Recorded live January 28th, 1983 at the Palais Des Festivals, Cannes, during the MIDEM Jaz Gala - Brubeck invites jazz and blues legends B.B. King (guitar), Jimmy Heath (saxophone), Pat Metheny (guitar) and many more to showcase an array of classic compositions including 'Lover Man', 'Take Five' and 'Big Bad Basie'.

With this recording we are hearing the original version of The Dream Keeper, heretofore known only as a composition for four-part chorus. In fact Dave had originally set Langston Hughes' moving and inspirational text as a duet. In So Lonely, Dave Brubeck begins with a lone vocal line, later joined by the piano and a second voice, ultimately forming a beautifully meandering - almost living - fabric of sound. The flowing, unfolding music of Dave Brubeck, together with the moving Langston Hughes texts, seems to conjure a picture of people moving together through this life toward a common goal. The centre piece of this recording is the unaccompanied Tao, borrowed from The Futility of Contention of the Tao te Ching, the oldest scripture of Buddhist Taoism. Dave Brubeck sent his manuscript to me along with the following handwritten note: 'This has been laying around the house for decades and so I thought I'd send it to you. You could sing it as a duet with your wife, or she can sing it or you can sing it. You can change the key if you want to... another option... throw it in the garbage!' Needless to say, I did not choose his last option. He employs the pentatonic oriental scale as a pedestal for the simple, yet profound words of Lao Tsu. Using the range of but one octave, his unhurried rising and falling vocal line seems to mirror the tenets set forth in the ancient writing. This recording also captures Dave Brubeck at the height of his creative powers as an improvisational pianist. His improvisational accompaniments are so varied that it often seemed like each take was an entirely new composition. During the recording sessions, I frequently became so engrossed in his improvisatory introductions and bridges that I forgot my entrances. Once when this happened, he said with that inimitable twinkle in his eye, 'Don't worry, I'll look at you when it's time for you to come in'.

Time OutTakes features 7 tracks that have never been heard before. These newly discovered recordings feature wonderful performances that are every bit as compelling as those on the original Time Out. We discovered that during the original 1959 sessions the Quartet also recorded "I'm In a Dancing Mood" and an unlisted trio jam with a major drum solo that included snatches of the melody from "Watusi Drums." Two tracks from Time Out, "Pick Up Sticks" and "Everybody's Jumpin, " were achieved in one take so no alternates exist to include here. These 7 new performances (and bonus track) are fascinating finds. Chris Brubeck We've all heard Dave Brubeck's Time Out - but never quite like this. You'll hear Dave Brubeck's signature pieces afresh and anew. Listening to this album will make you rediscover why you fell in love with The Dave Brubeck Quartet featuring Paul Desmond, Joe Morello and Eugene Wright. This is mesmerizing music. Kabir Sehgal, Grammy Award Winning Producer Once the Dave Brubeck Quartet released Time Out in 1959, the world of jazz was never the same. Every note of the seven original compositions soared with wild originality and trained musical genius. "Take Five" became the best-selling jazz single of the twentieth century. I've often wondered how this work of genius came to fruition in the studio? How did Brubeck develop such chemistry with alto-saxophonist Paul Desmond? Now the mysteries are solved with the historic release of Time OutTakes (alternative takes to the masterpiece that blew the hinges off the doors of jazz). What a high privilege it is to be able to be in the studio with the quartet as they innovate using 9/8, 5/4 and 2 bars of 3/4 alternating with 2 bars of 4/4 on such classics as "Blue Rondo a la Turk" and "Three to Get Ready." All listeners of Time OutTakes will experience the Cold War era jazz revolution as it unfolded. What joyous music for the ages! Douglas Brinkley, CNN historian and Grammy-winning jazz producer.

Cited as one of the 2 largest selling jazz albums of all time (Kind of Blue being the other), this record made "Take Five" the most recognizable of jazz tunes and Dave Brubeck a household name. Remixed and remastered from the original 3-track master tapes for enormously improved sound, this definitive reissue is full of rare and previously undiscovered photos of the great quartet (Brubeck on piano, Paul Desmond on alto sax, Eugene Wright on bass and Joe Morello on drums) in action.

Recorded live January 28th, 1983 at the Palais Des Festivals, Cannes, during the MIDEM Jaz Gala - Brubeck invites jazz and blues legends B.B. King (guitar), Jimmy Heath (saxophone), Pat Metheny (guitar) and many more to showcase an array of classic compositions including 'Lover Man', 'Take Five' and 'Big Bad Basie'.

