Michel Petrucciani's 2nd Blue Note release, Power of Three, featured the miraculous French pianist in a duo with guitarist Jim Hall and a trio that added saxophonist Wayne Shorter. Recorded live at the 1986 Montreux Jazz Festival, the album captured a magical night of music-making by three virtuosos. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

Triple yellow colored vinyl LP pressing. 1982 was a stellar year in pop music. We have already included a fantastic selection on the 1982 Yearbook, the 80-84 Final Chapter, and the 'vinyl extras' so far in our appreciation of the year. Those tracks were generally the bigger hits of the year, with their chart achievement a factor in their inclusion - however - that's not the whole singles story of the year, and our celebration of 1982 wouldn't be complete without shining a light on some of that year's singles that have been compiled much less frequently over the past 40 years. Welcome to THE VAULT for 1982. Some of the tracks included were Top 40 hits, some missed the chart completely. Some were representative of massive selling albums, and some were big hits in the U.S. and not in the U.K, but all are part of the wonderful pop story of 1982. Includes tracks by The Cure, Bauhaus, David Sylvian & Ryuichi Sakamoto, The Police, The Who, Steve Winwood, Elton John, Elvis Costello, The Clash, Theatre Of Hate, The Teardrop Explodes, Mike Oldfield, Culture Club, Spandau Ballet, Level 42, Bananarama, Toyah, Visage, Blancmange, Zaine Griff, Afrika Bambaataa & The Soul Sonic Force, George Clinton, Dazz Band, Blue Rondo A La Turk, Bruce Springsteen, Billy Joel, John Mellencamp, and many others.

Triple red colored vinyl LP pressing. NOW That's What I Call 60s Soul brings together 88 defining tracks from soul's first golden decade, including hits from Motown, Atlantic/Stax, and a whole lot more. Includes tracks by Aretha Franklin, The Supremes, Stevie Wonder, Martha Reeves & The Vandellas, Bob & Earl, Mary Wells, The Temptations, Marvin Gaye, Dusty Springfield, Carla Thomas, Wilson Pickett, James Brown, Ben E. King, Percy Sledge, Otis Redding, The Drifters, Barrett Strong, R. Dean Taylor, Jr. Walker & The All-Stars, Booker T & the MGs, The Contours, Eddie Floyd, Sam & Dave, Brenda Holloway, The Four Tops, The Isley Brothers, The Ronettes, The Crystals, The Chiffons, Jimmy Ruffin, Otis Redding, Dionne Warwick, Smokey Robinson & The Miracles, and many others.

Released on Polydor in 1972, He's Coming captures vibraphonist Roy Ayers at a creative apex, as Ubiquity's sound settled into the blend of jazz improvisation, funk rhythm, soul harmony, and spiritual import that would define his work throughout the decade. The album reflects Ayers's deepening move toward a groove-centered musical language rooted in soul-jazz and early jazz-funk. Ayers is supported by a core ensemble that includes Harry Whitaker on electric piano, organ, and vocals; John Williams on bass, with Ron Carter featured on "We Live in Brooklyn, Baby"; David Lee Jr. And Billy Cobham on drums and percussion; guitarists Sam Brown and Bob Fusco; saxophonist Sonny Fortune; and percussionist Juma Santos. Tracks like "He's a Superstar," "Sweet Butterfly of Love," and "Fire Weaver," embody the record's mix of urban narrative, spiritual reflection, and deep rhythmic. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.

Released in 1964 on Verve, The Individualism of Gil Evans stands as one of arranger-composer Gil Evans' most compelling works, showcasing some of the finest music of his career. The album blends Evans' originals and Miles Davis collaborations with inspired interpretations, all rendered through his distinctive big band lens. A core group of musicians, including Johnny Coles, Steve Lacy, Jimmy Cleveland, Tony Studd, Bill Barber, Elvin Jones, and Paul Chambers, lend a remarkable consistency of texture and mood. Evans himself plays piano throughout, his touch especially poignant on "The Barbara Song," where a sense of deep pathos is underscored by Shorter's expressive tenor. From the brooding atmosphere of "Time of the Barracudas" to the one-chord intensity of "El Toreador," the album highlights Evans' mastery of tone, space, and orchestral nuance. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.

