This brand new Christmas album from The King’s Singers features 25 tracks covering everything from contemporary choral gems and folk songs through to well-loved carols. Dotted throughout the album are several of the most famous English church carols, which take The King’s Singers right back to their earliest singing days, and which also reflect the group’s heritage at King’s College, Cambridge. In Christmas Carols with The King’s Singers, the group bottle that frosty, moonlit, fireside Christmas wonder and pour it into their sound.

The King’s Singers have represented the gold standard in a cappella singing on the world’s greatest stages for over fifty years. They are renowned for their unrivalled technique, versatility and skill in performance, and for their consummate musicianship, drawing both on the group’s rich heritage and its pioneering spirit to create an extraordinary wealth of original works and unique collaborations.

REVIEWS:

If you love a capella men’s ensembles in Christmas music the King’s Singers are for you. This new album has some of the most beautiful ensemble singing I’ve heard in a long time. The arrangements are all tasteful and the singing, both in solos and ensemble, exquisite. These are not the same singers that recorded some truly ugly arrangements in some truly ugly albums several decades ago. Back them there seemed to be an attempt by their producers to make the King Singers more “withit” by recording them in arrangements that someone deemed funny or original. Since then someone brought the group back to what they do best. There are a number of familiar carols here (`Ding! Dong! Merrily on High!’, `Tomorrow Shall be my Dancing Day’, etc.), but also some newer carols that are really lovely (`The quiet heart’, `The little road to Bethlehem’, `O, do not move’). What a suitable disc for a wintry evening by the fire! Notes, texts, and translations.

-- American Record Guide

SWR2 New Talent is a promotion and support programme of the broadcasting station SWR aiming to help exceptional young talents to launch their career.

Tavener’s cello concerto “The Protecting Veil” is a deeply spiritual instrumental piece that puts the life and work of the Virgin Mary to music. It was premiered at the BBC Proms in 1989 with cellist Steven Isserlis, for whom Tavener had written the concerto. At the time Tavener wrote the composition he was 45 years old and had already converted to Orthodox Christian faith whose mysticism appealed to him. In “The Protecting Veil” he refers to a special type of Orthodox icon: to Maria Pokrov, the Mother of God with the protecting veil.

In John Tavener’s numerous vocal works mythical and spiritual topics play a major role. Since the 1980s the British composer has been mainly focussing on sacred choral music. One of the most important works of this creative period is “Svyati”, a composition for 12 voices and cello from 1995. The choir sings in ecclesiastical Slavonic*, a traditional liturgical language that is partly still used in the Orthodox Church.

Since 2021 the cellist Lionel Martin has been the “SWR2 New Talent”. For three years the broadcasting corporation Sudwestrundfunk is promoting him through concerts, studio productions and media presence. In 2017 Anne-Sophie Mutter accepted Lionel Martin for her foundation of young, exceptional musicians. Since then he has repeatedly performed with her on stage and has been on tour together with her and her scholarship holders throughout Europe, North and South America – there he played in big concert halls, but also for social projects in churches and old people’s homes.

The inspiration for this album came about from Ruby Hughes’ first collaboration with the Manchester Collective in the spring of 2020. During the first Covid lockdown, they built the programme of this recital for the purpose of touring the UK and uplifting their audiences at a time when we were all being confronted by challenging notions of mortality and isolation. As artists, they asked themselves what music might attend to the prevailing concerns of this time. Their answers came in the form of this offering.

The title of this album, End of My Days, comes from Errollyn Wallen’s song; a resounding celebration of life that embraces death without regret or sadness but with great verve and acceptance. The other songs, each in its own way, evoke silence and separation, but also love and hope and even the reassurance that we will return whence we came and light shall lift us into eternity. The concluding song, Deborah Pritchard’s Peace, is a message of hope, willingly received as the world emerged out of lockdown in 2021. Luminous tranquillity moves us into the light, towards eternity.

Discover songs to connect, heal, and inspire on the U.S. Navy Band Sea Canter Chorus’ recording “Safe Harbor”. These musicians have played a vital role in comforting America in times of mourning, and this recording follows in those footsteps

CORO Welcomes The Choir of Magdalen College, Oxford, to the label.

In their first recording for CORO, The Choir of Magdalen College, Oxford, under the direction of Mark Williams, explore the repertoire that has provided the bedrock of the college’s musical life for the last 500 years, all of which was written for the end of the day.

Much music associated with evening time is naturally calm and soothing, satisfying those seeking transcendental beauty in the form of unchallenging ‘sound baths’. However, this collection also seeks to challenge, contrasting contemporary settings with music from the 16th century. We hope, through this range of works, to capture something of that liminal space between day and night characterized by Evensong and to lead the listener into that ‘peace that passes all understanding’.

The album showcases works by composers from John Sheppard to Joanna Marsh and features much-loved pieces such as Hubert Parry’s Lord, let me know mine end and John Tavener’s The Lord’s Prayer, as well as new additions to the Evensong repertoire such as Grayston Ives’ In pace and Piers Connor Kennedy’s O nata lux.

Discover here a performance unlike any other of John Tavener’s Ikon of Light, his landmark setting of the Prayer to the Holy Spirit by the great medieval mystic St. Symeon the New Theologian. Scored for choir and string trio, it is a radiant meditation on the Uncreated Light. Six Orthodox composers collaborated to create Heaven and Earth: A Song of Creation, written for Cappella Romana and its unique musical capacities. Each section of this ecstatic setting in English of the Psalm of the Cosmos (103 lxx) seamlessly unites into a transcendent work Byzantine chant, lush Slavic harmonies, Renaissance counterpoint, Georgian-inspired polyphony, and more. Vocal ensemble Cappella Romana combines passion with scholarship in its exploration of early and contemporary music of the Christian East and West. Its name refers to the medieval Greek concept of the Roman oikoumene (inhabited world), which embraced Rome and Western Europe as well as the Byzantine Empire of Constantinople (“New Rome”) and its Slavic commonwealth. Heaven and Earth is Cappella Romana’s 27th release.

Previously released on The Gift of Music label. David Hill is widely respected as a choral conductor. This album features music for Advent, Christmas and Epiphany for mixed voice choirs, blending the old (O come, o come, Emmanuel; Coventry Carol) and the new (Eric Whitacre’s Lux aurumque), in a superb celebration of the festive season.