The Dave Brubeck Quartet suddenly became a Trio for this Vienna concert when, after the previous evening's concert in Hamburg, Paul Desmond went out and never made his plane to Austria. While Paul's lyricism was missed, Dave, Gene, and Joe's playing was incredibly strong, high energy & swinging. To the Brubeck family's knowledge, this is the only recording of Dave, Gene & Joe as a Trio.

180-gram audiophile black vinyl. In the spring of 1954 Jazz-great Dave Brubeck did a tour of North American college campuses. Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums) joined him and their support of Brubeck's uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon. Indeed, the genre gets schooled as the quartet leans in with striking energy and finesse. Enjoyed among college students in the 1950s and early 1960s both the tour and album brought Jazz to a whole new generation.

180 GRAM VINYL. "Dave Brubeck Trio - Live from Vienna 1967" is an extremely rare, red-hot performance by Dave and his famous rhythm section - Joe Morello, on drums, and Gene Wright on bass. Alto saxophonist, Paul Desmond, missed the plane to Vienna and the remaining trio took the stage with a mission; show the packed hall that the three of them could play up a storm despite being one man down. Each musician in the trio was at the top of their game and each player was forced to stretch out their solos which landed them in new creative territories. The communication of musical concepts between Dave and Joe is extraordinary as they improvise boldly and respond to each other's fresh ideas. Gene Wright solos far more than usual on this album and his playing is a fitting tribute to the longest living member of the Quartet. (Gene died on December 30th, 2020.) Dave Brubeck plays masterfully revealing a rhythmic complexity to his approach on the piano that is remarkable and reminds the listener of his extremely inventive approach to jazz improvisations. Harmonically, he also explores polytonality in the most unexpected places; for example, on the ballad "La Paloma Azul." On "Swanee River" Dave is playfully polyrhythmic. Dave's light touch on "One Moment Worth Years" is charming and gives a nod to the great more traditional pianists who went before him. On this great-sounding recording, you can hear the full breadth of Dave's playing which pushes jazz forward while honoring his past influences. Opening with "St. Louis Blues," the set includes the rhythmically challenging, high-spirited "Someday My Prince Will Come," and ends with "Take the A Train" as an encore. This is a thrilling set! The sound is wonderful and listening to this album will make you feel as if you were sitting in the audience that historic night.

A certified maestro of his time, king of Cool Jazz with a penchant for unusual time signatures, Dave Brubeck is as prolific as they come. For their third release, Major Keys lovingly remasters and reissue three of his key pieces as The Dave Brubeck Quartet including the instantly recognizable 'Take Five' on 180g vinyl in a Major Keys sleeve. On the A side one of the most famous jazz pieces of all time. Released in 1959 as part of the Quartet's Time Out LP, which become the first jazz album to sell more than a million copies with the 'Take Five' single also taking that that coveted spot whilst going on to become the best-selling jazz single of all time. Accolades aside, it's an intricate, absorbing and elating piece of jazz history, with one of the most recognizable melodies ever to be written. Timeless genius written by the quartet's saxophonist Paul Desmond and performed by Dave Brubeck, Paul, Joe Morello and Eugene Wright, reissued for a new generation of listeners. The B side sees ever more experimentation from the quartet, with the time signatures Dave heard on the streets of Istanbul providing the inspiration that gave birth to the lead track from Time Out - 'Blue Rondo a la Turk'. As cool and complex as they get, stirring up those meters like a slick Manhattan. Rounding off the package, American jazz singer Carmen McRae's 1962 vocal version of 'Take Five' gives an extra dose of sophistication to proceedings. All in all, a must have for any discerning music lover. Tracklisting: A1. Take Five B1. Blue Rondo a La Turk B2. Take Five (Vocal Version feat. Carmen McRae)

