A must-have for all sci-fi fans, Galaxymphony II - Galaxymphony Strikes Back, a symphonic space journey. Travel the universe with the best tracks from Apollo 13, Avatar, Blade Runner, Gravity, Interstellar, Star Trek, Star Wars, The Hitchhiker's Guide to the Galaxy and The Mandalorian.

Celebrating the union of classical and jazz, LSO Live's latest release encapsulates the very best of the two genres with an irresistible selection of works by Bernstein, Stravinsky and Golijov, conducted by Sir Simon Rattle. Argentinian tango and jazz course through Golijov's vibrant Nazareno. Superstar piano duo Katia and Marielle Labeque are flanked by brass, percussion and cellos in this special arrangement for two pianos and orchestra by Gonzalo Grau. LSO Principal Clarinettist Chris Richards steps into the spotlight in Stravinsky's Ebony Concerto. The work is an era-defining amalgamation of jazz and classical, reflecting back the variety of a rapidly changing world, at turns frenetic and agitated, mournful and bluesy. This fluidity extends into Bernstein's Prelude, Fugue and Riffs - an exuberant display of contrasting musical ideas, harmoniously intertwined together.

Vladimir Jurowski is one of today's most sought after conductors. His London Philharmonic Orchestra performances from Stravinsky's catalogue span his 20 year association with the Orchestra, culminating in him including Stravinsky's Jeu de cartes in the program of his final concert as Principal Conductor in August 2021. This recording, the first of a three volume Stravinsky series, features two cornerstone works. The Firebird featured in Jurowski's first scheduled concert conducting the LPO back in March 2002 and this recording comes from a 2018 Royal Festival Hall performance, described as "a masterpiece" by the Evening Standard. The Rite of Spring comes from an earlier Royal Festival Hall concert in 2008. Stravinsky's music in the hands of Jurowski delivers a focus and clarity that is beautifully preserved and realised on these recordings.

The final volume of the complete Sibelius Symphonies from the Royal Philharmonic Orchestra and Owain Arwel Hughes contains the ever popular 5th coupled with the beautiful less well known 6th, and the ground breaking single movement 7th, the composer's final word on the symphony. His 8th, apparently completed, was consigned to the fire by Sibelius. The first volume in this cycle was made a Gramophone Editors Choice and was praised for the performances, interpretation and the recorded sound.

Domingo Hindoyan's exciting program of French repertoire includes early and late orchestral masterpieces by Debussy, Roussel's sumptuous and brilliantly scored 2nd ballet suite from Bacchus et Ariadne, and the rarely heard and spectacular La Peri, subtitled Poem Danse by the highly self-critical but brilliant Dukas.

History, heritage, and fate combine in this recording from Gianandrea Noseda and the London Symphony Orchestra, bringing together the music of Tchaikovsky and Rimsky-Korsakov. Tchaikovsky's Fifth Symphony, brimming over with drama and emotional intensity, charts a course from darkness to a final, life-affirming glimmer of optimism. Composed in 1888 and conducted by Tchaikovsky for it's November premiere that year, the symphony makes use of a recurring main 'Fate theme' to bring together the work's four movements. Rimsky-Korsakov dug deep into Russian legends and folk tales for his opera. "The Legend of the Invisible City of Kitezh". Follow the mythical, magical story of the 'Russian Atlantis' in this orchestral suite, told through the composer's glittering orchestral palette.

From the cello to the bassoon, the tuba to the timpani, Those Amazing Musical Instruments! takes you on an exciting musical tour! In a revised edition, including access to a brand new, exclusive website, this vibrant, colorful, comprehensive and unique book is a rich exploration of orchestral instruments. Learn about the character of each instrument, how it is constructed and played, which instruments go well together, and hear how they all sound!

With featured guide, conductor Marin Alsop, you’ll even know your heckelphone from your sackbut and your tom-tom from your tam-tam – all by spending hours of fun with words, pictures and music tracks.

In a continuation of his symphony cycle with the London Symphony Orchestra, Gianandrea Noseda conducts two curious and contrasting symphonies by Dmitri Shostakovich-the Sixth and Fifteenth. Following the success of his Fifth Symphony, all eyes were on Shostakovich to create a work that would measure up to it's predecessor. The Sixth was originally intended as an immense musical monument to Lenin, to be woven with heroic melodies and folk songs. Instead his audiences were surprised to hear a quite different result-a contemplative, restrained first movement that morphs puzzlingly into a ferocious ending. The Fifteenth is another of Shostakovich's musical enigmas, with inexplicable quotes from music by Rossini, Glinka and Wagner dotted throughout, alongside references to his own music from his younger years. Written in 1970-71 when the composer's health was declining, this final symphony is one of fond reflection. Together these unconventional works showcase Shostakovich's range as a composer-from wild exhuberance to quiet introspection.

