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    Mathias: Symphonies No 1 & 2 / Mathias, Bbc Welsh So
    Nimbus

    Mathias: Symphonies No 1 & 2 / Mathias, Bbc Welsh So

    CD · 1 disc

    $20.99
    Composer
    MATHIAS, WILLIAM
    Artist
    Mathias
    Released
    Oct 01, 1996
    "The Welsh composer wrote three half hour symphonies of which the First Symphony launches the trilogy in an outburst of effervescence and exuberance. It was a commission from the Llandaff Festival and was premiered by the CBSO conducted by Hugo Rignold in the year in which the same forces recorded the John Blow Meditation and Music for Strings for Lyrita.

    The composer's description of the First Symphony is apt: a work of energy, colour and affirmation. Here is positively blazes and rocks with a sanguine power which momentarily recalls Tippett's propulsive Second Symphony, William Schuman's Third Symphony finale and the thrawn and rowdy bustle of the Easter Fair of Stravinsky's Petrushka. Earlier movements show the lavishly stocked and brooding influence of Bax.

    The Second Symphony might easily be dubbed 'The Mystical' or, given the Welsh DNA of the piece, 'The Druidic' or 'Taliesin'. Mathias was always something of a magus when it came to the orchestra and had a facility for rapidly grasping of atmosphere. The three movements glimmer and shimmer with the essence of Summer. This is expressed through the easy-wheeling progress of the stars in a summer sky in the middle movement. This process rises majestically from ease to effort in an antiphonal crest of brass fanfaring at 4:49 onwards (tr. 3). The all-conquering onrush of summer is expressed through the finale the score for which carries the superscription: "My ark sings in the sun / At God speeded summer's end / And the flood flowers on." Throughout Mathias's orchestration rings, chimes and peals through a world often noticeably indebted to the Bax symphonies.

    When [Nimbus] launched this [William Mathias] series it may have seemed a left-field choice but the results repay the listener in bell-haunted spells, enchanted coinage and sturdy Celtic magic."

    -- Rob Barnett, MusicWeb International
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  • Mathias: Symphonies No 1 & 2 / Mathias, Bbc Welsh So

    Mathias: Symphonies No 1 & 2 / Mathias, Bbc Welsh So

    Nimbus Oct 1996
    1 disc
    CD
    $20.99
  • Mathias: Violin Sonatas

    Mathias: Violin Sonatas

    Naxos Apr 2011
    1 disc
    CD
    $19.99
    Chandos

    Britten, Mathias, Finzi & Cooke: British Clarinet Concertos,

    CD · 1 disc

    $21.99
    Composer
    BRITTEN COOKE FINZI MATHIAS
    Artist
    Collins
    Released
    Mar 25, 2016

    The precursor to this album made a Critic’s Choice of the Year in Gramophone (2013). The program presented includes works by Benjamin Britten, William Mathias, Arnold Cooke, and Gerald Finzi. Michael Collins brilliantly walks the line between being a soloist and conductor, as he serves as both in this recording. The accompanying ensemble here is the BBC Symphony Orchestra.

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  • Britten, Mathias, Finzi & Cooke: British Clarinet Concertos,

    Britten, Mathias, Finzi & Cooke: British Clarinet Concertos,

    Chandos Mar 2016
    1 disc
    CD
    $21.99
    Naxos

    Mathias: Choral Music / Walker, St. John's Voices, The Gentlemen of St. John

    CD · 1 disc

    $9.99 $19.99 Save 50%
    Composer
    MATHIAS, WILLIAM
    Artist
    Walker
    Released
    Jan 10, 2020

    William Mathias wrote some of the most imaginative, communicative and joyful choral music of the mid- to late 20th century. These qualities are perhaps most clearly represented in his substantial catalogue of works for choir and, in particular, his settings of sacred texts, notably the invigorating A Babe is Born and the hauntingly beautiful Ave verum corpus, one of his last compositions. This selection also includes the both serious and entertaining sequence of Riddles and the rapt, ecstatic A May Magnificat. More Mathias choral music can be heard on prior Naxos releases.

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  • Mathias: Clarinet Concerto, Harp Concerto, Piano Concerto
    Lyrita

    Mathias: Clarinet Concerto, Harp Concerto, Piano Concerto

    CD · 1 disc

    $20.99
    Composer
    WILLIAM MATHIAS
    Artist
    David Atherton
    Released
    Nov 01, 2006

    There is no finer work in the medium than William Mathias' Harp Concerto, a stunning combination of characterful melody and magical handling of texture. The finale in particular must be counted as one of the most successful concerto movements in the 20th-century literature for any instrument, and this performance featuring the work's dedicatee Osian Ellis is just about perfect in every way. Why this piece isn't a concert staple remains a mystery. The other two works in their individual ways are also very satisfying and well worth hearing, if perhaps not quite as remarkable as the Harp Concerto.

