Limited 180gm colored vinyl LP pressing including six bonus tracks. "The question of whether Etta James became a pop singer, a jazz singer, or a blues singer needn't detain you long. She was all of those, as At Last bears out, and more besides. James touched on gospel, doo-wop and rhythm 'n' blues with equal facility. "Dance With Me, Henry" was a hit, but renamed "The Wallflower" and covered by Georgia Gibbs. Because James had a composition credit, it made her some money, but she didn't like to be bested. She made sure that the next time it would be her name on the label. " Penguin Guide to Jazz "At Last!, her debut LP, made for the celebrated Chicago label Chess, certainly is one of her most memorable. It's impossible to not be moved by the power of her voice, beginning with the opening notes of "Anything to Say You're Mine". Every phrase, every word is attacked with an energy that commands respect. But beware, this young woman (she was only 22 at the time) could also take on the sweetest forms of a melancholy ballad, such as "Stormy Weather", and manage to achieve tenderness. At Last! Is one of the key soul music albums of the early 1960's." Jazz Magazine ETTA JAMES, lead vocals; The Riley Hampton Orchestra. Arranged and conducted by Riley Hampton. Recorded in Chicago, Illinois, 1960 and 1961. Original sessions produced by Phil and Leonard Chess.

This masterpiece remains to this day, one of the best soul/R&B albums ever. Here Etta James was comfortable and convincing, singing pop standards as she did on the magnificent title track, which was written in 1941 and originally recorded by Glenn Miller's orchestra. At Last became Etta's signature song. It reached number two on the R&B chart and number 47 on the Billboard Hot 100. Her powerhouse contralto voice was matched with the sumptuous, bluesy string arrangements of Riley Hampton, and James truly came into her own as a singer.

Etta James: THE MONTREUX YEARS is a treasure trove of timeless classics, powerful and electrifying performances and raw, soaring vocals by one of the greatest ever female vocalists. The collection, featuring recordings from James' Montreux Jazz Festival concerts in 1977, 1978, 1989 1990 and 1993, encapsulates and reflects Etta's dynamic artistry and long-lasting impact. Spanning performances from across three decades, Etta James: THE MONTREUX YEARS offers deeply personal and intimate snapshots into James' acclaimed musical journey, highlights and her phenomenal career.

Taj Mahal can rightfully be called a living legend for his contributions to popular music. With a voice as instantly recognizable as Louis Armstrong, Ray Charles, or Dr John, Taj Mahal has throughout his career pushed the envelope of American music forward by incorporating sounds from the Caribbean, Africa, traditional blues and jazz. With Savoy, Taj takes a new direction in his musical journey, exploring classics from the American songbook with his good friend and acclaimed record producer John Simon, whose resume includes producing classic albums by The Band, Janis Joplin, Leonard Cohen, Blood, Sweat & Tears, Simon & Garfunkel, Gordon Lightfoot, Mama Cass Elliot, David Sanborn, and Michael Franks. Savoy is the realization of a musical collaboration they had been planning for decades.

Limited 180gm vinyl LP pressing. Last Night Blues is Lightnin' Hopkins' 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins' and Terry's different yet complementary styles to create a well-rounded listening experience. AllMusic declared, "this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth."

Vinyl LP pressing. Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco. Featuring originals and King's rendition of classics, the album demonstrates Albert King's blues prowess. According to Rolling Stone, this album is "Just the unadulterated pure and simple blues."

Limited 180gm vinyl LP pressing. A compilation of singles released from 1953 and 1958, I'm Jimmy Reed is his debut full-length album. Initially released in 1958 on Vee-Jay Records, this album features "Ain't That Lovin' You Baby," which hit #8 on the Billboard R&B chart. Record Collector Magazine hails the album as "Arguably the first great blues album" and "testament to the thrilling talent of one of the form's most influential figures." Bluesville Acoustic Sounds Series is remastered from the original tapes.

Gary Moore - "Bad for You Baby" [2 LP] Bad for You Baby is the 17th studio album by legendary Irish blues guitarist and singer Gary Moore. Released in 2008, it was the final album to be released in Moore's lifetime. Includes "Down the Line," "Did You Ever Feel Lonely?" and the title track. 2 LP set with printed inner sleeves.