Conducting Bruckner, says Rattle, is a lifelong quest for some "extraordinary vista, some wonderful moment which leads you out of this world". This certainly rings true for Bruckner's Seventh Symphony, the opening theme for which is said to have come to him in a dream, played by an angel. This huge, glowing mountain-range of sound is all at once majestic, reverent and terrifying. This edition of the symphony by Benjamin-Gunnar Cohrs was first performed by the London Symphony Orchestra and Sir Simon Rattle in September 2022, and the recording completes a set of three albums which also features Cohrs' editions of Bruckner's Fourth and Sixth symphonies. Making use of Bruckner's discarded fragments and lesser-known material through his many revisions, this set of albums is a must-listen for lovers of Bruckner's music, and gives us a glimpse into the composer's untold musical thoughts.

Since the London Symphony Orchestra's foundation in 1904, the music and spirit of Sir Edward Elgar have lived in the Orchestra's blood. Elgar conducted the LSO during it's very first 1904-5 season of concerts, and the Orchestra's first Principal Conductor, Hans Richter, was a devoted champion of the composer's music both at home and abroad. Combining a remastered collection of the LSO's finest Elgar recordings, this album demonstrates the enduring significance of the composer's work for the LSO, and showcases performances by conductors Barry Tuckwell, Rafael Fruhbeck de Burgos, Sir Colin Davis and Sir Antonio Pappano. The album features critically acclaimed, award-winning recordings of Elgar's Symphonies Nos 1-3, alongside orchestral favorites including Elgar's "Enigma" Variations, Cello Concerto, Imperial March and Pomp & Circumstance Marches.

This album combines three of Britten's enduringly popular, yet vastly distinctive works. Sir Simon Rattle leads us on an unexpected journey through this diverse collection of masterpieces. Written shortly after the outbreak of World War II, Sinfonia da Requiem meditates in part on the political populism which had, for the second time in just a few decades, plunged the world in to an existential crisis. In this piece, Britten's rich, yearning harmonies reveal a sombre and dramatic warning of the cost of conflict. From the darkness of war, we move towards the light with Britten's choral Spring Symphony. With it's mysterious reimagining of traditional English folk song and verse, the work depicts the gradual reawakening of the natural world when winter ebbs away, and spring begins to triumph. Britten let his imagination catch fire in The Young Person's Guide to the Orchestra. This brilliantly original showpiece is one of the composer's best-known pieces, and draws the album to a close.

This recording concludes a highly-rated three-volume Stravinsky series recorded by the London Philharmonic Orchestra with then Principal Conductor (now Conductor Emeritus) Vladimir Jurowski. This series documents Jurowski's year-long Stravinsky festival with the LPO in 2018, 'Changing Faces'. The festival surveyed Stravinsky's works, programed chronologically alongside his influences and those he influenced. Vladimir Jurowski is one of today's most sought-after conductors. His LPO performances from Stravinsky's catalog covered his 20-year association with the Orchestra. The first volume of the series was a Gramophone Editor's Choice. Stravinsky's music in the hands of Jurowski delivers live in concert a focus and clarity that is beautifully preserved and realised on these recordings.

Fantasymphony II - A Concert of Fire and Magic, a must-have for all fantasy fans, available on Blu-ray, CD and digital (also in Dolby Atmos). The hit concert Fantasymphony is back. Rejoice in epic music from the greatest fantasy movies, series and games. The Danish National Symphony Orchestra opens the gates to the magic worlds. From The Lord of The Rings, Game of Thrones, The Hobbit, The Witcher, Skyrim, League of Legends, and many more. Fantasymphony II features spectacular music and lighting effects. Conductor Christian Schumann is a recognized specialist for film music - "A shining star of the new German conductor generation" - Neue Zuricher Zeitung

Fantasymphony II - A Concert of Fire and Magic, a must-have for all fantasy fans, available on Blu-ray, CD and digital (also in Dolby Atmos). The hit concert Fantasymphony is back. Rejoice in epic music from the greatest fantasy movies, series and games. The Danish National Symphony Orchestra opens the gates to the magic worlds. From The Lord of The Rings, Game of Thrones, The Hobbit, The Witcher, Skyrim, League of Legends, and many more. Fantasymphony II features spectacular music and lighting effects. Conductor Christian Schumann is a recognized specialist for film music - "A shining star of the new German conductor generation" - Neue Zuricher Zeitung

Debussy & Strauss is the first album to be released on the Melbourne Symphony Orchestra's own record label, in partnership with LSO Live. For this debut recording, the MSO and conductor Jaime Martin are joined by outstanding Australian soprano Siobhan Stagg, the MSO's 2023 Artist in Residence. Together, they present two song cycles from opposite ends of life, exploring loves with vastly different essences. Debussy and Strauss inhabit such different musical worlds that it comes almost as a surprise to see them side by side and recognize they were members of the same generation. The fact that Debussy was more overtly modern in his work while Strauss was much longer lived-still writing halfway into the 20th century-reminds us that music history is a tangle of human lives and not a neat progression of movements and styles. Debussy's Ariettes oubliees (Forgotten Songs) is a 24-year-old's depiction of first love, the kind of thing that feels unbearably important at the time, but inevitably stumbles toward breakup and fades into the past. Strauss' Vier letzte Lieder (Four Last Songs) is an 84-year-old's last word on a nearly 55-year marriage that ended only in death.