Organist Big John Patton's 1966 soul jazz manifesto Got A Good Thing Goin' was a showcase for the dynamic duo of Patton and guitarist Grant Green, whose deep rapport elevate this set of Patton-Green originals and covers of hits by Marvin Gaye and Sam Cooke. They're backed by Hugh Walker on drums and Richard Landrum on congas. This stereo Blue Note Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on gatefold jacket.

Relive the return of a cinematic icon with Indiana Jones and the Kingdom of the Crystal Skull (Original Motion Picture Soundtrack), composed by legendary maestro John Williams. Reuniting with the adventurous spirit of the franchise, Williams once again delivers a sweeping orchestral score filled with excitement, mystery, and nostalgia. Blending the unmistakable Indiana Jones themes with newly crafted motifs, the score enhances Indy's journey into Cold War-era intrigue, ancient secrets, and supernatural discoveries. From thrilling action sequences to more atmospheric and suspenseful moments, Williams' composition captures the timeless essence of the beloved archaeologist. Pressed on limited edition bronze vinyl, this release offers a striking collectible for fans and soundtrack enthusiasts alike. A perfect addition to any collection, it celebrates the enduring legacy of one of film's most iconic heroes and one of cinema's greatest composers.

Limited brown colored vinyl. Experience the epic musical score from the latest adventure with the Indiana Jones and the Dial of Destiny original motion picture soundtrack, presented here on vinyl format. Featuring the acclaimed compositions by John Williams, this release is a must-have for film score collectors and fans of the iconic franchise.

Triple blue colored vinyl LP pressing. NOW Yearbook Presents - The 60s - Volume 3: 1965-1966 - a snapshot of a rapidly evolving pop era where pure pop, soul, rock, beat, easy listening and songwriting sophistication converged. Includes tracks by Dusty Springfield, The Walker Brothers, The Moody Blues, Percy Sledge, The Beach Boys, The Temptations, Sandie Shaw, The Four Tops, Martha Reeves & the Vandellas, The Supremes, Stevie Wonder, Jimmy Ruffin, Tom Jones, Chris Montez, Elvis Presley, The Troggs, Cher, Barry McGuire, Cilla Black, The Spencer Davis Group, and many others.

Embark on one of cinema's greatest adventures with Indiana Jones and the Last Crusade (Original Motion Picture Soundtrack), composed by legendary film composer John Williams. Widely regarded as one of the standout scores in the series, Williams masterfully blends thrilling action cues with heartfelt themes, elevating Indy's quest for the Holy Grail. Featuring iconic motifs alongside new musical highlights such as "The Raiders March" and the majestic "Grail Theme," the score perfectly captures the spirit of adventure, humor, and father-son dynamics that define the film. Williams' rich orchestration brings depth and emotion to every moment, from high-stakes chases to quiet, reflective scenes. Pressed on limited edition sand coloured vinyl, this release is a must-have for collectors and fans of the Indiana Jones saga. A timeless score that continues to define the sound of cinematic adventure.