Lightnin' Hopkins (1912-1982) was a country bluesman of the highest caliber whose career began in the 1920s and stretched all the way into the 1980s. One of the most influential blues guitarists to come out of the state of Texas, Hopkins' unique fingerpicking guitar style would alternate single-note leads with rhythm and bass guitar, adding percussive elements by slapping or tapping the body of his guitar. The Rooster Crowed in England was recorded in 1959, a few years before Hopkins' first trip across the Atlantic. His first London trip would take place as part of the 1964 International American Folk Blues Festival. THE COMPLETE ALBUM + 2 BONUS TRACKS - 180-GRAM VIRGIN VINYL - LIMITED EDITION

Vinyl LP pressing. John Lee Hooker, known as "The King of the Boogie" and "the Boogie Man", was a true Blues icon. Quality rather than quantity is the key to Hooker's singular success. He did not have a huge number of hits in the R&B chart, but those that did make a major impact would provide some of the key musical architecture for future blues and rock artists. When he came to prominence in the late '40s, he was playing blues in a way that was regarded as somewhat spare, his dark repetitive vocals supported only by his amplified guitar and his stamping foot. His was no overnight stardom. Having paid his dues over many years, once he started recording, he did so prolifically. This fine collection of his earlier songs demonstrates Hooker's blues virtuosity while at the same time establishing his work as a signpost to a deeper understanding of the British Blues explosion. It features a host of early hits including the iconic No.1's "Boogie Chillen'" and "I'm In The Mood", alongside "Hoogie Boogie", "Hobo Blues", "Crawlin' King Snake", "Dimples", "No Shoes" and, naturally, the timeless "Boom Boom"

AMERICAN BLUES POP ROCK ROOTS MUSICIAN " "I was so happy to hear the latest new music from Matthew Curry. I've always really admired Mathew's music, ever since he, and his band began playing shows with us, maybe 6, or 7 years ago. The audience loved his well crafted songs, soaring guitar solos, and soulful singing. We were part of that audience. He is the real deal. His most recent album, 'Open Road', is further proof that Matthew Is continuing to hone his formidable chops. Mathew rips it up on the title track, which reminds me of a Delaney & Bonnie style Eric Clapton tune, and I say this with admiration, since that is one of my favorite Clapton eras. 'On My Way', is just great rointuneck 'n roll, in sort of a Skynyrd vein. 'I Think Of You', a beautiful ballad of lost love, and hope. Then there is some extreme angst in 'Workin' It Out'. A really interesting production, and once again, some killer guitar playing, and amazing vocals. Every song on the album has something special that sets it apart, and makes this a complete package. I've listened to all the songs several times, and I continue to hear things I hadn't noticed before. There's so much great music on this recording. I can't recommend it enough. Check it out, I know you'll feel the same!" - Pat Simmons (The Doobie Brothers)

I was so happy to hear the latest new music from Matthew Curry. I've always really admired Mathew's music, ever since he, and his band began playing shows with us, maybe 6, or 7 years ago. The audience loved his well crafted songs, soaring guitar solos, and soulful singing. We were part of that audience. He is the real deal. His most recent album, 'Open Road', is further proof that Matthew Is continuing to hone his formidable chops. Mathew rips it up on the title track, which reminds me of a Delaney & Bonnie style Eric Clapton tune, and I say this with admiration, since that is one of my favorite Clapton eras. 'On My Way', is just great rointuneck 'n roll, in sort of a Skynyrd vein. 'I Think Of You', a beautiful ballad of lost love, and hope. Then there is some extreme angst in 'Workin' It Out'. A really interesting production, and once again, some killer guitar playing, and amazing vocals. Every song on the album has something special that sets it apart, and makes this a complete package. I've listened to all the songs several times, and I continue to hear things I hadn't noticed before. There's so much great music on this recording. I can't recommend it enough. Check it out, I know you'll feel the same! - Pat Simmons (The Doobie Brothers)

For Robin Trower, stage and studio are two sides of the same coin. If you've followed the seven-decade career of the award-winning British bluesman, you'll know every song on One Moment In Time: Live In The USA. But unless you've pushed your way to the front of his sell-out shows, you've never heard them like this before. "I'm a different player on the stage," considers the 80-year-old. "It's almost impossible to get to that point in the studio. It's the sound of the guitar, it's the volume, it's the crowd. For what I do, it takes one hundred per cent commitment for it to work. But if you do it well, it's life-affirming."