    Gervase de Peyer gives a fearless account of the Clarinet Concerto, a piece that vacillates between mellow lyricism and strident outbursts. The thematic material here isn't quite as memorable (to me at least) as that in the Harp and Third Piano Concertos. This latter lives squarely in the school of Bartók and Prokofiev, with a "night music" central movement and a finale that sounds like an amalgam of Bartók's Second, Barber, and Ginastera, albeit with a Welsh musical accent. Peter Katin is the excellent soloist, David Atherton conducts splendidly, and the recording is of the very highest quality. Outstanding and essential for anyone who enjoys really good 20th-century concertos.

    --David Hurwitz, ClassicsToday.com
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  • Mathias: Clarinet Concerto, Harp Concerto, Piano Concerto

    Mathias: Clarinet Concerto, Harp Concerto, Piano Concerto

    Lyrita Nov 2006
    1 disc
    CD
    $20.99
  • Mathias: Choral Music / Winpenny, St. Albans Abbey Girls Choir
    Naxos

    Mathias: Choral Music / Winpenny, St. Albans Abbey Girls Choir

    CD · 1 disc

    $19.99
    Composer
    MATHIAS, WILLIAM
    Artist
    Lay Clerks Of St Albans Cathedral, Papadopoulos, Foggitt
    Released
    Aug 12, 2016

    William Mathias was one of the foremost British composers of the 20th century and one of the very few of his generation from Wales who established an international reputation. The lively Christmas sequences Ave Rex and Salvator Mundi contrast with the splendor and tenderness of the rarely-performed anthem An Admonition to Rulers. Also included are the joyful Wassail Carol, the popular organ solo Toccata Giocosa, and premiere recordings of All Thy Works Shall Praise Thee and The Lord's Prayer - respectively the composer's first and last choral works.

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    Lyrita

    Mathias: Ave Rex, Elegy, This Worlde's Joie / Atherton Et Al

    CD · 1 disc

    $20.99
    Composer
    WILLIAM MATHIAS
    Artist
    Wnoc, Lso, Npo, David Atherton
    Released
    Oct 01, 2006
    A good specimen of lateral thinking here: at least in as far as it crosses catalogues, years and performers, and comes up with a new combination. Here are three works for voice and orchestra, two choral, one for soloist, written between 1969 and 1974 (though I believe This Worlde's Joie also incorporates two settings from a Cantata in Praise of Love written in 1959). They have a good deal in common yet enough separate identity for them to comprise an acceptably varied programme, the Elegy for a Prince forming a relatively tough and tangy item to be sandwiched in between the choral collections. Of these, Ave Rex is a set of carols, ''Sir Christmas'' being now by far the best known, and This Worlde's Joie a cantata in four movements, nearly 50 minutes long, employing a boys' choir as well as the usual forces of soloists, mixed choir and orchestra.

    This, of course, makes us think of Britten, and indeed it is difficult not to think of him, and to a lesser extent Tippett, throughout the disc. In his useful booklet-note, Geraint Lewis acknowledges this but expresses it in terms of ''occasional points of contact and homage'', which is probably excessively diplomatic. We are still, I think, too close to these composers of our time to avoid the word 'derivative': in a few more years it will probably not matter or affect enjoyment, which, irrespective of such questions, is still quite considerable. This Worlde's Joie moves delightfully from one good setting to another, always contriving to unify the structure and work effectively towards climax and contrast. The Prince of the Elegy is Llywelyn ap Gruffudd, killed by English soldiers in 1282: a stern mood prevails, the orchestral writing harder and more austere than the composer's usual style though it yields to some tender expression in the last section.

    Sir Geraint Evans, who gave the Elegy's first performance at Llandaff in 1972, sings with authority and dark coloration (for the most part the tessitura is low, rising towards the end and finishing with a sustained soft high E). The soloists in the cantata are excellent and I couldn't help wondering why more was not heard on record of Janet Price. Willcocks and Atherton conduct with vigour and care for detail, and the recordings are admirably clean. In the original review of This Worlde's Joie Trevor Harvey found the words ''not all that clear'', but this seems largely to have been remedied, and indeed one of the best features of Mathias's writing for voices is that he is habitually careful to make the music serve the words and not obscure them.

