Venue: La Grande Halle, La Villette, Paris, France - Date: 10th July 1991.

Miles was renowned for never revisiting the past, even though many fans, critics and concert promoters always hoped that he would.

Then, in July 1991, Miles went back, Miles arrived at Paris to play this special gig. It was simply advertised as "Miles and Friends" and neither the audience nor Miles' band had any idea on what they were about to witness. Playing with Miles was an amazing roll-call of past musical associates from the 1950s, 60s, 70s and 80s: Chick Corea, Bill Evans, Al Foster, Steve Grossman, Herbie Hancock, Dave Holland, Darryl Jones, John McLaughlin, Jackie McLean, John Scofield and Joe Zawinul. Miles' band members were Kenny Garrett, Foley, Deron Johnson, Richard Patterson and Ricky Wellman. This is the final volume of the Miles Davis "Lost" series (double CD). This time it's a lost concert he recorded in Paris just 3 months before he died.

2020 collection, the definitive audio companion to the critically-acclaimed new documentary directed and produced by Stanley Nelson. The soundtrack is an essential Miles Davis playlist for seasoned fans and new listeners alike, lovingly curated by the director and paired with short audio excerpts from the film for a unique listening experience. It brings together recordings and performances spanning labels and the artist's musical evolution-from "Donna Lee" to "Moon Dreams" from the groundbreaking 1949 Capitol sessions that were ultimately collected on the album Birth of the Cool, through the seminal 1950s pieces for Columbia that revolutionized the worlds of jazz and popular music. The album also highlights Miles's evolution in the 1960s with tracks from Sketches of Spain and Someday My Prince Will Come to his iconoclastic invention of electric jazz/fusion. Finally, it documents his triumphant mid 1980s comeback, while premiering a brand-new track, "Hail To The Real Chief." The new track features unreleased Miles Davis studio trumpet performances combined with music written by Lenny White, produced by White and Vince Wilburn, Jr and featuring an all-star collection of Miles band alumni and acolytes including White, Wilburn, Marcus Miller, Emilio Modeste, Jeremy Pelt, Antoine Roney, John Scofield, Bernard Wright, and Quinton Zoto.

Few recordings maintain their power to utterly intoxicate for decades as Kind of Blue does. This 1959 all-time classic is one of the monuments of jazz: So What; Freddie Freeloader; Blue in Green; All Blues , and Flamenco Sketches . This vinyl release is the way to experience one of the greatest albums ever made.

Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.

Miles Davis' 20-year association as an artist at impresario George Wein's renowned Newport Jazz Festival is a thriving tradition that will be celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4. The four-CD box set, comprised of live performances by Miles' stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland.

The newest entry in Columbia/Legacy Recordings' critically-acclaimed Miles Davis Bootleg Series, NEWPORT 1955-1975 clocks in at 296 minutes, nearly four hours of which is previously unreleased. From Miles' debut performance at NJF in 1955 (a hastily arranged jam session featuring Thelonious Monk and Gerry Mulligan, that immediately led to the trumpeter's Columbia signing), to his final public perform¬ance of the '70s in 1975 (at Lincoln Center during NJF-NY, the singular "Mtume" named for Miles' favored percussion¬ist of that decade), the box set traces the ascendance of Miles' music as the ne plus ultra of jazz. The full-length concert performances alone of Miles' famed "Kind Of Blue" Sextet (with Cannonball Adderley, John Coltrane, Bill Evans, Paul Chambers, and Jimmy Cobb), and second great quintet in '66 and '67 (with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams) represent templates that reverberate in jazz and popular music to this day.