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    Chandos

    Landmarks: 40 Years of Chandos

    CD · 40 discs

    $82.99
    Composer
    VARIOUS
    Artist
    Various
    Released
    Jul 05, 2019

    Each recording in this 40-disc set has been selected by Chandos Managing Director, Ralph Couzens, son of the label founder, because it represents a turning point, or ‘Landmark’, in the development of the label.

    -----

    Founded by Brian Couzens in 1979, Chandos quickly established itself as one of the world’s leading classical labels. The ‘Chandos Sound’ has become a benchmark for quality, renowned alike among artists and critics around the globe.

    From its inception, Chandos has specialised in recording British music, and in bringing lesser-known (and unknown) music to public attention. Released to celebrate the 40th Anniversary of the label, this handsomely packaged 40-disc set comprises 40 complete recordings from Chandos’ extensive catalogue.

    Each of the four decades is represented, and each recording has been hand-picked by the Managing Director, Ralph Couzens, because it represents a turning point, or ‘Landmark’, in the development of the label.

    -----

    Excerpts from select reviews of previously released volumes included in this set:

    Prokofiev: Symphony No 6, Waltzes Suite, Etc. / Järvi, Royal Scottish National Orchestra - NLA


    This 1984 recording put the somewhat neglected Sixth Symphony of Prokofiev back on the musical map; it remains on balance the finest available.

    – ClassicsToday.com

    Vaughan Williams: London Symphony; Butterworth: Banks of Green Willow / Hickox, LSO

    Conductor and orchestra respond with an unquenchable spirit, generous flexibility and tender affection that suit VW’s admirably ambitious inspiration to a T, and Chandos’s sound is big and bold to match. Quite simply, an essential purchase for anyone remotely interested in British music.

    – Gramophone

    Ravel, Debussy & Massenet / Bavouzet, Tortelier, BBC Symphony

    Bavouzet gets the tempo changes in Ravel's G Major Concerto absolutely right, following up with one of the most songfully flowing and elegantly shaped accounts of the Adagio on disc, and concluding with an absolutely scorching finale. The Massenet encores are both novel and delightful.

    – ClassicsToday.com

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  • Landmarks: 40 Years of Chandos

    Landmarks: 40 Years of Chandos

    Chandos Jul 2019
    40 discs
    CD
    $82.99
  • Lyrita - Celebrating Fifty Years Devoted To British Music - Set One
    Lyrita

    Lyrita - Celebrating Fifty Years Devoted To British Music - Set One

    CD · 4 discs

    $32.99
    Composer
    VARIOUS
    Artist
    Various
    Released
    Oct 01, 2009
    Also Available: Lyrita - Celebrating Fifty Years Devoted To British Music - Set Two

    In Set One strong choices are made time after time. Alwyn’s Magic Island is in fact Prospero’s island - from The Tempest. The English Dances beguile and enchant. They are drawn from an LP and then from an extended CD which found Lyrita orchestral recording standards at their utter peak. The Russian Scenes are well done although ultimately they are a collection of exotic postcards and dances. The Benjamin Overture is a playful piece in the manner of the lighter examples by Barber and Bax. It comes as no surprise to discover that it was used as the overture to Benjamin’s opera Prima Donna. Berkeley’s crisp Serenade for Strings is presumably authoritative with the composer at the helm. Bliss conducting a suite from his Adam Zero seems underwhelming as music and as a performance - Handley’s version is much better. The delightful Bridge Suite for Strings is lovingly done by Boult. Similarly sumptuous and achingly poignant is A Shropshire Lad. Finzi’s Eclogue, Howells’ Merry-Eye and Hadley’s One Morning in Spring speak for themselves. The Forgotten Rite by John Ireland is a subtle, poetic and completely convincing piece. It’s interesting that this first set has only one bleeding chunk from a larger piece and that is the second movement of Busch’s Cello Concerto. The Cello Concerto is a strong work and makes quite a discovery among the rich crop of new Lyritas in 2008. Although issued on CD in the early 1990s the Foulds Mantras - of which we here have the Mantra of Bliss - is amongst the most radical and impressive. Then again Foulds was an extraordinary composer whose significance is international. Light music is represented by shapely performances of Coates’ From Meadow to Mayfair, Gibbs’ Fancy Dress and the Coleridge Taylor Valse. Fredman’s reading of the famous Delius Walk is to be treasured. He would have made an estimable Song of the High Hills had the opportunity been offered. Lyrita are the only label to provide Holst’s tangy Japanese Suite and, audaciously enough, it’s here in this set. From the 19th century comes Sterndale Bennett’s Caprice and the remarkable Variations on a Hungarian Air by Hurlstone. Henry Wood’s orchestration of the Bach Toccata and Fugue in D Minor was originally presented under a pseudonym, Paul Klenovsky. Oh how those Russian names legitimise British talent! Gipps’ Horn Concerto is played by the very talented David Pyatt. Would that Lyrita had also recorded her other concertos. Don’t forget her works for Clarinet (1940); Viola (Jane Grey Fantasy, 1940), Oboe (1941), Violin (1943), Piano (1948), Violin and Viola (1957) and Contra-Bassoon (Leviathan) and the five symphonies (1942, 1945, 1965, 1972, 1982). Names much associated with Cheltenham are represented by the Yorick overture, the Jabez and The Devil and the only recently vinyl-liberated Hoddinott Welsh Dances (Set 2).