    -- Gramophone [2/1995]
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  • Harp Recital: Bennett, Elinor - Mathias, W. / Fauré, G. / To

    Harp Recital: Bennett, Elinor - Mathias, W. / Fauré, G. / To

    Nimbus Apr 2004
    1 disc
    CD
    $20.99
  • Mathias: A Vision of Time & Eternity - Songs & Chamber Music / Williams
    Naxos

    Mathias: A Vision of Time & Eternity - Songs & Chamber Music / Williams

    CD · 1 disc

    $9.99 $19.99 Save 50%
    Composer
    MATHIAS, WILLIAM
    Artist
    Jeremy Huw Williams
    Released
    Jan 24, 2020

    William Mathias was one of the most significant and prolific Welsh composers of the 20th century. His flexible and highly approachable style can be heard in the holiday mood of the Suite Parisienne, the brilliance and lyricism of the Capriccio for flute and piano and the wonderfully rhapsodic Sonata for Harp. Mathias’s songs are among the most communicative settings of their kind, including Pan Oeddwn Fachgen (‘A Dream of Youth’), considered by the composer to be ‘one of the finest lyrical poems in modern Welsh.

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  • Mathias: A Vision of Time & Eternity - Songs & Chamber Music / Williams
    Sale

    Mathias: A Vision of Time & Eternity - Songs & Chamber Music / Williams

    Naxos Jan 2020
    1 disc
    CD
    $19.99 $9.99Save 50%
  • Mathias: String Quartets No 1 - 3 / Medea String Quartet
    Metier

    Mathias: String Quartets No 1 - 3 / Medea String Quartet

    CD · 1 disc

    $14.99
    Composer
    MATHIAS, WILLIAM
    Artist
    MEDEA QUARTET
    Released
    Apr 08, 2008
    Rooted tonality spiced with dissonance.

    The Welsh composer William Mathias died at the grievously young age of 58. I knew his name because of the Sinfonietta on a Pye LP (GSGC 14103). His music came to mean more to me when in 1975 I taped from BBC Radio 3 the first broadcast performance of This Worldes Joie. It was conducted by the composer who directed massed choirs – including children’s choirs - and the BBC Welsh Orchestra. The soloists were Kenneth Bowen and Janet Price. I listened obsessively to this extravagantly orchestrated work on tape and became increasingly impressed and won over. His writing for voices is orally intriguing and inventive; the same applies to his startling way with the percussion. There are echoes of Britten but the music breathes a deeper humanity and a more yielding emotional air. You can now hear that piece on Lyrita SRCD325 having first been issued on an EMI Classics LP (ASD3301). After that choral broadcast from the Fishguard Festival I scanned the Radio Times and added recordings of his orchestral pieces Requiescat, Litanies, Vistas, Helios and Laudi. Hearing his Elegy for a Prince I was further won over by the lapidary Baxian orchestral technique and ceremonial-magical atmosphere - the aural equivalent of druidic tapestry in motion. As for his Dance Overture it is irresistibly catchy and has more rumba in it than the Arthur Benjamin genre pieces.

    Mathias wrote three symphonies and three string quartets. We can hear the three quartets conveniently assembled on this disc by a quartet who performed the Third Quartet and who were then invited to tackle all three. This they did at three separate recording sessions so there is no sense of a gabbled or ill-thought through results.

    The First Quartet is dedicated to Alun Hoddinott and his wife Rhiannon. It inhabits a sombre world afflicted, to varying degrees of intensity, by anxiety. The language stands between the gloomier reaches of the ensemble writing in Warlock's The Curlew and the later Bartók quartets. This is leavened but never completely dispelled by a Bartokian didicoi wildness of the violins at 16:38. At 19:20 the violin primo is memorably heard high in the stave whistling wistfully. The music ends in a not unclouded tenderness. The music of the four movement Second Quartet takes wing although always feeling the pull of sorrow. The solo violin carries this flighted buoyancy (tr. 2 4:02) but there are also vigorous chafing insect-stridulant voices. The second movement smacks of folk music veering between the Celtic muse and the Appalachian hills. There’s also a Britten-like pizzicato which in this close recording pings in the ears with physical impact. The andante returns to the gloomy undertow of the First Quartet. The finale has the exuberant complexity of the Tippett Concerto for Double String Orchestra as well as the seething weave of insectiform lines. Mathias's last quartet – The Third - was not intended to be his last. He had accepted a commission from the Lindsays but death intervened. The third is in three movements. Lyrical release can be found in the first movement as can springy Tippett-like ideas often set amid potently grave reflective writing. The finale begin dramatically with a sort of suppressed shriek and soon develops a strongly etched rhythmic energy - a rough magic that also ends the piece.

