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  • Wolpe: Suite Im Hexachord, Quintet with Voice & Piece in Thr

    Wolpe: Suite Im Hexachord, Quintet with Voice & Piece in Thr

    Bridge Records Jan 1993
    1 disc
    CD
    $18.99
  • NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984
    UNIVERSAL UK

    NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984

    Vinyl · 3 discs

    $53.99
    Artist
    NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984
    Released
    Jun 06, 2025
    Essential Tracks From Iconic Albums... Opening with a trio of tracks from stunning debuts: 'A Ray Of Sunshine' from 'Fantastic', the 1983 debut album from Wham, 'Lemon Firebrigade' from Haircut 100's 'Pelican West', and the sumptuous 'Show Me', the opening track from 'The Lexicon Of Love' from ABC. Huge 1983 albums are up next from Culture Club, with 'Black Money' from 'Colour By Numbers', and 'This City Never Sleeps' the closing track on 'Sweet Dreams (Are Made Of This)' from Eurythmics, plus another epic closer from Alison Moyet with 'Where Hides Sleep' from her solo debut 'Alf' completes the first side... flip the lp over and Wham! Are back with 'Heartbeat' from 1984's 'Make It Big' - an album that housed multiple #1 singles. Howard Jones had a huge debut album with 'Human's Lib', with 'Equality' featuring here... Donna Summer is up next with 'Protection' from her Quincy Jones produced 1982 eponymous album alongside Tina Turner with the opening track from her landmark 1984 release 'Private Dancer' and Bruce Springsteen from his 1980 double classic 'The River', whilst the first LP closes with 'Angels On The Balcony', featuring their signature sound, taken from Blondie's 1980 release 'Autoamerican'. LP2 opens with a stellar line up of the era's most sophisticated pop. Leading off with the timeless 'The Chauffeur' from Duran Duran's enormous second album 'Rio', before 'Taking Islands In Africa' a stand-out from Japan's 'Gentlemen Take Polaroids'. Tears For Fears made their album debut in 1983 and the title track from 'The Hurting' is featured along with a great pop moment, 'Black Night White Light' from Frankie Goes To Hollywood's 1984 debut 'Welcome To The Pleasuredome'. 1981's biggest selling album in the UK was 'Kings Of The Wild Frontier' from Adam & The Ants and 'Ants Invasion' taken from it is featured next along with Echo & The Bunnymen with 'Crystal Days' from 'Ocean Rain', and the side signs-off with the gorgeous 'The Day It Rained Forever' from the fantastic solo debut 'North Of A Miracle' by Nick Heyward. Over on the other side The Cure open with 'Play For Today' from their second album 'Seventeen Seconds', followed by Joy Division from their second 'Closer', with 'Isolation'. The opening track 'Tyler' from UB40's acclaimed 1980 debut 'Signing Off' comes ahead of Grace Jones' breathtaking version of 'Nightclubbing' and The Police with their fusion of post punk and 'reggae rock', from their 1980 #1 album 'Zenyatta Mondatta' with 'When The World Is Running Down, You Make The Best Of What's Still Around'. The last two tracks on LP2 were featured on albums released on the influential 2-Tone label; The Selecter with the title track from 1980's 'Too Much Pressure', and The Specials with their cover of 'Enjoy Yourself (It's Later Than You Think)', the opening track on their 1980 album 'More Specials'. The final LP opens with a superb line-up of tracks from hugely influential albums: Spandau Ballet open with 'Reformation' from their 1980 debut 'Journeys To Glory', followed by Ultravox with 'New Europeans' from 'Vienna', The Human League with 'The Things That Dreams Are Made Of' from 1981's hit-packed 'Dare' and 'Secret Life' from Soft Cell's remarkable debut 'Non-Stop Erotic Cabaret'. Heaven 17 are up next from 'The Luxury Gap' followed by Simple Minds with the title track 'New Gold Dream (81/82/83/84)' from their brilliant 1982 album - and Orchestral Manoeuvres In The Dark with 'She's Leaving' from 'Architecture And Morality' closes the side... Turning over to the final side, opener 'Mystery Achievement' was the final track on the Pretenders debut 'Pretenders' released just two weeks into 1980, and second album highlights follow: 'Harborcoat' featured on R.E.M.'s 'Reckoning', and 'Age Of Consent' opened New Order's second album 'Power, Corruption And Lies'. The final three tracks are all stellar examples of the era's most sophisticated pop; Roxy Music's 1982 'Avalon' included 'The Space Between', and in 1984 David Sylvian released his first solo album 'Brilliant Trees', and from it the outstanding and atmospheric 'Nostalgia' shares a jazz-influence with the final track, a collaboration between The Style Council & Tracey Thorn 'The Paris Match' taken from The Style Council's 1984 album 'Cafe Bleu'. 40 fantastic tracks - A sampler of the iconic albums that represent an incredible period of creativity and originality: NOW That's What I Call An Era : The Albums 1980 1984.
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  • NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984

    NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984

    UNIVERSAL UK Jun 2025
    3 discs
    Vinyl
    $53.99
  • Music of Ursula Mamlok, Vol. 2

    Music of Ursula Mamlok, Vol. 2

    Bridge Records Dec 2010
    1 disc
    CD
    $18.99
  • OVER THE RAINBOW
    HERB ALPERT PRESENTS

    OVER THE RAINBOW

    CD · 1 disc

    $13.99
    Composer
    0
    Artist
    Herb, Alpert
    Released
    Sep 20, 2019
    On his 2019 album, Over The Rainbow, Herb Alpert began the same way he has done for all of his albums over the years: searching for great melodies. That search has resulted in the prolific trumpeter's latest offering, a collection of 11 classics and one brand new, original track. That original song, "Skinny Dip", opens the album with a quirky, fun vibe before things move on to recognizable tunes from the great American songbook, which are included for various reasons close to Herb's heart. He felt the danger in the tightrope walk of recording his own version of the iconic "Over The Rainbow", which was cemented within pop culture by Judy Garland's performance and many other fantastic recordings. And whether it's a tribute to Gypsy jazz guitarist Django Reinhardt on "All Love", Bill Withers on "Ain't No Sunshine", or the great Louis Armstrong on "What A Wonderful World", there is always a deeper connection and meaning for Herb on every cover selected for this album, making it one of the most personal projects he has ever worked on.
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  • OVER THE RAINBOW

    OVER THE RAINBOW

    HERB ALPERT PRESENTS Sep 2019
    1 disc
    CD
    $13.99
    Gloriae Dei Cantores

    AMERICAN PSALMODY 20TH CENTURY

    CD · 3 discs

    $42.99
    Composer
    ROREM IVES SUSA ADLER
    Artist
    Gloriae Dei Cantores
    Released
    Sep 30, 2016
    American Psalmody of the 20th Century - This release includes 23 works from the very best American 20th century composers, including Charles Loeffler, Virgil Thomson, Kent Newbury, Samuel Adler, Charles Ives, and more. This three disc set is a rich treasury of music, which presents a varied program, making this a legacy which will no doubt preserve the heritage of American sacred choral music. Gloriae Dei Cantores is an internationally recognized choir with more than forty members who range in age from seventeen to seventy. The group, directed by Richard K. Pugsley, is devoted to preserving great choral music from the eleventh to the twenty-first centuries. Their singing is startlingly superb wonderfully warm, yet clear sonorities. They consistently deliver levels of emotional intensity and aching spirituality. This is some of the finest, most inspiring American choral singing you will hear this year. (American Record Guide)
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  • AMERICAN PSALMODY 20TH CENTURY

    AMERICAN PSALMODY 20TH CENTURY

    Gloriae Dei Cantores Sep 2016
    3 discs
    CD
    $42.99
  • NOW THAT'S WHAT I CALL AN ERA-(FEELS LIKE) HEAVEN
    UNIVERSAL UK

