Tomaso Albinoni
Composer
1671–1751. Italian composer in the Italian Baroque tradition.
Best known for the Adagio in G minor (largely composed by Remo Giazotti). Baroque instrumental specialist with strong Italian concerto output. Frequently paired with Bach and Telemann in compilations.
Signature works: Adagio in G minor for strings and organ, Oboe Concerto in D minor Op. 9 No. 2, Twelve Concerti a cinque Op. 9, Sinfonie e concerti a cinque Op. 2.
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Albinoni, Legrenzi, Muffat & Telemann: A Cinque - String Sonatas PURGATORY
Urania Records · Mar 2024CD$22.99
Addio Amore
Italiana!
LA VENEZIA DI ANNA MARIA
100 Christmas Meditation
Following the success of 100 Christmas Classics (Capriccio C7331) comes Christmas Meditation, featuring 100 choral and vocal works from across the centuries. The set encompasses sacred Renaissance treasures including Bach’s Christmas Oratorio and Bach/Gounod’s Ave Maria, Handel’s Baroque masterpiece Messiah (‘He shall feed his flock’) and classic Christmas carols such as It Came Upon A Midnight Clear by Richard Storrs Willis and Franz Xaver Gruber’s Stille Nacht (‘Silent Night’). Featuring some of the most renowned choral institutions, Christmas Meditation offers listeners a classical Christmas to remember.
REVIEWS:
A rather sumptuous collection of seasonal choral works, instrumental pieces and carols. --BBC Music Magazine
After the success of the 5 CD box “100 Christmas classics” (Capriccio C7331), the new 5 CD box “Christmas Meditation” contains 100 choral and instrumental works from past centuries. It contains works from 43(!) composers, including excerpts from Bach's Christmas Oratorio, Bach/Gounod's Ave Maria, Handel's Baroque masterpiece Messiah, and traditional and classical carols such as "It Came Upon A Midnight Clear" by American composer Richard Storrs Willis, and Franz Xaver Gruber's "Silent Night”. With some of the most renowned choirs, “Christmas Meditation” offers you an unforgettable Christmas.
In addition to world-famous Christmas music, in this box you will also discover previously unknown but no less beautiful work by Bruch, Rheinberger, Carl Neuner, Wagenseil, Robert Fuchs, Johann Philipp Reichert or Johann von Herbeck. Cannot be missed!
--Stretto
Baroque Edition
The 17th and 18th centuries marked the era of Enlightenment, overseas exploration, unprecedented European economic expansion and a flourishing of art and culture, not to mention the birth of the greatest composers in history. From concertos to fantasias, suites to sonatas, Brilliant Classics presents a comprehensive and concise overview of this innovative and groundbreaking period in musical history, the Baroque era. The set opens with Venetian composer Tomaso Albinoni and his famous Concerti a5, in which he was the first Italian composer to use the oboe as the solo instrument in a concerto. He influenced J.S. Bach, who is fittingly the next composer to feature. Bach pioneered the Concerto Grosso form, with several soloists plus accompaniment, as opposed to just one. There is no better example of this than the famous Brandenburg Concertos, where solos are shared between a group of instruments and the various timbres of the different instruments make for varied and interesting pieces. In the first concerto, Bach employs horns, then mainly used as open-air hunting instruments, a twist on the refined concert piece performed in an elegant chamber setting. Bach also admired the work of Alessandro Marcello. Although Marcello’s work is lesser known, his music is notable for its forward-looking nature. Far from copying the styles and structures of his contemporaries, Marcello’s music is unique in its emotional impact; it’s dark and tempestuous, inflicted with a romantic streak. Passing via selected works by Purcell, Corelli and Telemann, Alessandro Stradella’s string sinfonias are found towards the end of the set. Stradella lived only to the age of 38 and yet he wrote over 300 works. He also found time to conduct a string of love affairs leading to his untimely demise at the hands of an assassin hired by a rival.
Italiana!
Favourite Melodies
Italian Baroque Trumpet Concertos / Reiner, Interpreti Veneziani
Folio - Lessons from the Master
Circa Diem
Albinoni, Legrenzi, Muffat & Telemann: A Cinque - String Sonatas PURGATORY
The five-part writing for strings has its period of greatest development in the 16th and 17th centuries, only to fall into a progressive obsolescence. The most commonly used instrumental ensemble included two violins, alto and tenor viola da braccio, cello and basso continuo. Of this quintet, the instrument that undergoes a progressive dismissal is the viola tenore, which in this recording we propose in its original late seventeenth century mounting.