Essential Tracks From Iconic Albums... Opening with a trio of tracks from stunning debuts: 'A Ray Of Sunshine' from 'Fantastic', the 1983 debut album from Wham, 'Lemon Firebrigade' from Haircut 100's 'Pelican West', and the sumptuous 'Show Me', the opening track from 'The Lexicon Of Love' from ABC. Huge 1983 albums are up next from Culture Club, with 'Black Money' from 'Colour By Numbers', and 'This City Never Sleeps' the closing track on 'Sweet Dreams (Are Made Of This)' from Eurythmics, plus another epic closer from Alison Moyet with 'Where Hides Sleep' from her solo debut 'Alf' completes the first side... flip the lp over and Wham! Are back with 'Heartbeat' from 1984's 'Make It Big' - an album that housed multiple #1 singles. Howard Jones had a huge debut album with 'Human's Lib', with 'Equality' featuring here... Donna Summer is up next with 'Protection' from her Quincy Jones produced 1982 eponymous album alongside Tina Turner with the opening track from her landmark 1984 release 'Private Dancer' and Bruce Springsteen from his 1980 double classic 'The River', whilst the first LP closes with 'Angels On The Balcony', featuring their signature sound, taken from Blondie's 1980 release 'Autoamerican'. LP2 opens with a stellar line up of the era's most sophisticated pop. Leading off with the timeless 'The Chauffeur' from Duran Duran's enormous second album 'Rio', before 'Taking Islands In Africa' a stand-out from Japan's 'Gentlemen Take Polaroids'. Tears For Fears made their album debut in 1983 and the title track from 'The Hurting' is featured along with a great pop moment, 'Black Night White Light' from Frankie Goes To Hollywood's 1984 debut 'Welcome To The Pleasuredome'. 1981's biggest selling album in the UK was 'Kings Of The Wild Frontier' from Adam & The Ants and 'Ants Invasion' taken from it is featured next along with Echo & The Bunnymen with 'Crystal Days' from 'Ocean Rain', and the side signs-off with the gorgeous 'The Day It Rained Forever' from the fantastic solo debut 'North Of A Miracle' by Nick Heyward. Over on the other side The Cure open with 'Play For Today' from their second album 'Seventeen Seconds', followed by Joy Division from their second 'Closer', with 'Isolation'. The opening track 'Tyler' from UB40's acclaimed 1980 debut 'Signing Off' comes ahead of Grace Jones' breathtaking version of 'Nightclubbing' and The Police with their fusion of post punk and 'reggae rock', from their 1980 #1 album 'Zenyatta Mondatta' with 'When The World Is Running Down, You Make The Best Of What's Still Around'. The last two tracks on LP2 were featured on albums released on the influential 2-Tone label; The Selecter with the title track from 1980's 'Too Much Pressure', and The Specials with their cover of 'Enjoy Yourself (It's Later Than You Think)', the opening track on their 1980 album 'More Specials'. The final LP opens with a superb line-up of tracks from hugely influential albums: Spandau Ballet open with 'Reformation' from their 1980 debut 'Journeys To Glory', followed by Ultravox with 'New Europeans' from 'Vienna', The Human League with 'The Things That Dreams Are Made Of' from 1981's hit-packed 'Dare' and 'Secret Life' from Soft Cell's remarkable debut 'Non-Stop Erotic Cabaret'. Heaven 17 are up next from 'The Luxury Gap' followed by Simple Minds with the title track 'New Gold Dream (81/82/83/84)' from their brilliant 1982 album - and Orchestral Manoeuvres In The Dark with 'She's Leaving' from 'Architecture And Morality' closes the side... Turning over to the final side, opener 'Mystery Achievement' was the final track on the Pretenders debut 'Pretenders' released just two weeks into 1980, and second album highlights follow: 'Harborcoat' featured on R.E.M.'s 'Reckoning', and 'Age Of Consent' opened New Order's second album 'Power, Corruption And Lies'. The final three tracks are all stellar examples of the era's most sophisticated pop; Roxy Music's 1982 'Avalon' included 'The Space Between', and in 1984 David Sylvian released his first solo album 'Brilliant Trees', and from it the outstanding and atmospheric 'Nostalgia' shares a jazz-influence with the final track, a collaboration between The Style Council & Tracey Thorn 'The Paris Match' taken from The Style Council's 1984 album 'Cafe Bleu'. 40 fantastic tracks - A sampler of the iconic albums that represent an incredible period of creativity and originality: NOW That's What I Call An Era : The Albums 1980 1984.