    NOW THAT'S WHAT I CALL AN ERA-(FEELS LIKE) HEAVEN

    Vinyl · 3 discs

    $60.49
    Artist
    NOW THAT'S WHAT I CALL AN ERA-(FEELS LIKE) HEAVEN
    Released
    Mar 20, 2026
    Triple red, blue and pink colored vinyl LP pressing. NOW Music proudly presents the continuation of the Era series with NOW That's What I Call An Era - (Feels Like) Heaven: 1978-1985, a celebration of essential synth-pop. This collection brings together 80 tracks across 4CDs in hard-back-book packaging complete with a 28-page booklet packed with notes on all the featured tracks - highlighting some of the best from a transformative era in music. Includes tracks by Queen, Eurythmics, Ultravox, Visage, Gary Numan, Duran Duran, Spandau Ballet, OMD, Soft Cell, Heaven 17, Howard Jones, Nik Kershaw, Tears for Fears, Laurie Anderson, The Human League, Fad Gadget, Fiction Factory, The Cure, The Associates, Simple Minds, Talk Talk, Yello, Men Without Hats, Telex, New Order Bronski Beat, M, and many others.
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  • NOW THAT'S WHAT I CALL AN ERA-(FEELS LIKE) HEAVEN

    NOW THAT'S WHAT I CALL AN ERA-(FEELS LIKE) HEAVEN

    UNIVERSAL UK Mar 2026
    3 discs
    Vinyl
    $60.49
  • MORE SERIOUS BUSINESS
    SHANACHIE

    MORE SERIOUS BUSINESS

    CD · 1 disc

    $17.24
    Artist
    JAZZ FUNK SOUL
    Released
    Jan 22, 2016
    2016 release, the highly anticipated follow-up to this Smooth Jazz supergroup's chart topping debut album. Featuring three of the most important hit makers on the scene today: Jeff Lorber, Everett Harp and Chuck Loeb - artists and producers responsible for selling millions of albums and scoring close to 50 #1 Smooth Jazz radio hits! Since Jazz Funk Soul began touring in 2013, the popularity of the group and the audience's enthusiasm has been tremendous. This brilliant album was created to satisfy the demand from their growing audience. More Serious Business is overflowing with soaring saxophone solos, brilliant guitar riffs, super funky piano riffs and incredibly compelling melodies.
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  • MORE SERIOUS BUSINESS

    MORE SERIOUS BUSINESS

    SHANACHIE Jan 2016
    1 disc
    CD
    $17.24
  • PUCCINI, G.: Boheme (La) [Opera] (1940, 1948)

    PUCCINI, G.: Boheme (La) [Opera] (1940, 1948)

    West Hill Radio Archives Oct 2006
    3 discs
    CD
    $48.99
    Chandos

    Rimsky-Korsakov: Scheherazade / Oundjian, Toronto Symphony

    CD · 1 disc

    $13.99
    Composer
    RIMSKY-KORSAKOV, NIKOLAI
    Artist
    Oundjian
    Released
    Aug 26, 2014
    Recording with Chandos for the first time, this album marks the beginning of a new partnership with the Toronto Symphony Orchestra. A regular presence in concert halls throughout the US and Canada, this recording also comes as the TSO embarks, in August, on its first European tour since 2000 under the baton of Peter Oundjian, who this year celebrates his tenth anniversary as Music Director. He also conducts in this performance of Rimsky-Korsakov’s ever-popular symphonic suite Sheherazade.

    Many composers have drawn inspiration from the collection of folklore known as the Arabian Nights but none has captured the imagination so vividly as Nikolay Rimsky-Korsakov in Sheherazade, composed in 1888. In the story, Sheherazade escapes the murderous intent of her husband, the Sultan Schariar, by entertaining him with fascinating tales every evening for 1001 nights. Rimsky-Korsakov’s four movements allude to individual episodes and images from the stories in dazzling orchestral colour.