    - Rob Barnett, MusicWeb International


    Lyrita - Celebrating Fifty Years devoted to British Music - Set One

    CD 1 [73:53]
    William ALWYN Symphonic Prelude - The Magic Island - LPO/Alwyn [10:11]
    Malcolm ARNOLD English Dances - Set 2 - LPO/Arnold [9:49]
    Bach orch. Henry WOOD Toccata and Fugue in D Minor - LPO/Braithwaite [9:49]
    Granville BANTOCK Russian Scenes - LPO/Wordsworth [14:13]
    Arnold BAX Northern Ballad No.1 - LPO/Boult [10:09]
    Arthur BENJAMIN Overture to an Italian Comedy - RPO/Fredman [6:17]
    William Sterndale BENNETT Caprice in E - Malcolm Binns (piano) LPO/Braithwaite [13:17]

    CD 2 [75:21]
    Lennox BERKELEY Serenade for Strings - LPO/Berkeley [13:14]
    Arthur BLISS Adam Zero - Suite - excerpt - LSO/Bliss [8:53]
    Frank BRIDGE Suite for String Orchestra - LPO/Boult [20:50]
    William BUSCH Cello Concerto (II) Raphael Wallfisch (cello) - RPO/Handley [6:51]
    Geoffrey BUSH Overture - Yorick - NPO/Handley [8:30]
    George BUTTERWORTH A Shropshire Lad Rhapsody - LPO/Boult [8:38]
    Eric COATES From Meadow to Mayfair Suite (excerpt) - NPO/Boult [8:14]

    CD 3 [74:28]
    Samuel COLERIDGE-TAYLOR Valse de la Reine - LPO/Wordsworth [4:32]
    Arnold COOKE Jabez and The Devil - Suite - LPO/Braithwaite [18:02]
    Frederick DELIUS The Walk to the Paradise Garden - LPO/Fredman [10:53]
    Gerald FINZI Eclogue Peter Katin (piano) - NPO/Handley [10:32]
    John FOULDS Mantra of Bliss - LPO/Wordsworth [13:06]
    Cecil Armstrong GIBBS Fancy Dress - Dance Suite - RPO/Joly [17:20]

    CD 4 [67:58]
    Ruth GIPPS Horn Concerto - David Pyatt (horn) LPO/Braithwaite [17:14]
    Patrick HADLEY One Morning in Spring - LPO/Boult [3:56]
    Alun HODDINOTT Welsh Dances Set 2 - NYOW/Davison [9:04]
    Gustav HOLST Japanese Suite - LSO/Boult [11:01]
    Herbert HOWELLS Merry-Eye - NPO/Boult [8:52]
    William HURLSTONE Variations on a Hungarian Air - LPO/Braithwaite [10:36]
    John IRELAND The Forgotten Rite - Prelude - LPO/Boult [7:05]

    rec. 1966-2007. ADD/DDD
    LYRITA SRCD.2337 [4 CDs: 73:53 + 75:21 + 74:28 + 67:58]
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  • Marlboro Fest 40th Anniversary - Mendelssohn: Symphony No 4
    Sony Masterworks

    Marlboro Fest 40th Anniversary - Mendelssohn: Symphony No 4

    CD · 1 disc

    $17.99
    Artist
    Mendelssohn, Casals, Schneider, Laredo
    Released
    Jul 07, 2011
    Casals was as much at home conducting as he was playing cello, and this performance is imbued with the same bold and emphatic shaping, vigorous rhythmic drive and concern for the overall musical shape of the work being performed.

