Videoland, purveyor of the finest in middle-European operetta, offers up a performance of the finest operetta of them all, Die Feledermaus, by Johann Strauss II ("The Waltz King"), recorded in front of a most appreciative and receptive audience during the Seefestspiele Moerbisch Austria Festival in 2012. Manfred Mayrofer leads the festival's orchestra and a cast that includes Herbert Lippert as Von Eisenstein, Alexandra Reinprecht as Rosalinde, Harald Sarafin and Daniela Fally. Helmut Lohner directed this lavish and entertaining production.

Roberto Alagna (tenor), Serena Gamberoni (soprano) & Marc Barrard (baritone)
Teatro Comunale di Bologna Orchestra, Giampaolo Bisanti
Libretto Pierre-Louis Moline
Subtitles: French, English, German, Spanish, Italian
Length: 104 minutes - Bonus: Backstage & Interviews
Colour 16/9 - PCM STEREO, Dolby Digital 5.1, DTS 5.1

Theatrical and musical adaptation in one prologue and three acts by David Alagna
Filmed in High Definition at the Bologna Opera, January 2008
THE PERFORMANCE: Roberto Alagna as Orpheus in his brother David's new version of Gluck’s masterpiece. A major event recorded in Bologna.

Opting for the French-language version of Orpheus, David Alagna was faced with the task of achieving an appropriately subtle adaptation. In a plot transposed to the present day, Eurydice dies in a car accident on the day of her wedding and Orpheus's quest for his beloved is a dream beginning and ending at the cemetery. No happy ending in this interpretation, but a new approach to characterisation:Amore, sung by a baritone, becomes a funeral parlour employee and Orpheus' guide. Orpheus, of course, loses his loved one forever by turning to look back. World famous tenor Roberto Alagna throws himself body and soul into this production. His incredible vitality, flawless timbre and diction make him a great Orpheus. His partner, young Italian soprano Serena Gamberoni, is simply stunning as Eurydice, while French baritone Marc Barrard is suitably terrifying as the guide to the Underworld. The orchestra is conducted by Giampaolo Bisanti, who masterfully brings out all Gluck's poetry, romantic melancholy and depth.
A co-production with the Montpellier Opera.

Also available on Blu-ray

Leocadia Begbick - Jane Henschel
Fatty "the Bookkeeper" - Donald Kaasch
Trinity Moses - Willard White
Jenny Smith - Measha Brueggergosman
Jim Maclntyre - Michael König
O’Brien/Higgins - John Easterlin
Bank-Account Bill - Otto Katzameier
Alaska-Wolf Joe - Steven Humes

Conductor: Pablo Heras-Casado
Stage Direction : Alex Ollé, Carlus Padrissa – La Fura dels Baus

A hard-hitting new production of Kurt Weill’s Rise and Fall of the City of Mahagonny by the Catalan collective La Fura dels Baus at the Teatro Real de Madrid.

Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialisation of a society in which the ultimate crime is not having money. In twenty scenes the authors tell the story of a city lost in the middle of a desert and run by three thugs; in Mahagonny food, sex, gambling and violence rule supreme.

The production by Alex Ollé and Carlus Padrissa, both of La Fura dels Baus, combines enormous inventiveness, joy and energy with awe-inspiring ferocity.

Perfect casting brings together a group of singers – Measha Brueggergosman, Michael König, Jane Henschel and Willard White – who are also marvellous actors.

The Teatro Real Orchestra and Chorus are directed by young Spanish conductor Pablo Heras-Casado, who actually began his career at the Teatro Real. In November 2010, he received the “El Ojo Crítico” prize, awarded annually to Spain’s most outstanding artists in the classical music field.

Director: Andy Sommer
Length: 138 min - Image: 16/9 NTSC
Audio: PCM Stereo, Dolby Digital 5.1
Subtitles: French / English / German / Spanish
Zones: All Zones - 1 disc

Directed by Stefano Mazzonis Di Pralafera. Starring Priscille Laplace, Filippo Adami, Alberto Rinaldi. Actors: Anna Maria Panzarella, Priscille Laplace, Filippo Adami, Alberto Rinaldi, Rinaldo Alessandrini, Directors: Stefano Mazzonis di Pralafera, Fabrice Levillain, Writers: Baldassare Galuppi, Giovanni Bertati. customer review - "I loved every minute of this opera. I don't know what Galuppi had access to in order to write such perfection. For me it was as if the entire opera was a continuous brain orgasm. Better than drugs really. (Speaking metaphorically - of course). Packed with good humor and interest."

