve years as a cellist, she discovered jazz and its rich singing tradition. Irma pursued jazz vocal studies at Södra Latin’s high school in Stockholm and spent two years at the nationally renowned Skurup pre-college before relocating to Berlin, where she currently studies at the Jazz Institute Berlin.

In recent years, Irma Neumüller has garnered success on stages across Sweden. She was honored as the "Young Swedish Soloist 2023" by the Swedish performing arts organization “Scenkonst Sörmland”, received several scholarships, and has been consistently praised by jazz critics. Her debut album, "Introducing Irma Neumüller", is set for release on February 23, 2024, under the label Naxos/Prophone.

American Record Guide: The one-on-a-part performances here are stunningly beautiful. Dionysos Now is clearly a first-class male-voice a cappella ensemble with excellent vocal blend and coherent delivery. The ensemble includes 2 basses and a bass-baritone. This combination adds a sumptuous gravity to the words of Jesus and to the 6-part crowd choruses.

Introducing the debut solo album, "Phaethon, Becalmed," by Ben J. Connolly - a member of Berlin's alternative pop band, ALL THE LUCK IN THE WORLD. This project draws inspiration from the Greek myth of Phaethon, who sought to prove his parentage by driving his father's Sun Chariot across the sky, inadvertently causing ecological chaos and meeting a tragic end.
Collaborating with Echo Collective on strings, Ramon Lormans on tuned percussion (Stargaze), and Andrew Dickinson on vocals (Dt. Oper), the album comprises 17 pieces that intricately weave together to narrate Phaethon's tale. The instrumentation includes piano, strings, synths, and electronics, creating a calm and relaxed musical atmosphere.
The album unfolds like a story, with interwoven themes marking each chapter of Phaethon's journey. The diverse musical palette captures the essence of the myth, offering a tranquil and immersive listening experience. "Phaethon, Becalmed" invites listeners to explore the narrative through a blend of classical and contemporary elements.
This project goes beyond a mere musical release, offering a thoughtful exploration of myth and storytelling through sound. It's a unique opportunity to engage with a rich tapestry of emotions and experiences.

A luxury-grade vinyl transfer in a gatefold 2LP set for a beautifully engineered 2021 album of Scarlatti on the piano from a master German pianist.
On its CD release in 2022, this personal choice from Scarlatti’s 555 keyboard sonatas won an enthusiastic welcome from Gramophone. ‘Contrasts of mood together with unified relationships of tempo and key signature characterise one the most intelligently programmed and distinctively played Scarlatti collections to cross my reviewer’s desk in years.’

Hardly less than Bach, these sonatas have become for many pianists a proving ground for their own technique and imagination, rewarding an improvisatory response to their flamboyant effects. Schmitt-Leonardy also features several of Scarlatti’s most poetic and reflective sonatas such as the ‘Aria’ Kk 29 and the melancholy soliloquy of Kk 208.
The approach taken by Schmitt-Leonardy is always ‘pianistic’, in that he exploits the full tonal resources of a modern concert grand. Yet his phrasing is also sensitive to 18th-century style and to the kind of effects and articulation particular to the harpsichord for which Scarlatti was writing. ‘Kaleidoscopic nuances and dynamic gradations abound throughout the E major Kk135,’ continued the Gramophone reviewer Jed Distler, the Gramophone reviewer Jed Distler, ‘but not garishly so. Nor does the pianist’s curvaceous and tapered phrasing throughout the A major Kk322 lapse into mannerism or cliché.’
As with all Brilliant Classics and Piano Classics LPs, this set is issued on 180-gram, high-grade vinyl pressed at the Optimal factory in Hamburg. Its audiophile quality is worthy of performances which bear comparison with great Scarlatti performers of past and present from Horowitz to Pletnev. Inner-sleeve booklet notes by Peter Quantrill discuss each of the sonatas in turn.

A half-speed mastered, new LP transfer of a best-selling album in the acclaimed series of minimalist piano music recorded by Jeroen van Veen for Brilliant Classics.
‘Throughout, the playing’s brilliant, confident, and sonorous’: this album of the piano output of John Adams won glowing reviews when it was first released in 2017. As an indefatigable champion of minimalist music from both sides of the Atlantic, Jeroen van Veen had recorded some of these pieces before, within his compendious ‘Minimal Piano Collection’ which became an essential acquisition for collectors of the most influential classical style in music during the last 60 years.

The 2017 remake of China Gates is even more opulent as a performance, superbly engineered to catch van Veen’s subtleties of touch at the piano, and thus eminently suitable for a high-spec vinyl transfer. ‘There’s something quite nice about encountering interpretations of these perennial Adams favourites that sound so comfortable,’ continued the Arts Fuse review: ‘a pianist enjoying himself, freely exploring the enveloping diatonicism of the music.’

Adams regards Phrygian Gates (1977) as his ‘first mature composition’, and it may seem strange that he has not since written more for solo piano than the four pieces gathered here, but as Jeroen van Veen argues in his sleeve-note essay, these pieces between them say all that needs to be said in terms of the composer’s piano style.
Mostly composed in a West Coast beach hut, the gentle flow, rolling swells and thundering breakers of Phrygian Gates add up to a half-hour, overpowering analogy for melodic waves. From the same year, China Gates distils this energy into a five-minute work of memorably concentrated stillness. Adams left off the piano for another 20 years until writing Hallelujah Junction for two pianos in 1996. Van Veen gave the Dutch premiere, and he remains an outstanding, authoritative advocate of Adams’s music.

By popular demand, this Berlin Classics recording will be reissued on Vinyl. Handel's famous Suite"Watermusic" is one of the most well know and loved pieces of classical music from the baroque period. This historically informed interpretation stands out through ist clear articulation and historically accurate interpretation. This recording is a must-have for every classical music record collection.

To mark the 250th anniversary of the death of Georg Philipp Telemann, mandolinist Alon Sariel presents a diverse compilation of remarkable works by the great German composer. The compilation is enriched with works by three of Telemann’s contemporaries: Carl Philipp Emanuel Bach, Carl Friedrich Abel and Johann Friedrich Fasch, all three of whom engaged in the creative spirit of the Hamburg composer and his works. Together with his ensemble Concerto Foscari he recorded repertoire that has never been heard before in this musical form. This recording is now available on Vinyl.