    Interesting that all three of these serious works have an Eastern European leaning amid a rooted tonality spiced with dissonance.

    -- Rob Barnett, MusicWeb International
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  • Mathias: String Quartets No 1 - 3 / Medea String Quartet

    Mathias: String Quartets No 1 - 3 / Medea String Quartet

    Metier Apr 2008
    1 disc
    CD
    $14.99
  • MATHIAS: Zodiac Trio / RAVEL: Sonatine (arr. for flute, harp

    MATHIAS: Zodiac Trio / RAVEL: Sonatine (arr. for flute, harp

    Klavier Jan 1995
    1 disc
    CD
    $18.99
  • Welsh Dances

    Welsh Dances

    Lyrita Jun 2009
    1 disc
    CD
    $20.99
  • Christmas Music

    Christmas Music

    Nimbus Oct 2014
    1 disc
    CD
    $16.99
    CRD Records

    Carols from New College / Choir of New College, Oxford

    CD · 1 disc

    $20.99
    Composer
    HOWELLS MATTHIAS
    Artist
    Oxford, Higginbottom
    Released
    Jun 01, 1986

    21 tracks recorded in the Chapel of New College, Oxford, under the direction of Edward Higginbottom. Tracks include "Out of Your Sleep," "Wassail Carol," "A Virgin Most Pure," "Once in David's Royal City," "Sussex Carol (On Christmas Night)," "There is a Rose of Such Virtue," Alleluya, a New Work is Come on Hand," and more. (CRD)

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  • Carols from New College / Choir of New College, Oxford

    Carols from New College / Choir of New College, Oxford

    CRD Records Jun 1986
    1 disc
    CD
    $20.99
  • DANCING DAY
    Resonus Classics

    DANCING DAY

    CD · 1 disc

    $18.99
    Composer
    MARTIN BRITTEN RUTTER
    Artist
    New York, Cutler, Scott, Fifth Avenue
    Released
    Oct 01, 2015
    Sent to press just days before his untimely death in August 2015, John Scott's last recording is Dancing Day, a programme of works for Christmas, made with his beloved Saint Thomas Choir of Men & Boys of Fifth Avenue, New York. Recorded in the home of the choir in Manhattan, the recording is centred around two works for treble voices and harp performed annually by the boys of the choir under John's direction - Benjamin Britten's inimitable A Ceremony of Carols and John Rutter's companion piece Dancing Day. Completing a compelling disc that features medieval texts and themes are further works for treble voices - Britten's A New Year Carol and Patrick Hadley's I sing of a maiden. The boys are joined by the men of the choir for works by Matthew Martin, Philip Ledger and William Mathias. Also included is John's own arrangement of the simple traditional Dutch carol King Jesus hath a garden, penned whilst organ scholar of St John's College, Cambridge.
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  • DANCING DAY

    DANCING DAY

    Resonus Classics Oct 2015
    1 disc
    CD
    $18.99
    Gloriae Dei Cantores

    Keeping Christmas: Beloved Carols & The Christmas Story / Patterson, Gloriae Dei Cantores

    CD · 1 disc

    $18.99
    Composer
    RUTTER NEAR MATHIAS GRUBER
    Artist
    Gloriae Dei Cantores, Patterson
    Released
    Dec 01, 2010

    Each year at Christmas, Gloriæ Dei Cantores celebrates the "dawn of redeeming grace" with a traditional candlelit Service of Readings and Carols, retelling the stories of Christ's birth that stir us with memories and hopes for peace and love. Just for a time as you listen to these carols and stories, let your heart fill with gratitude for our many blessings, and with goodwill toward others. Gloriæ Dei Cantores offers this recording with a prayer that the joy of the season brings you renewed hope and a fresh sense of wonder!

