BIS
Bach: Cantatas Vol 12 / Suzuki, Bach Collegium Japan
$21.99
Details
- Composer
- BACH, J.S.
- Artist
- Yukari, Su, Peter, Nonoshita, Robin, Kooij, Bach Collegium Japan, Blaze
- Format
- CD
- Label
- BIS
- Released
- Feb 01, 2000
- Catalog #
- BIS-CD-1031
- UPC
- 7318590010310
About
The astonishing variety of Bach’s cantatas is brilliantly illustrated by these CDs. Vol. 12 of Masaaki Suzuki’s ongoing cycle features a pair of extended, two-part cantatas: BWV 147, best-known for its lovely chorale (aka ‘Jesu, Joy of Man’s Desiring’), and BWV 21, described by Nicholas Anderson as having ‘a dramatic intensity hardly inferior... to that of the two great Passions’. Both cantatas have their origins in Bach’s Weimar period but are presented here in their later, Leipzig versions.
As is to be expected from Suzuki, the performances are meticulous and sensitive, and he brings out each cantata’s different emotional character with quiet authority. BWV 21 is particularly impressive, his team breathing vivid life into Bach’s portrayal of the Soul’s journey from darkest night to heavenly bliss. In contrast to this spiritual introspection, Philippe Herreweghe’s excellent disc features three cantatas Bach wrote for the annual inauguration of the Leipzig town council. This is public-event music, ablaze with ceremonial splendour: the earliest cantata, 1723’s BWV 119, begins with a French overture and is among the most richly scored of all the cantatas. The other two follow suit, jubilant choruses and brass fanfares proclaiming civic pride, though Bach takes care to balance this pomp with more delicate colours in the arias. Funeral music, yet another facet of the Cantor’s output, is explored on John Eliot Gardiner’s newly reissued 1989 recording. The deft vocal interweavings of the Actus tragicus and the Trauer Ode’s lavish salute to the Electress Christiane are adeptly handled by Gardiner, whose (relatively) small forces give the music a rapt, devotional air. In this company, Stephen Cleobury’s King’s College double seems lacklustre. The programme, which mixes major works with miniatures and extracts, is cluttered, the latter pieces merely distractions. Performances, while good, rarely match the precisely focused, sharply etched flair so evident on the Herreweghe and Suzuki discs. Performance: 5 (out of 5), Sound: 5 (out of 5)
-- BBC Music Magazine
As is to be expected from Suzuki, the performances are meticulous and sensitive, and he brings out each cantata’s different emotional character with quiet authority. BWV 21 is particularly impressive, his team breathing vivid life into Bach’s portrayal of the Soul’s journey from darkest night to heavenly bliss. In contrast to this spiritual introspection, Philippe Herreweghe’s excellent disc features three cantatas Bach wrote for the annual inauguration of the Leipzig town council. This is public-event music, ablaze with ceremonial splendour: the earliest cantata, 1723’s BWV 119, begins with a French overture and is among the most richly scored of all the cantatas. The other two follow suit, jubilant choruses and brass fanfares proclaiming civic pride, though Bach takes care to balance this pomp with more delicate colours in the arias. Funeral music, yet another facet of the Cantor’s output, is explored on John Eliot Gardiner’s newly reissued 1989 recording. The deft vocal interweavings of the Actus tragicus and the Trauer Ode’s lavish salute to the Electress Christiane are adeptly handled by Gardiner, whose (relatively) small forces give the music a rapt, devotional air. In this company, Stephen Cleobury’s King’s College double seems lacklustre. The programme, which mixes major works with miniatures and extracts, is cluttered, the latter pieces merely distractions. Performances, while good, rarely match the precisely focused, sharply etched flair so evident on the Herreweghe and Suzuki discs. Performance: 5 (out of 5), Sound: 5 (out of 5)
