Mariss Jansons was one of the most important conductors of our time, celebrated worldwide and held in the highest regard – all the more so since his unexpected death on December 1, 2019. "Mariss Jansons - The Edition," comprising 70 recordings and a box set in representative LP format, documents the final phase of his life and career: his work as chief conductor of the Symphonieorchester des Bayerischen Rundfunks and the Bavarian Radio Chorus between 2003 and 2019. Predominantly live recordings from Munich, Tokyo, Vienna, New York, Waldsassen, and the Vatican enable listeners to experience for themselves musical highlights that are as moving as they are exciting. The set contains a remarkably diverse repertoire, ranging from symphonic music and great choral works to opera, and from the First Viennese School to 20th century classical music. "Mariss Jansons - The Edition" contains works by a broad range of composers, including complete cycles of the symphonies of Beethoven, Brahms, and Mahler respectively. It is supplemented by fascinating rehearsal recordings that bear witness to Jansons's trusting artistic collaboration with the musicians in his orchestra, together with a large-format, approximately 72-page-long booklet containing background information, essays, an interview, and a detailed track listing.

SUMMARY OF MAJOR WORKS:

Beethoven: Symphonies Nos. 1-9 (No. 9 appears twice)

Berlioz: Symphonie fantastique

Brahms: Symphonies Nos. 1-4 (No. 4 appears twice)

Bruckner: Symphonies Nos. 3-4; 6-9

Mahler: Symphonies Nos. 1-9 (Symphonies Nos. 3-4, 6, & 8 are FIRST RELEASES)

Saint-Saëns: Symphony No. 3 ("Organ")

Schoenberg: Gurre-Lieder

Schubert: Symphonies Nos. 3 & 8 (9); ("The Great")

Schumann: Symphony No. 1

Shostakovich: Symphonies Nos. 5-7, 9-10

Stravinsky: Petrouchka, Firebird, & Rite of Spring

Tchaikovsky: Symphonies Nos. 4-6; Pique Dame

Verdi: Requiem

Giya Kancheli is one of the few Georgian composers whose works are well known beyond the borders of his homeland. On her album “Poetry of Silence” the pianist Ketevan Sepashvili, also from Georgia, presents Kancheli's 33 Miniatures for Piano. The short pieces are all based on works for film or theater, which were his main areas of activity over a long period of time, and represent a broad cross-section of Kancheli's creativity from almost four decades. Four of the miniatures can be heard with additional flute, and the Twelve Miniatures for Voice and Piano were also arranged by the pianist for the trio cast, which introduces an additional tone color particularly well suited to the songs. Sepashvili is supported by her compatriots Temo Kharshiladze, flute and Madina Karbeli, soprano.

This album offers delightful chamber music of Giya Kancheli, regarded as one of Georgia’s greatest composers. The 18 Miniatures for violin and piano draw from music Kancheli wrote for plays and films. As he explains, he chose “the themes I especially cherish” for this set. His trio, Middelheim, is dedicated to the doctors of the Middelheim Hospital in Antwerp, where Kancheli received a dramatic resuscitation in the winter of 2016. About the Miniatures, Kancheli said, “While dedicating myself to symphonic and chamber music, I simultaneously wrote music for the stage and screen. No wonder, then, that certain themes originally intended for plays and films made their way into my larger works. ”Piet Koornhof has recorded many albums for Delos, including Violin Plus One and Frolov & Friends, both with pianist Albie Van Schalkwyk, who also performs with Koornhof on this album. They are joined by cellist Susan Mouton for the mesmerizing Trio, Middelheim. Together, these works take the listener on a fascinating journey.

REVIEW:

These are late works, and both are worthy of attention. …there will be listeners who buy this CD and listen to the 18 Miniatures with a rapt expression on their face… These performances, by three South African musicians recorded in that country, seem very good… Middelheim, like many of Kancheli’s works, challenges performers to keep the music moving forward even when the tempo is close to glacial, and Koornhof, Mouton, and van Schalkwyk surmount that challenge. The engineering is excellent, and the booklet note by Sandro Kancheli, the composer’s son, complements the music well.

-- Fanfare