Riga-born Ksenija Sidorova is today one of the most eminent global ambassadors of the classical accordion. She has proudly borne the colors of her instrument in appearances in the world’s leading halls and with the foremost orchestras. Here she pays homage to Piazzolla in her own way: ‘Piazzolla the revolutionary, the ground-breaker, a man thinking ahead of his time . . . Playing this repertoire gave me a sense of artistic freedom and ignited my belief in advocacy of my instrument. For this album, I wanted to celebrate Piazzolla the innovator by pairing some his masterworks with pieces written by other composers for classical accordion, the majority of which I have premiered in recent years. Being of Russian heritage, I couldn’t help noticing the similarity between the nostalgia of the tango and that of Russian composer Sergey Voitenko’s Revelation. French accordionist-composer Franck Angelis’s Fantasia is based on Piazzolla’s waltz-tango, and the programme is completed by the Nocturne of Italian accordionist-composer Pietro Roffi and a piece by Sergey Akhunov.’
With these works for accordion and orchestra, Ksenija Sidorova and Paavo Järvi pay tribute to the music of the Baltic countries. The Latvian accordionist and the Estonian conductor, who have been collaborating for over 10 years, recorded in Pärnu with the festival orchestra created by Paavo, a luxury ensemble composed of the best musicians from the greatest European orchestras. Composed in 2007, Erkki-Sven Tüür's concerto, entitled Prophecy, explores the concept of the Seer, a person who can see the future but is often despised by the society in which they live. The concerto exploits the full power and range of the symphony orchestra, in total interconnection with the soloist: 'It's the most technically complicated work I've ever played!' says Ksenija. The concerto Dances by another Estonian composer, Tõnu Kõrvits, was written for Sidorova and premiered in Pärnu in 2024. The composer wanted to immerse himself in the accordion in order to write his work, even going so far as to learn how to play it, he drew out some unprecedented sounds from it; The Fruit of Silence is the work by Ksenija's compatriot, Peteris Vasks. He arranged one of his pieces for choir and piano, based on the words of Mother Teresa.
After Piazzolla Reflections, (ALPHA664), Latvian accordionist Ksenija Sidorova devotes this new recording to Bach and compositions influenced by his music - starting with the famous Concerto BWV 1052, which has inspired so many adaptations for piano, violin and even heavy metal guitar, "so I don't think a version for an instrument with two keyboards will surprise anyone!" says Ksenija. The programme also includes Sergey Akhunov, a composer who featured on her previous album, with a work inspired by Bach's Chaconne BWV1004; Beyond Bach by Gabriela Montero, the Venezuelan pianist and composer famous for her improvisations; and Horizons by the Anglo-Bulgarian composer Dobrinka Tabakova. The programme is completed by Bach's Chorale Prelude Ich ruf zu dir, which has accompanied Ksenija since childhood: 'I think this organ piece works particularly well on the accordion. Both instruments use bellows, but the accordion offers a much more flexible dynamic range. You can really let the music breathe.'
Maskats: Music for Orchestra / Sidorova, Poga, Latvian National Symphony
Ondine
CD
$18.99Jan 06, 2023
Arturs Maskats (b. 1957) is an award-winning Latvian composer who has been at the center of Latvian cultural life for decades, especially in the field of theater and opera. Besides operas, incidental music and film music, his catalogue of works includes several orchestral works and concertos, songs and choral works. Maskats’ compositions are tonal, often romantic and cinematic, and marked by deep atmosphere. One of Maskats’ latest creations in the field orchestral music is his Accordion Concerto (2021) here performed by his fellow Latvian, star-accordionist Ksenija Sidorova, one of the brightest names in classical music today. His Tango (2002) for symphony orchestra is Maskats’ internationally most well-known and one of the most often performed orchestral pieces of Latvian music.
REVIEW:
A wonderfully diverse collection of music from this contemporary Latvian composer whose work spans a number of different musical fields. The spirited Tango (2002) pairs well with the very recent Accordion Concerto “What the wind told the sea” and is followed by a further two pieces, Cantus Diatonicus (1982) and the extended My river runs to thee from 2019. All of this music was new to me and very enjoyable.