-- BBC Music Magazine
Tracklist 21 tracks
-
1 Chorus: Herz und Mund und Tat und Leben 04:13
- Track
- 1
- Title
- Chorus: Herz und Mund und Tat und Leben
- Duration
- 04:13
- Composer
- Johann Sebastian Bach
-
2 Accompanied Recitative: Gebenedeiter Mund! (Tenor) 01:48
- Track
- 2
- Title
- Accompanied Recitative: Gebenedeiter Mund! (Tenor)
- Duration
- 01:48
- Composer
- Johann Sebastian Bach
-
3 Aria: Schame dich, o Seele, nicht (Alto) 04:00
- Track
- 3
- Title
- Aria: Schame dich, o Seele, nicht (Alto)
- Duration
- 04:00
- Composer
- Johann Sebastian Bach
-
4 Recitative: Verstockung kann Gewaltige verblenden (Bass) 01:28
- Track
- 4
- Title
- Recitative: Verstockung kann Gewaltige verblenden (Bass)
- Duration
- 01:28
- Composer
- Johann Sebastian Bach
-
5 Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) 04:14
- Track
- 5
- Title
- Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano)
- Duration
- 04:14
- Composer
- Johann Sebastian Bach
-
6 Chorale: Wohl mir, dass ich Jesum habe 03:00
- Track
- 6
- Title
- Chorale: Wohl mir, dass ich Jesum habe
- Duration
- 03:00
- Composer
- Johann Sebastian Bach
-
7 Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor) 02:54
- Track
- 7
- Title
- Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor)
- Duration
- 02:54
- Composer
- Johann Sebastian Bach
-
8 Recitative: Der hochsten Allmacht Wunderhand (Alto) 02:13
- Track
- 8
- Title
- Recitative: Der hochsten Allmacht Wunderhand (Alto)
- Duration
- 02:13
- Composer
- Johann Sebastian Bach
-
9 Aria: Ich will von Jesu Wundern singen (Bass) 02:46
- Track
- 9
- Title
- Aria: Ich will von Jesu Wundern singen (Bass)
- Duration
- 02:46
- Composer
- Johann Sebastian Bach
-
10 Chorale: Jesus bleibet meine Freude 03:01
- Track
- 10
- Title
- Chorale: Jesus bleibet meine Freude
- Duration
- 03:01
- Composer
- Johann Sebastian Bach
-
11 Sinfonia 03:02
- Track
- 11
- Title
- Sinfonia
- Duration
- 03:02
- Composer
- Johann Sebastian Bach
-
12 Chorus: Ich hatte viel Bekummernis in meinem Herzen 04:01
- Track
- 12
- Title
- Chorus: Ich hatte viel Bekummernis in meinem Herzen
- Duration
- 04:01
- Composer
- Johann Sebastian Bach
-
13 Aria: Seufzer, Tranen, Kummer, Not (Soprano) 04:30
- Track
- 13
- Title
- Aria: Seufzer, Tranen, Kummer, Not (Soprano)
- Duration
- 04:30
- Composer
- Johann Sebastian Bach
-
14 Recitative: Wie hast du dich, mein Gott (Tenor) 01:43
- Track
- 14
- Title
- Recitative: Wie hast du dich, mein Gott (Tenor)
- Duration
- 01:43
- Composer
- Johann Sebastian Bach
-
15 Aria: Bache von gesalznen Zahren (Tenor) 05:50
- Track
- 15
- Title
- Aria: Bache von gesalznen Zahren (Tenor)
- Duration
- 05:50
- Composer
- Johann Sebastian Bach
-
16 Soli/Chorus: Was betrubst du dich, meine Seele 03:21
- Track
- 16
- Title
- Soli/Chorus: Was betrubst du dich, meine Seele
- Duration
- 03:21
- Composer
- Johann Sebastian Bach
-
17 Recitative: Ach Jesu, meine Ruh (Soprano / Bass) 01:22
- Track
- 17
- Title
- Recitative: Ach Jesu, meine Ruh (Soprano / Bass)
- Duration
- 01:22
- Composer
- Johann Sebastian Bach
-
18 Aria Duetto: Komm mein Jesu, und erquicke (Soprano / Bass) 03:56
- Track
- 18
- Title
- Aria Duetto: Komm mein Jesu, und erquicke (Soprano / Bass)
- Duration
- 03:56
- Composer
- Johann Sebastian Bach
-
19 Soli/Chorus: Sei nun wieder zufrieden, meine Seele 04:29
- Track
- 19
- Title
- Soli/Chorus: Sei nun wieder zufrieden, meine Seele
- Duration
- 04:29
- Composer
- Johann Sebastian Bach
-
20 Aria: Erfreue dich, Seele, erfreue dich, Herze (Tenor) 02:33
- Track
- 20
- Title
- Aria: Erfreue dich, Seele, erfreue dich, Herze (Tenor)
- Duration
- 02:33
- Composer
- Johann Sebastian Bach
-
21 Chorus: Das Lamm, das erwurget ist 03:09
- Track
- 21
- Title
- Chorus: Das Lamm, das erwurget ist
- Duration
- 03:09
- Composer
- Johann Sebastian Bach