Compared with large-scale oratorios such as St Paul, which includes the lyrical chorus How lovely are the messengers, Mendelssohn’s smaller sacred choral works were influenced by Palestrina, ranging from short liturgical motets such as the Sechs Sprüche to the canticle settings of the Magnificat and Nunc dimittis. The famous sacred melody ‘O for the wings of a dove’ is to be found in Hear my prayer. The fine choristers of St Albans Cathedral can also be heard ‘on sparkling form’ (Gramophone) in John Rutter’s Gloria (8.572653).

John Rutter's latest major work Visions is a four-movement showpiece for solo violin, string orchestra, harp and choir of treble voices, based on the theme of Jerusalem, the Holy City of prophetic imaginations. It was composed at the invitation of the 2016 Menuhin Competition and premiered at a Festival concert in London's historic Temple Church by Kerson Leong, winner of the 2010 Junior Menuhin Prize, and the Choristers of the Temple Church. They are joined by the Cambridge Singers and the young and vibran tAurora Orchestra. Requiem, one of Rutter's most well-known and widely-performed pieces, was originally recorded by John Rutter in the 1980's. Rutter felt it would be interesting to give a new generation of the Cambridge Singers an opportunity to see what they could do with what is now a familiar choral work.

Peter Philips was the most famous English composer of his time, and only Byrd, a generation older, had more compositions published. Much of Philips’s life was spent on the Continent, where he wrote music of intricate, text-conscious colour, both deeply expressive and architecturally powerful. His motets and anthems, whether celebratory, meditative or dramatic, embrace the widest range of feeling and texture. The much-admired Sarum Consort’s disc All the Queen’s Men (8.572582) was praised for its ‘energy and aplomb’. (American Record Guide)

Their fourth Christmas release, BBC Music Magazine Award winning choir Tenebrae return under the expert direction Nigel Short with a sumptuous album of Carols, Hymns and other celebratory works for Christmas.

Tenebrae is regularly engaged with the world’s finest orchestras – appearing regularly with the Academy of Ancient Music and Aurora Orchestra – and has performed at major festivals and venues including the BBC Proms, Edinburgh International Festival, Leipzig Gewandhaus (Germany) and Melbourne Festival (Australia). ‘Passion and Precision’ are Tenebrae’s core values. Through its continued dedication to performance of the highest quality, Tenebrae’s vision is to deliver dramatic programming, flawless performances and unforgettable experiences, allowing audiences around the world to be moved by the power and intimacy of the human voice.

REVIEWS:

The variety of carols is enchanting: Tenebrae includes pieces by authors from the twentieth century (such as Ralph Vaughan Williams, Benjamin Britten, Elizabeth Poston and Herbert Howells), from the nineteenth century (such as Edward W. Naylor) or contemporary (such as Owain Park , Joanna Marsh, Joseph Phibbs and Joanna Forbes l'Estrange), all well-contrasted samples of Christmas music. Short — who presents a new version of Britten's work, A Ceremony of Carols op. 28, a piece full of charm perhaps because of the mystery of the ancient texts—he has done an exceptional job with the musicians in his choir, accompanied by Camilla Pay's harp.

Highlights include the delicate That Yongë Childe ('That little boy'), with a solo of Joshua Davidson—former chorister of the St. John's College—as well as an exquisite duet of soloists Grace Davidson and Martha McLorinan in Spring Carol and the enchanting This Little Babe, in a lyrical and dynamic interpretation of the female voices to the rhythm of the harp. Pay's imaginative and personal interpretation of the interlude deserves a commendable mention. The voices of the choir have been very successful in performing Advent music, such as Marsh's In Winter's House, composed in 2019 for the tenors and basses of the Tenebrae Choir, and the beautiful Advent 'O' Carol by the composer Forbes l'Estrange. Likewise, the version of the traditional Christmas carol The Truth Sent from Above, arranged by Ralph Vaughan Williams, has the splendid baritone Joseph Edwards as soloist.

With his plurality of perspectives, Nigel Short offers a very coherent proposal not only for his varied repertoire but also for the rigor with which he synthesizes the knowledge he has acquired at the head of the Tenebrae Choir.

-- Sonograma