    The suite opens with a stern and strident brass theme representing the bloodthirsty Sultan. A winding melody for solo violin that returns throughout the work represents the answering voice of Sheherazade. The kaleidoscopic second movement has the character of a scherzo while the third is tender and lyrical. The finale is a boisterous and exuberant carnival, calmed by the return of Sheherazade’s theme which brings the work to a serene conclusion. - Chandos

    Review Quote

    "Both conductor and orchestra make a very positive impression in Sheherazade. Oundjian shapes the music with passion and affection and pulls off some powerful climaxes. He is not afraid to go all out when the music requires it. But Oundjian is also a man who attends to details. The precision of the playing is first-class.

    Rimsky’s score abounds in virtuoso opportunities for principle players in the orchestra and it is a joy to hear the TSO musicians show off. It is the concertmaster who gets the most opportunities and Jonathan Crow clearly demonstrates why he is such an asset to the orchestra..." - Paul E. Robinson, Musical Toronto

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  • Rimsky-Korsakov: Scheherazade / Oundjian, Toronto Symphony

    Rimsky-Korsakov: Scheherazade / Oundjian, Toronto Symphony

    Chandos Aug 2014
    1 disc
    CD
    $13.99
  • Lo, How a Rose E'er Bloometh / The Queen's Six
    Resonus Classics

    Lo, How a Rose E'er Bloometh / The Queen's Six

    CD · 1 disc

    $18.99
    Composer
    BENNETT TALLIS WARLOCK
    Artist
    Queen'S Six, Pinel
    Released
    Oct 06, 2017
    The Queen’s Six release their third album on the Resonus Classics label with a scintillating and varied programme of music for Christmas. Both modern and traditional carols feature alongside a selection of lighter and contemplative evocations of the festive season. The Queen’s Six bring their trademark flair to this broad range of arrangements for men’s voices, with works from the Renaissance to the present day, including a tribute to the life of the inimitable David Willcocks - forever associated with the Christmas season - and new works by Thomas Hewitt Jones, Richard Madden & Matthew Coleridge.
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  • Lo, How a Rose E'er Bloometh / The Queen's Six

    Lo, How a Rose E'er Bloometh / The Queen's Six

    Resonus Classics Oct 2017
    1 disc
    CD
    $18.99
  • Love Song

    Love Song

    Sony Masterworks Jan 2001
    1 disc
    CD
    $11.98
  • BLOOD, CHET AND TEARS (VERVE BY REQUEST SERIES)
    VERVE

    BLOOD, CHET AND TEARS (VERVE BY REQUEST SERIES)

    Vinyl · 1 disc

    $33.54
    Artist
    BAKER, CHET
    Released
    Oct 04, 2024
    Limited 180gm vinyl LP pressing. Somewhat of an oddity in Chet Baker's catalog, Blood, Chet & Tears is a record of his efforts to adapt to the changing musical landscape around him in 1970. Baker leans into light and easy-listening territory. His renditions of the Beatles' "Something" and the Archies' "Sugar, Sugar" gives some indication as to who he was intending to appeal to. On a different note, Baker's rendition of "Come Saturday Morning," a song that received an Oscar nomination for Best Original Song, is moving and highlights his unique vocal approach. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.
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  • BLOOD, CHET AND TEARS (VERVE BY REQUEST SERIES)

    BLOOD, CHET AND TEARS (VERVE BY REQUEST SERIES)