Time OutTakes features tracks that have never been heard before. These newly discovered recordings feature wonderful performances that are every bit as compelling as those on the original Time Out. We discovered that during the original 1959 sessions the Quartet also recorded "I'm In a Dancing Mood" and an unlisted trio jam with a major drum solo that included snatches of the melody from "Watusi Drums." Two tracks from Time Out, "Pick Up Sticks" and "Everybody's Jumpin, " were achieved in one take so no alternates exist to include here. These 7 exciting performances (and bonus track) are fascinating finds. Chris Brubeck We've all heard Dave Brubeck's Time Out - but never quite like this. You'll hear Dave Brubeck's signature pieces afresh and anew. Listening to this album will make you rediscover why you fell in love with The Dave Brubeck Quartet featuring Paul Desmond, Joe Morello and Eugene Wright. This is mesmerizing music. - Kabir Sehgal, Grammy Award Winning Producer Once the Dave Brubeck Quartet released Time Out in 1959, the world of jazz was never the same. Every note of the seven original compositions soared with wild originality and trained musical genius. "Take Five" became the best-selling jazz single of the twentieth century. I've often wondered how this work of genius came to fruition in the studio? How did Brubeck develop such chemistry with alto-saxophonist Paul Desmond? Now the mysteries are solved with the historic release of Time OutTakes (alternative takes to the masterpiece that blew the hinges off the doors of jazz). What a high privilege it is to be able to be in the studio with the quartet as they innovate using 9/8, 5/4 and 2 bars of 3/4 alternating with 2 bars of 4/4 on such classics as "Blue Rondo a la Turk" and "Three to Get Ready." All listeners of Time OutTakes will experience the Cold War era jazz revolution as it unfolded. What joyous music for the ages! Douglas Brinkley, CNN historian and Grammy-winning Jazz producer

The Dave Brubeck Quartet - Live from the Northwest, 1959 is the newest release from Brubeck Editions, the family-run label that only puts out music of the highest musical and technical quality. These exciting performances were recorded by the trailblazing and iconic audio engineer, Wally Heider, who pioneered the art of remote recording from his "studio on wheels." The sound he achieved is stellar, and this is perhaps the best live recording you can hear of one the most popular jazz groups of all time. The tapes were recorded in April, 1959 at the Multnomah Jazz Club and Clark College, both in the Portland, Oregon area. On this recording you can hear the Quartet's mastery of spontaneous counterpoint improvisation. Four months later, the Dave Brubeck Quartet's focus shifted to polytonal and polyrhythmic approaches when the group recorded the legendary "Time Out", and changed the course of jazz forever.

The Dave Brubeck Quartet - "Jazz At Oberlin (Original Jazz Classics Series)" / Recorded at Oberlin College, Ohio in 1953, the Dave Brubeck Quartet's Jazz at Oberlin album is one of the earliest works in the cool jazz genre. As well as Dave Brubeck (piano) the album also features Paul Desmond (alto sax), Lloyd Davis (drums) and Ron Cotty (bass). This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a tip-on jacket. Special Pkg:180g Heavy

Recorded at the Montreux Jazz Festival, July 22nd 1982, this live album sees Dave Brubeck (piano), Bill Smith (clarinet), Randy Jones (drums) and Chris Brubeck (bass) showcase some truly great performances across an array of classic jazz compositions including 'Big Bad Basie', 'Take Five' and 'Blue Rondo a la Turk'. Trackllisting: 1. Tritonis 2. Koto Song 3. Open the Gates (Out of the Way of the People) 4. Big Bad Basie 5. (What Did I Do to Be So) Black and Blue 6. Take Five 7. Benjamin Christopher David Brubeck 8. Blue Rondo a la Turk

Time Out by the Dave Brubeck Quartet is one of the most iconic and influential jazz albums ever made. In 1959, Brubeck defied convention by experimenting with unusual time signatures, inspired by his travels through Eurasia. This resulted in a masterpiece that is both complex and surprisingly accessible. The album introduced the world to the immortal classic 'Take Five', written by saxophonist Paul Desmond. Time Out was the first jazz album to sell over a million copies, proving that adventurous music can reach a wide audience. This album is a milestone in jazz, particularly in the Cool Jazz and West Coast Jazz movements. It's defining characteristic is the groundbreaking use of time signatures such as 5/4 ('Take Five') and 9/8 ('Blue Rondo a la Turk'), which was unique at the time.

Dave Brubeck described this album as a "jazz interpretation" of Miro's painting used in first cover and as inspiration ties into a tradition of connecting visual art and jazz. The album did well commercially: it reached #8 on the Billboard 200 in the U.S., the single "Unsquare Dance" reached #74 on the Billboard Hot 100, Critics often view this as a strong follow-up to "Time Out", because it continues experimentation but with new textures, meters, and moods. Brubeck conceived of it as a kind of musical reflection of abstract art by structuring the album around increasing time-signature complexity (3/4 up to 9/8), He further pushed beyond what was common in jazz at the time for an exercise in how changing meter affects mood, feel, improvisation. Each piece is a standalone experiment, inspired by rhythms Brubeck heard while touring internationally. Released: November 1961, the album was recorded over two sessions in May and June 1961 at Columbia's 30th Street Studio in New York City with the sessions featured the "classic" lineup of the quartet, known for their cohesive sound and innovative approach to jazz.