When Producer Nils Winther heard for the first time Kevin Hays at Ron McClure1990 session for SCCD 31279 “Never Forget”, he knew immediately he found an exceptional talent. Hays cut his first leader album for the label three months after the McClure date at the age of 22. His second leader album Ugly Beauty (originally released in 1992) returns here in a stunning 24bit/96kHz remaster as G1297, reaffirming its place as a landmark in the pianist’s early career. Recorded with bassist Larry Grenadier and drummer Jeff Williams, the album marked Hays’s first trio outing—an ensemble format that would become central to his artistic identity. The program blends jazz standards with Hays’s original The Well, showcasing his lyrical touch, harmonic depth, and rhythmic drive. The session captures Hays’s youthful brilliance while foreshadowing the maturity and originality that define his later work. More than three decades on, Ugly Beauty remains fresh, vital, and deeply engaging—a timeless document of three master musicians in inspired dialogue. “Hays’ development will be interesting to watch...” (Cadence) “...Voilà, à coup sûr, un pianiste dont on reparlera..” (Jazz In Time)

New Day (Sunnyside - 2015). Coming in early 2015, Kevin's latest is an eclectic and mainly electric blast with the New Day Trio (featuring Rob Jost and Greg Joseph) and special guests Gregoire Maret and Tony Scherr. There is an interesting paradox on Kevin Hays's New Day, namely Hays applies lyrics to music to express content that the music alone cannot but, further, allows the music to stand on it's own if it feels right. Mixing material with vocals and without shows a maturation of this brilliant artist, allowing more facets of his musical identity to shine through.