    VERVE Oct 2024
    1 disc
    Vinyl
    $33.54
    Chandos

    Berlioz: Symphonie Fantastique, Tempest Fantaisie / Davis, Toronto Symphony

    SACD · 1 disc

    $21.99
    Composer
    BERLIOZ, HECTOR
    Artist
    Davis
    Released
    Jul 05, 2019
    The Fantaisie sur la Tempete de Shakespeare was composed shortly after Berlioz had won the coveted Prix de Rome (at the fourth attempt) with his cantata Sardanapale, and was originally conceived as a concert overture, with chorus. After various reworkings of the material, the four-movement Fantaisie, as recorded here, became the finale of Berlioz’s ‘monodrama’ Lelio- a juxtaposition of existing material interlinked with dramatic monologues recited by the ‘artist’ at the center of the work. Symphonie fantastique, Berlioz’s best-known work by some distance, remains an evergreen in the orchestral repertoire, and beloved of audiences the world over. The idiomatic approach to orchestration, grounded in Berlioz’s musical training in French provincial wind-bands, and the revolutionary approach to the prevailing conventions of musical form at the time shine through in the five-movement masterpiece, which remains one of the most vividly programmatic symphonies ever written. This recording was made after a pair of performances in September 2018 in the Roy Thomson Hall in Toronto, and is made in Surround Sound.

    -----

    REVIEW:

    You might not think the world needs another reading of the Symphonie fantastique, but Davis' ease with the orchestra enables him to pull off a number of unusual orchestral effects. The real find here is the Fantaisie sur La Tempète de Shakespeare (Fantasy on Shakespeare's The Tempest). It is a charming collection of delicate orchestral displays complete with a choir singing words from The Tempest, or something like them, in Italian. The Toronto Mendelssohn Choir achieves special grace here, and this little performance is worth the price of admission.

    – All Music Guide (James Manheim)
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  • Defiance

    Defiance

    Sony Masterworks Dec 2008
    1 disc
    CD
    $11.98
  • VOYAGE OF A SEA-GOD

    VOYAGE OF A SEA-GOD

    HYPERION Jul 2021
    2 discs
    CD
    $27.51
  • Bruckner: Symphony No. 9 / Honeck, Pittsburgh Symphony

    Bruckner: Symphony No. 9 / Honeck, Pittsburgh Symphony

    Reference Recordings Aug 2019
    1 disc
    SACD
    $21.99
  • Americans in Rome: Music by Fellows of the American Academy

    Americans in Rome: Music by Fellows of the American Academy

    Bridge Records Oct 2008
    4 discs
    CD
    $54.99
    Naxos

    English Song Collection

    CD · 25 discs

    $128.99
    Composer
    VARIOUS
    Artist
    Various
    Released
    May 14, 2021

    The acclaimed English Song Series celebrates the richness and diversity of British composers, performed by leading interpreters of the repertoire. Growing out of an ancient tradition that still echoes in the folk song arrangements of Benjamin Britten, the British art song draws its inspiration from the English poetic language, the nation’s unique land and seascapes, and the suffering and joy of human emotions. From the delightfully light-hearted songs of Liza Lehmann to the abundance of invention and imagery from today’s composers, this collection is a repository of the essence of British musical craftsmanship at its finest.

    REVIEWS:

    There is so much is here that is central to the genre, and it is all almost uniformly well done. In addition, there is enough here that is less well-known, assuming many collectors will have the main works of, say, Butterworth, Finzi, Vaughan Williams, and others, that even that collector will grow their knowledge and pleasure through acquiring this collection. It is to be hoped that this issue does not signal an end to Naxos’s recordings of this repertoire. There are many other composers and songs that could be added to its catalog. Meanwhile we have this superb anthology of many of the finest English songs from the late Victorians to the present day.

    -- MusicWeb International

    This superlative set's roster is impressive, with turns from Felicity Lott, Thomas Allen, Susan Bickley, Gerald Finley and even Judi Dench.

    – BBC Music Magazine

    This set will surely provide many hours of listening pleasure.

    -- Gramophone

    This is a hugely ambitious and successful project that deserves many hours of attention and appreciation. I recommend it wholeheartedly.

