Avet Rubeni Terterian: Symphonies Nos. 3 & 4

Regular price $16.99
Label
Chandos
Release Date
November 1, 2019
Format
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    Featuring
    • COMPOSER
      TERTERIAN, AVET RUBENI
    • ORCHESTRA / ENSEMBLE
      Bournemouth Symphony Orchestra
    • PERFORMER
      Karabits
    Product Details
    • RELEASE DATE
      November 01, 2019
    • UPC
      095115524121
    • CATALOG NUMBER
      CHSA 5241
    • LABEL
      Chandos
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. quarter note = 138-152

      Composer: Avet Terterian

      Ensemble: Bournemouth Symphony Orchestra

      Performer: Tigran Aleksanyan, Vahe Hovanesian

      Conductor: Kirill Karabits

    2. II. quarter note = 88 (ad libitum)

      Composer: Avet Terterian

      Ensemble: Bournemouth Symphony Orchestra

      Performer: Tigran Aleksanyan, Vahe Hovanesian

      Conductor: Kirill Karabits

    3. III. quarter note = 138

      Composer: Avet Terterian

      Ensemble: Bournemouth Symphony Orchestra

      Performer: Tigran Aleksanyan, Vahe Hovanesian

      Conductor: Kirill Karabits

    4. Shoger jan (Dear Shoger)

      Composer: Komitas Vardapet

      Performer: Tigran Aleksanyan, Vahe Hovanesian

    5. Noobar-Noobar

      Composer: Traditional

      Performer: Tigran Aleksanyan, Vahe Hovanesian

    6. Beginning -

      Composer: Avet Terterian

      Ensemble: Bournemouth Symphony Orchestra

      Conductor: Kirill Karabits

    7. Figure 92 -

      Composer: Avet Terterian

      Ensemble: Bournemouth Symphony Orchestra

      Conductor: Kirill Karabits

    8. Figure 118

      Composer: Avet Terterian

      Ensemble: Bournemouth Symphony Orchestra

      Conductor: Kirill Karabits


Armenian composer Avet Rubeni Terterian’s third and fourth symphonies were written in the mid-1970’s, during one of his most prolific periods as a composer. Kirill Karabits and the Bournemouth Symphony Orchestra make a compelling case for these rarely performed works. Terterian is regarded in his homeland as a giant of twentieth century Armenian music, and as the founder of his nation’s progressive school of composers. The backbone of his achievement is enshrined in eight symphonies, which Terterian composed over two decades from 1969 onwards; a ninth was in progress at the time of his death. In summing them up, he wrote: “We are all living on the threshold of a terrible apocalyptic judgement. It has always seemed to me that my symphonies are a cry of the soul for salvation and for the forgiveness of sins.”