Falstaff: Stefano Posda, Ruggero Raimondi, Luca Salsi, Virginia Tola, Sabina Puertolas, Cinzia de Mola, Liliana Mattei, and Tiberius Simu star in this production of the Verdi opera with Paolo Arrivabeni conducting the Orchestra and Chorus of the Opera.

Originally released in 2009. Directed by Laura Borello, Gregorio Zurla. Starring Veronique Mercier, Roberto Scandiuzzi, Gian Luca Pasolini. Artist: G. Bottesini, Title: Ero & Leandro, Genre: Classical & Opera, Music Video & Concerts, Sub-Genre: Classical - Classical Composers, Musicvideo - Music Video (Concert / Performance), Release Date: 1 January 2011, Starring: Veronique Mercier, Gian Luca Pasolini, Roberto Scandiuzzi, Directed By: Gregorio Zurla, Laura Borello customer review: "Ero and Leandro" is a tragic opera, composed by Giovanni Bottesini, premiered in Italy in1879 and staged an amazing 29 times before vanishing from the repertoire. It features three excellent singers: Veronique Mercier as Ero, tenor Gian Luca Pasolini as Leandro, and basso Roberto Scandiuzzi as the cruel tyrant Ariofarne. The Coro Claudio Monteverdi and the Orchestra Filarmonica del Piemonte provide a superb musical context for these three singers, whose arias are the sort of grand be canto that Verdi fans adore. In fact, Bottesini and Verdi were well acquainted; Bottesini conducted the premiere of Verdi's Aida, and the libretto for Ero & Leandro was written by another opera composer, Arrigo Boito."

Federico Sacchi; Patrizia Ciofi; Danilo Formaggia; Nicola Amodio
The Bratislava Chamber Chorus
Orchestra Internazionale d’Italia/Luciano Acocella, conductor
Denis Krief, director

NTSC All Regions
DTS 5.1; PCM Stereo 2.0
Color Picture: 16:9 widescreen
Duration: 136 minutes
Subtitles: Italian, English, French, German, Japanese

WORLD PREMIERE DVD RECORDING

This is the version of I Capuleti e i Montecchi made for La Scala, where it was first staged on 26th December 1830, featuring two female voices in the roles of Romeo and Juliet. This opera is usually performed with a tenor as Romeo, but at La Scala Bellini found a different singing troupe which obliged him to cast not the en travesti warrior of Rossinian manner (like Tancredi, Arsace, Malcolm) but a wholly female Romeo, ardent and authoritative yet at the same time languid, sensual and soft. The choice of this Capuleti at the 2005 Martina Franca Festival was also dictated by the availability of Patrizia Ciofi. This great specialist of romantic belcanto had never been offered the role of Giulietta in Capuleti, a role, which is absolutely ideal for her vocal talents.

Artists:
Charles Workman, Steve Davislim, tenors; Marco Vinco, bass-baritone; Laura Aikin, Ainhoa Garmendia, sopranos; Michael Maniaci, countertenor; Marisa Martins, Jossie Perez, mezzo-sopranos; Liceu Grand Theatre Orchestra, Harry Bicket, conductor; Thomas MacManus, choreographer; Francisco Negrin, director.

Audio Format: LPCM 2.0 | Region Code: 0 | Format: NTSC, 16:9
Booklet: English, French, Italian, German | Subtitles: English, German, Italian, French, Spanish, Catalan
Running Time: 148 minutes
Location: Gran Teatre del Liceu, Barcelona | Recorded: October 7, 2009 Packaging: DVD Keep Case

L’arbore di Diana is a two-act opera buffa by the composer Vincent Martin y Soler with a libretto by Lorenzo Da Ponte, first performed in Vienna in 1787. Popular throughout Europe at that time, this comic pastorale includes a plot that centers on an apple tree with apples that mutate in the presence of chaste and wanton individuals in the goddess Diana’s garden, and an unhappy god of Love who schemes to destroy the apple tree. Diana’s Tree is a trove of flowing melodies and a feast for the eyes.

“…immersed in an unreal atmosphere that takes advantage of cutting edge technology and an intelligent use of lighting and sound, …[transposing] the fable and satire..to modern times..with genius, explaining the story without confusing it.” – Pablo Meléndez-Haddad, ABC, October 2009.

“…Francis Negrin’s work has managed to maintain the piece’s narrative and to underline its best comical moments.” – Roger Alier, La Vanguardia, Oct. 2009.