Sensing a special relationship between Arvo Pärt and J.S. Bach, Jörgen van Rijen on his first recording for BIS Records brings together music by the two composers. It’s a relationship which has several aspects. First, Pärt has readily admitted to his love for the work of Bach, referring to it in titles such as Collage über BACH, but also by using the motif BACH (B flat-A-C-B). In addition, both composers share a fascination for religion, while at the same time composing music that is almost mathematically constructed, possessing an underlying order that forms the basis of its timelessness. In collaboration with the composer, van Rijen has adapted four works by Pärt for the trombone, including the celebrated piece Fratres, which exists in numerous versions, as well as the two religiously themed An den Wassern zu Babel … and Vater unser. Pärt’s open-minded attitude to adaptations of his works is also something he has in common with Bach, who regularly reused his own compositions, rearranging them for new occasions. Bach also ‘borrowed’ from other composers, and the three concertos heard here are all arrangements for solo organ of works by Italian composers, which van Rijen in his turn has arranged for trombone and strings. Principal trombonist of the Royal Concertgebouw Orchestra, Jörgen van Rijen is here supported by his colleagues in Camerata RCO.

Principal trombonist of the Royal Concertgebouw Orchestra, Jörgen van Rijen is also much in demand as a soloist with a special commitment to promoting his instrument. Various composers have written new pieces for him, including James MacMillan and Theo Verbey, whose works are included on the present release together with Luciano Berio’s SOLO for trombone and orchestra. The present recordings were made at concerts with the Concertgebouw Orchestra, conducted by Iván Fischer, Markus Stenz and Ed Spanjaard respectively. They have previously been showcased on three different discs on the RCO’s own Live Horizon label, and are gathered together here for the first time. The album therefore highlights the versatility of van Rijen as a musician, but also of his instrument as perceived and presented by three very different composers.

Despite its long history, the trombone has a very limited chamber music repertoire. Jörgen van Rijen, principal trombonist of the Concertgebouworkest, has wished to rectify this deficiency by initiating a fruitful collaboration between his own instrument and the string quartet, the pinnacle of chamber music. Mirrored in Time thus presents a collection of powerful arrangements and attractive new works covering a wide range of styles. Together with the Alma Quartet, van Rijen has created a wonderful springboard for the further development of the trombone repertoire in chamber music. Framed by adaptations of contemporary pieces by Bryce Dessner and Chiel Meijering respectively, this recording presents five pairs of works. Each of these consists of an arrangement of an existing composition from bygone times mirrored by a recent or completely new work. John Dowland is echoed by Nico Muhly, Béla Bartók by Dimitar Bodurov, Gabriel Fauré by Jacob TV, Erik Satie by Florian Magnus Maier and Robert Schumann by Martijn Padding. With this programme, Mirrored in Time tells the story of what might have been – and how it is now.

Hugely prolific as well as widely acclaimed, Kalevi Aho has composed 30 concertos to date. Many of them are available in recordings from BIS, and the present release features two works from the past decade. The Concerto for Trombone and Orchestra was commissioned for Jörgen van Rijen, who also performs it here. The concerto is actually Aho’s second concertante piece for the trombone – his Symphony No. 9 (1994) included a substantial and very virtuosic solo part for the instrument. In that work, and even more so in the concerto, the composer’s aim has been to extend the expressive and virtuosic possibilities of the trombone. Composed around the same time, the Trumpet Concerto is scored for the wind section of a medium-sized symphony orchestra, plus two saxophones, baritone horn and percussion. It was given its premiere by the same musicians that perform it here, the Antwerp Symphony Orchestra under Martyn Brabbins supporting its principal trumpet Alain De Rudder in what is often a surprisingly jazzy work.