Face the darkest chapter of Indiana Jones' journey with Indiana Jones and the Temple of Doom (Original Motion Picture Soundtrack), composed by legendary film composer John Williams. This intense and adventurous score dives deeper into the franchise's emotional and thrilling extremes, blending action, suspense, and cultural textures into one of the most dramatic entries in the series. From the pulse-pounding "Anything Goes" opening to the relentless energy of "The Mine Car Chase," Williams delivers a score filled with urgency, mystery, and cinematic spectacle. Iconic themes like "Short Round's Theme" and "The Temple of Doom" heighten the film's atmosphere, while orchestral tension drives it's darker narrative tone. Pressed on limited edition orange vinyl, this release brings a vibrant visual identity to a legendary soundtrack. A must-have for collectors and fans of the Indiana Jones saga, it captures one of John Williams' most adventurous and daring scores.

Triple red colored vinyl LP pressing. Step back to the dawn of the decade - a golden age of chart-topping pop, timeless soul, rock 'n' roll energy and unforgettable ballads. NOW Yearbook Presents - The 60s - Volume 1: 1960-1962 features unforgettable tracks including hits from The Everly Brothers, Cliff Richard, Elvis Presley, The Shadows, Bobby Darin, Frankie Valli & The Four Seasons, Chris Montez, Little Eva, The Crystals, Acker Bilk, Matt Monro, Bobby Vinton, Roy Orbison, The Allisons, Brenda Lee, Jim Reeves, Ben E. King, The Drifters, Bruce Channel, Maurice Williams & The Zodiacs, The Marcels, Percy Faith, Petula Clark, Connie Francis, Dion, Del Shannon, and many others.

Stella Cole's first live album captures the magic of her sold-out engagement at New York's iconic Cafe Carlyle. Featuring Great American Songbook favorites - many inspired by the classic films she grew up with - she delivers warm, heartfelt takes on standards like "It's Magic," "Moon River," and "Singin' in the Rain," joined by pianist Michael Kanan, bassist Michael Migliore, and drummer Hank Allen-Barfield.

Five colored (green, purple, orange, blue, and pink) vinyl LP pressing. NOW are proud to present NOW - Yearbook 1985 - 1989 featuring an album per year for the period 1985-1989, each containing an incredible line-up of tracks taken from either the 'Yearbook' or 'Extra' that haven't been included on a 'Yearbook' edition before. Includes tracks by Wham, Go West, Dead Or Alive, Level 42, Tears for Fears, Bryan Ferry, Simple Minds, The Dream Academy, Billy Idol, John Parr, Paul Young, Pat Benatar, Billy Ocean, Cameo, Bon Jovi, The Bangles, Bucks Fizz, Bruce Springsteen, Jan Hammer, Black, The Cure, Siouxsie And The Banshees, New Order, Duran Duran, Bananarama, The Communards, Alison Moyet, Cliff Richard, T'Pau, Rick Astley, Wet Wet Wet, Chris Rea, Belinda Carsisle, Pet Shop Boys, Danny Wilson, and many others.

Trio Barclay present Beyond The Pacific, an album of contemporary works for piano trio that sits at the intersection of chamber music excellence and a 21st-century American musical experience. The album opens with a cathartic journey: the Piano Trio No. 1 of Sheridan Seyfried. Energetic and heartfelt in equal measure, the range of tones and color on display throughout the album is immediately apparent. Elsewhere, "Orcas Island: The Rose of the San Juan Islands" by John Wineglass heightens the imagery, depicting a stunning portrait of the seascapes of the Pacific Northwest. Further down the Western coastline, Michael Fine's "California" delights in the fascinating multiculturalism of the Golden State, the third of three works showcased fittingly by three of California's foremost chamber musicians. Trio Barclay present these thought-provoking works with their usual flair and vigour. Having fostered a reputation as an ensemble of big musical personalities who create dynamic and exciting musical experiences across North America and beyond, this album is a moving and nostalgic return home, underscored by three gems of contemporary music.