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  • Christmas Fanfares And Carols

    Christmas Fanfares And Carols

    Nimbus Oct 1996
    1 disc
    CD
    $20.99
    Naxos

    Festival of Carols / McNair, Stark, Indianapolis Symphonic Choir

    CD · 1 disc

    $9.99 $19.99 Save 50%
    Composer
    VARIOUS
    Artist
    Mcnair, Stark
    Released
    Nov 08, 2019

    This collection of best-loved Christmas repertoire was recorded live at the Indianapolis Symphonic Choir Festival of Carols concerts in 2015 and 2016. GRAMMY award-winning vocalist Sylvia McNair adds her own unique beauty and warmth, and as ever, the programme celebrates the joys of the season with sparkling versions of family favorites. The tranquillity and magic of Christmas eve, heartfelt messages of hope, reconciliation and peace, and thrilling new compositions all combine to capture the celebratory excitement of the holiday season.

    REVIEWS:

    The title refers to the practice in many churches of having a ceremony of carols and traditionals during the Christmas season, a holiday for the choir when they can really open up and let 'er rip, and, quite often, a sing-along for the congregation as well. It is, after all, the most joyous time of the Christian year.

    We get all of that in a well-packed program by the Indianapolis Symphonic Choir and Indianapolis Chamber Orchestra under conductor Eric Stark. The substantial choir are supported by an orchestra that plays with a lot of gusto, especially the folks in the percussion section (this genre of music encourages a lot of gongs and bells). Listen for some distinguished playing by pianist David Duncan in Rob Swenson’s Christmas Hosanna with its jaunty rhythms recalling that old chestnut, Good Christian men, rejoice.

    Most welcome of all is soprano Sylvia McNair, whose warm vocal presence...adds a special quality to such songs by contemporary composers as Mary, Did You Know? (Buddy Greene) in which the choir asks Jesus’ mother a series of poignant questions (“Did you know when you kissed your baby boy, then you touched the face of God?) and Grown-Up Christmas List (David Foster/Linda Thompson Jenner) with its plea for greater understanding and peace among people).

    McNair does some of her best work in the two spirituals, This Little Light of Mine and Go Tell It on the Mountain, the last-named with an accompaniment by David Duncan that partakes deliciously of the spirit of the blues and R&B. Sylvia’s intimate vocal warmth and sensitive interpretation capture the special quality of both these grand old songs.

    There’s something for everyone here, including J.S. Bach’s Sinfonia from the Christmas Oratorio, its lilting melodies and swaying pastoral rhythm recalling those time-honored instruments of simple shepherds, the wooden flute and the hurdy-gurdy. We also have John Rutter’s All Bells in Paradise and his Magnificat, the lastnamed animated by use of Latin-American rhythms, Mendelssohn’s Hark! The Herald Angels Sing, a recounting by composer William Goldstein of ‘Twas the Night before Chistmas with delightful spoken narration by Sherry Stark, and a rousing Jingle Bells.

    -- Audio Video Club of Atlanta

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  • Festival of Carols / McNair, Stark, Indianapolis Symphonic Choir
    Sale

    Festival of Carols / McNair, Stark, Indianapolis Symphonic Choir

    Naxos Nov 2019
    1 disc
    CD
    $19.99 $9.99Save 50%
    Resonus Classics

    Christmas from the Chapel Royal

    CD · 1 disc

    $18.99
    Composer
    Vasyl Barvinsky, Denis Bedard, Andrew Carter, Paul Edwards, William Harold Ferguson, Rufus Frowde, F
    Artist
    Hampton Court Palace, Rufus Frowde
    Released
    Nov 10, 2023
    The Choir of HM Chapel Royal, Hampton Court Palace build on the tradition established by it's historic forebears of cradling new church music, with a programme of music for Advent, Christmas and the Epiphany featuring seven premiere recordings alongside new interpretations of more established repertory that has become embedded in the musical heritage at the Palace. The album features music by composers including Philip Moore, Andrew Carter, William Mathias, Martin Hindmarsh, David Willcocks and Francis Grier.
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  • Christmas from the Chapel Royal

    Christmas from the Chapel Royal

    Resonus Classics Nov 2023
    1 disc
    CD
    $18.99
  • Star Of Wonder
    Reference Recordings

    Star Of Wonder

    CD · 1 disc

    $13.99
    Composer
    BRITTEN BRUCKNER BURT DIRKS
    Artist
    San Francisco Choral Artists, Hooper
    Released
    Dec 17, 1993

    Festive music for the holiday season performed by an outstanding mixed chorus with pipe organ, harp, flute and bellringers! Recorded in the glorious cathedral acoustics of Saint Ignatius Church, San Francisco. "...Magical...the sound is impressively transparent." --Fanfare
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  • Star Of Wonder

    Star Of Wonder

    Reference Recordings Dec 1993
    1 disc
    CD
    $13.99