Takemitsu: To The Edge Of Dream / Williams, Salonen

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Label
Sony Masterworks
Release Date
June 7, 2011
Format
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    Featuring
    • PERFORMER
      Takemitsu, Williams John, Salonen
    Product Details
    • RELEASE DATE
      June 07, 2011
    • UPC
      074644672022
    • CATALOG NUMBER
      SONY 46720
    • LABEL
      Sony Masterworks
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Yume no heri e (To the Edge of Dream)

      Composer: Tōru Takemitsu

      Ensemble: London Sinfonietta

      Performer: John Christopher Williams

      Conductor: Esa-Pekka Salonen

    2. I. —

      Composer: Tōru Takemitsu

      Performer: John Christopher Williams

    3. II. —

      Composer: Tōru Takemitsu

      Performer: John Christopher Williams

    4. III. —

      Composer: Tōru Takemitsu

      Performer: John Christopher Williams

    5. I. The Night

      Composer: Tōru Takemitsu

      Performer: Sebastian Bell, John Christopher Williams

    6. II. Moby Dick

      Composer: Tōru Takemitsu

      Performer: Sebastian Bell, John Christopher Williams

    7. III. Cape Cod

      Composer: Tōru Takemitsu

      Performer: Sebastian Bell, John Christopher Williams

    8. Here, There and Everywhere (arr. T. Takemitsu for guitar)

      Composer: John Lennon, Paul McCartney

      Performer: John Christopher Williams

    9. What a Friend We Have in Jesus (arr. T. Takemitsu for guitar)

      Composer: Charles Converse

      Performer: John Christopher Williams

    10. Amours perdues (arr. T. Takemitsu for guitar)

      Composer: Tōru Takemitsu

      Performer: John Christopher Williams

    11. Porgy and Bess: Act I: Summertime (arr. T. Takemitsu for guitar)

      Composer: George Gershwin

      Performer: John Christopher Williams

    12. Vers, L'arc-en-ciel, Palma

      Composer: Tōru Takemitsu

      Ensemble: London Sinfonietta

      Performer: Gareth Hulse, John Christopher Williams

      Conductor: Esa-Pekka Salonen


This is the second Takemitsu disc to appear in recent months: the first, from Virgin Classics (9/91), was of works for chamber ensemble. The focus here is the guitar—the ideal vehicle, it might be guessed, for Takemitsu's dreamy, introspective yet far from austere musical manner. And so, to a large extent, it proves.

The earliest music is in the solo pieces. Folios (1974) is unobtrusively characterful, with the unexpected appearance of the Bach St Matthew Passion chorale, "Wenn ich einmal soil scheiden", in No. 3. A very different hymn melody is the source of Takemitsu's transcription of What a Friend, which dates from 1977. What a friend we have in Jesus is inoffensively recast as a decorous piece of light music, along with Gershwin's Summertime and two other songs. John Williams makes the best of these miniatures, the immaculate recording catching the full range of the instrument's delicate colours.

The other compositions date from the 1980s. Toward the Sea takes risks in combining alto flute and guitar, the music often seeming too small scale and inturned for its own good. Though it is performed with the utmost refinement, the many pauses and silences almost come to seem more essential than the actual sounds. Vers, l'Arc-enciel, Palma is another mood piece; languid but not wholly soft-centred. There is a brilliant account of the oboe d'amore cadenza from Gareth Hulse, and no denying the skill with which Takemitsu himself sketches the outlines of a satisfying form on a canvas inspired by the paintings of Joan Miro.

Another painter, Paul Delvaux, inspired the strongest music on the disc, the guitar concerto To the Edge of Dream. Appropriately, in view of Delvaux's work, a distinct sense of menace emerges here to offset the more tranquil moods, and the orchestral contribution serves to control the guitar's improvisatory tendencies. We probably hear more of the guitar relative to the orchestra than would be the case in the concert-hall, but there is nothing unreasonably artificial about the result.

-- Gramophone [1/1992]