    ...The lion's share of the release is taken up by five CDs with Casals conducting. The repertoire is solidly mainstream: Beethoven Symphonies Nos. 1, 2, 4, 6, 7 and 8, Schubert's Fifth and Mendelssohn's Italian, and the Brahms Haydn Variations. These recordings are important if for no other reason than for documenting the work of one of the most powerful musical personalities of this century, who went on making music until his death in 1973 at the remarkable age of 96.

    Casals was as much at home conducting as he was playing cello, and these performances are all imbued with the same characteristics as Casals's solo playing. They are very forthright with bold and emphatic shaping, vigorous rhythmic drive and concern for the overall musical shape of the work being performed. On the other hand, tempos are at times leisurely and there is a tendancy 'to enjoy the view'. This is very much an interpretative style more common to the first half of this century than the second. One feels that Casals is talking the same musical language as some of his great contemporaries such as Mengelberg and Furtwangler if without their personal idiosyncracies.

    -- Gramophone [6/1991]
    reviewing the Sony series of Marlboro 40th Anniversary CDs, which includes the present disc
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  • Marlboro Fest 40th Anniversary - Mendelssohn: Symphony No 4
    Sold Out

    Marlboro Fest 40th Anniversary - Mendelssohn: Symphony No 4

    Sony Masterworks Jul 2011
    1 disc
    CD
    $17.99
  • DEUTSCHE GRAMMOPHON RECORDINGS
    ELOQUENCE AUSTRALIA

    DEUTSCHE GRAMMOPHON RECORDINGS

    CD · 9 discs

    $89.99
    Artist
    BOSTON SYMPHONY CHAMBER PLAYERS
    Released
    Dec 05, 2025
    A portrait of the Boston Symphony Chamber Players through the 1970s, through their complete recordings for Deutsche Grammophon and Philips. This diverse range of repertoire receives luxury treatment from the musicians, always centered in beauty of tone and with the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. The Boston Symphony Chamber Players were created in 1964, to play at the Tanglewood Festival before the 'main event' of the Boston Symphony's concerts. Before long, the BSCP became the main event themselves, with a programme of concerts throughout the year, and a busy recording schedule. When the Boston Symphony Orchestra began to record with DG in 1970, so did the Chamber Players. Violinist Joseph Silverstein, cellist Jules Eskin and flautist Doriot Anthony Dwyer all take starring roles on an album of late chamber music by Claude Debussy, and a new booklet essay by Peter Quantrill outlines the importance of these three superb musicians to the profile and the identity of the BSCP. As led by Silverstein, the repertoire of the BSCP also reflects the inclusive nature of the main orchestra's programming. There is high modernism, in an album of modern American chamber music by Ives, Carter and Porter. There is classic modernism, in immaculately prepared accounts of landmark works by Stravinsky and Schoenberg. There are core Romantic classics such as a Dvorak string quintet and the Clarinet Quintet by Brahms. Then there are delicious rarities such as chamber-scale arrangements of Johann Strauss waltzes. This diverse range of repertoire receives luxury treatment from the musicians of the Boston Symphony Chamber Players, always centred in beauty of tone and the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. Coming to a close with a glorious pairing of the clarinet quintets of Mozart and Brahms from 1993, led on Philips by the veteran clarinettist Harold Wright, this collection of 'Original Jacket' albums rewards lovers of chamber music with playing of consistent vitality and refinement.
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  • DEUTSCHE GRAMMOPHON RECORDINGS
    Sold Out

    DEUTSCHE GRAMMOPHON RECORDINGS

    ELOQUENCE AUSTRALIA Dec 2025
    9 discs
    CD
    $89.99