    – Opera Now

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  • English Song Collection

    English Song Collection

    Naxos May 2021
    25 discs
    CD
    $128.99
  • Tchaikovsky: Symphony No. 4 - Leshnoff: Double Concerto / Honeck, Pittsburgh Symphony

    Tchaikovsky: Symphony No. 4 - Leshnoff: Double Concerto / Honeck, Pittsburgh Symphony

    Reference Recordings May 2020
    1 disc
    CD
    $21.99
    Chandos

    Vaughan Williams: Piano Concerto, Serenade To Music, Etc / Oundjian, Toronto Symphony

    SACD · 1 disc

    $21.99
    Composer
    VAUGHAN WILLIAMS, RALPH
    Artist
    Lortie, Jeffrey, Li, Elmer Iseler Singers, Oundjian
    Released
    Jun 01, 2018
    With this celebratory release completing his fourteen-year tenure as Music Director of the TSO, Peter Oundjian conducts an exquisite Vaughan Williams programme, supported by an all-Canadian cast of star soloists. In the program notes of the concert preceding the recording, Oundjian declared: “Ralph Vaughan Williams was possibly England’s most significant composer, and he is a personal favorite of mine. This [recording] presents some of his finest works, featuring soloists from the Orchestra as well as some of Canada’s most notable solo artists, and the Elmer Iseler Singers. The lyrical and engaging Oboe Concerto is rarely heard, but it is one of his most inspired works. Serenade to Music showcases his exquisite vocal writing, which also figures prominently in the ravishingly beautiful Flos Campi, so surprisingly scored for solo viola, choir, and chamber orchestra. The Piano Concerto is more dramatic, with a juggernaut opening and a brilliant fugal finale.”

    REVIEWS:

    The Chandos catalogue already boasts a superb performance of the Piano Concerto by Howard Shelley, coupled with the Ninth Symphony in Bryden Thompson’s rather forgotten yet quite brilliant series. Canadian pianist Louis Lortie is outstanding in this new performance.

    Listeners should pay keen attention to this beautiful performance by the Toronto Symphony Orchestra’s principal oboe, Sarah Jeffrey. She is absolutely in sympathy with the music, producing a most pleasing tone, and is in complete command of the work’s technical demands.

    Serenade to Music was originally composed for sixteen solo voices. The composer conceived the work for particular singers whose solo passages are marked with their initials in the score, but he was always keen to adapt works in order to secure performances. This performance uses just four soloists alongside the admirable Elmer Iseler Singers, a group of twenty or so voices. Thus, the soprano, for example, sings solo passages that were originally assigned to four different singers and, no doubt, tailored to each particular voice. I expected to miss the change of vocal quality from one phrase to another, but in the end this didn’t bother me at all, perhaps because the soloists are so distinguished. Peter Oundjian’s pacing of the work is ideal, and the sounds he coaxes from his excellent orchestra are as ravishing as they should be in this work.

    Teng Li is the Toronto Symphony Orchestra’s principal viola player, and she plays Flos Campi as if it really means something to her. She produces a rich, nourished tone and plays the more robust passages without the slightest suggestion of roughness. Her viola really speaks, her playing richly communicative. The choir is excellent, the orchestra too, and by careful attention to Vaughan Williams’s markings, Oundjian achieves something very special.

    Peter Oundjian’s work in Toronto was marked by a number of recordings of Vaughan Williams symphonies on the orchestra’s own label. Here, on Chandos, he treats us to a mouth-watering programme that more than deserves a place in any Vaughan Williams collection.

    – MusicWeb International

    The solo playing by Toronto Symphony principal Teng Li offers deep weight of tone, rapturous phrasing, and a musical personality that mesmerises the ear; the choral singing is superbly focused and (easier said than done) flawlessly in tune, with a classy orchestral accompaniment to match. Sarah Jeffrey (also a Toronto principal) is at first less impressive in the Oboe Concerto, her playing increasingly searches out the music’s poignant heart, memorably so in the finale.

    – BBC Music Magazine
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