Horace Parlan’s Glad I Found You is his second quintet date for SteepleChase which captures a rare meeting of inspired musicians at a peak moment, recorded in Copenhagen with Thad Jones — making a vibrant late career comeback — and the always inventive Eddie Harris. Parlan leads the quintet full of warmth, swing and spontaneous interplay. The album blends Parlan’s own tunes, soulful obscurities, and modern jazz classics like “Afternoon in Paris,” all delivered with the rhythmic looseness and deep blues feeling that defined his style. This new 24bit/96kHz remaster brings fresh clarity to one of Parlan’s most spirited SteepleChase sessions, revealing the nuance and energy of a group of masters enjoying every moment together. “...it’s another fine addition to Parlan’s discography.” (Jazz Journal)

Celebrating its legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180g audiophile edition (G1040). Captured in Copenhagen just weeks after Dexter Gordon’s ambitious orchestral project SCCD 31030 More Than You Know, this session strips the setting back to its purest form: a no frills blowing date where Gordon’s imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning Ørsted Pedersen, and Tony Inzalaco, Gordon navigates standards like Just Friends, Misty, Red Cross, and So What with a mix of relaxed confidence and fiery invention. His soprano reading of In a Sentimental Mood adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet’s clarity, swing, and interplay—an essential snapshot of Gordon’s Copenhagen years and a definitive statement of his enduring mastery. “...Dexter plays brilliantly on every track ...beautifully recorded..”(Jazz Journal 1976)

In a concert given in Zurich in 1991, when it was then rare for Shepp to adopt the alto saxophone of his debuting years, this album offers a fine example of their repertory : a series of perfectly formed pieces, played with both the depth of experience and lucid distance. Going to the heart of the matter, the two musicians enable us to discover the very essence of jazz and Afro-American music in it's full glory.

Rosengren, is one of Sweden’s most internationally renowned jazz artists. Since making his name at age 19, he has been a standard-bearer of Swedish jazz for over 50 years, inspiring and accompanying many generations of musicians. Featured in the 19-man band are virtually the entire jazz elite from 1970’s and 80’s, including Parlan and Raney.

Limited 180gm vinyl LP pressing. Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including?Speakin' My Piece, a quintet date featuring a frontline of Stanley Turrentine (saxophone) and Tommy Turrentine (trumpet) with the rhythm team of George Tucker (bass) and Al Harewood (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Three years after the sensational spiritual recording by this duo “Goin’ Home” (SCCD 31079) producer Nils Winther had Archie and Horace in the studio again. The theme this time was traditional blues. Once again the Shepp-Parlan duo made one of the best selling SteepleChase releases. England’s Gramophone magazine called the duo “a powerful and ultimately inspirational collaboration”. This recording was awarded the Deutscher Schallplattenpreis for Modern Jazz Und Jazz-Rock of 1982 by the prestigious Deutsche Phono Akademie.

When the album by this unlikely duet of Shepp and Parlan playing hymns and spirituals came out in 1978 for the first time, it was an instant success and has become a classic since then. It is a success of unique theme (by the producer Nils Winther) and of sheer strength of musical material and of performance executed with grace and sensitivity. “...an overwhelming and emotional listening experience.” (Atlanta Journal Weekend)

This is Horace Parlan’s second quintet date (the first one “Frank-ly Speaking” SCCD 31076 recorded in New York) and this time recording took place in Copenhagen with fellow expatriate Thad Jones on flugelhorn and visiting tenorman Eddie Harris on the front line. This session incidentally marks Thad Jones’ come-back as an instrumentalist after a break enforced on by an accident. “...it’s another fine addition to Parlan’s discography.” (Jazz Journal)