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    The Bassoonist’s Songbook
    Chandos

    The Bassoonist’s Songbook

    CD · 1 disc

    $21.99
    Composer
    Various
    Artist
    Amy Harman, Tom Poster
    Released
    Jan 23, 2026
    A passionate advocate for the bassoon, Amy Harman is much sought after as a soloist, chamber musician, teacher, and communicator. Appointed solo bassoon of the Philharmonia Orchestra aged twenty-three, she is currently principal bassoon of the Aurora Orchestra and much in demand as a guest principal with leading orchestras in Europe, including Paavo Jarvi's Estonian Festival Orchestra and the Mahler Chamber Orchestra. Amy writes: 'The quality in all the musicians I have loved is the ability to make their instruments sing - to make a sound that is an extension of their voice and to communicate directly to the souls of their listeners. I was lucky enough to give many recitals during my time sponsored by the Young Classical Artists Trust (YCAT), in my early twenties, and when I was putting together programmes, I was always drawn to either transcriptions of songs or repertoire in which I felt that the bassoon could leave behind it's sometimes comedic image and become a voice. I have been even luckier to perform many of these recitals with Tom Poster, and we have over the years narrowed down our favourites to the pieces collected on this album. The Bassoonist's Songbook is a showcase of the side of the bassoon that I love the most, and I hope that many of you, too, will enjoy the songs that nestle within this beautiful instrument.'
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  • The Bassoonist’s Songbook

    The Bassoonist’s Songbook

    Chandos Jan 2026
    1 disc
    CD
    $21.99
  • Handel, Beethoven, Schumann, Brahms, Strauss, Schubert, Debu

    Handel, Beethoven, Schumann, Brahms, Strauss, Schubert, Debu

    Bridge Records Jun 2007
    1 disc
    CD
    $18.99
  • American Virtuosa - Tribute To Maud Powell / R. Barton Pine

    American Virtuosa - Tribute To Maud Powell / R. Barton Pine

    Cedille Jan 2007
    1 disc
    CD
    $19.99
    BIS

    Sounds & Sweet Airs - A Shakespeare Songbook / Sampson, Williams, Middleton

    SACD · 1 disc

    $21.99
    Composer
    Thomas Arne, Amy Beach, Frank Bridge, Benjamin Britten, Mario Castelnuovo-Tedesco, Samuel Coleridge-
    Artist
    Carolyn Sampson, Roderick Williams, Joseph Middleton
    Released
    Aug 04, 2023

    The 37 songs in this recital, written by 27 composers – male, female, English, French, Swiss, German, Romantic, modern and contemporary – bear witness to the richness of Shakespeare’s works to which this recital is dedicated. Organised in the form of a play in five acts, including prologue and epilogue, the songs, which include several duets, are in turn cheerful and sad, light and profound, classical and jazzy – thus allowing, in Carolyn Sampson’s words, ‘a breadth of responses to these great texts’. Alongside well-known melodies, such as those by Schubert, there are musical adaptations by different composers of the same texts, as well as a contemporary reflection for the two voices by Hannah Kendall exploring the question of gender fluidity and identity through the elusive character of Rosalind from As You Like It.

    After many acclaimed releases on BIS, including Album für die Frau, a collection of songs by Clara and Robert Schumann, A Soprano’s Schubertiade and Elysium, two Schubert recitals, as well as a number of themed recitals, some of which were named ‘Recording of the Month’ by MusicWeb International and ‘CD-Tipp’ by BR Klassik, Carolyn Sampson and Joseph Middleton are joined here by renowned British baritone Roderick Williams.

    REVIEW:

    Soprano Carolyn Sampson and baritone Roderick Williams are prolific singers who can handle almost any kind of repertory but have a strong connection to the English tradition from the Baroque to the 20th century. It would be hard to imagine better singers for this collection of Shakespeare songs, for on one hand, Shakespeare settings are about as traditional as one can get, while on the other, this is an exceptionally diverse collection. Listeners unaware that Haydn set Shakespeare should make it their business to hear Sampson in She never told her love, as soon as possible. There are settings of German Shakespeare translations by Schubert, Schumann, and Hugo Wolf, a French one by Arthur Honegger, and an entrancing English-language Fancy by Poulenc. This album represents, in short, an embarrassment of riches, and it is one of the finest Shakespeare song releases to come along in quite some time.

    -- AllMusic.com (James Manheim)

    CONTENTS:

      • Ireland: Full fathom five
      • Vaughan Williams: Dirge for Fidele
      • Moeran: The Lover and his Lass
      • Castelnuovo-Tedesco: Arise, "Sea Murmurs"
      • Smith, J C: You spotted snakes
      • Tippett: Songs for Ariel
      • Arne: Under the Greenwood Tree
      • Gurney: Under the greenwood tree
      • Parry: Sonnet LXXXVII
      • Ireland: When daffodils begin to peer
      • Haydn: She Never Told Her Love, Hob. XXVIa:34
      • Schubert: An Silvia, D 106
      • Schubert: Ständchen 'Horch! Horch! die Lerch!', D889
      • Schubert: Trinklied D888
      • Schumann: Schlusslied des Narren, Op.127 No. 5
      • Wolf, H: Lied des transferierten Zettel
      • Cornelius: Komm herbei, Tod, Op.16 No. 3
      • Frances-Hoad: Rosalind
      • Poulenc: Fancy
      • Britten: Fancie
      • Honegger: Deux Chants d'Ariel
      • Bridge: Blow, blow, thou winter wind
      • Dring: Take, O Take Those Lips Away
      • Dankworth: Shall I compare thee to a summer's day?
      • Horder: Under the greenwood tree
      • Coleridge-Taylor: The Willow Song
      • Beach, A: Fairy Lullaby
      • Williams, Roderick: Sigh no More, Ladies
      • Sullivan, A: Orpheus with his Lute
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    Affetto Records

    Passages - Solo Piano Works Inspired by Opera & Song / Ditlow

    CD · 1 disc

    $26.99
    Composer
    Carl Czerny, George Gershwin, Pietro Mascagni, Richard Wagner, Franz Liszt, Robert Schumann, Ernesto
    Artist
    Kristin Ditlow
    Released
    Apr 21, 2023

    Composers are often tasked with creating from a void, an emptiness. The blank page is an easel. The parts of a structure of a piece of music – melody, accompaniment, line, harmony, tension, and release – must take shape to reach the listener’s ear. Sometimes, instead of starting with an empty sheet of staff paper, a composer creates something which is pollinated by another source. Perhaps it is a folk song, a poem, a melody, or an even larger work, such as a full-length opera. New works are then realized. In the case of this two-cd set, an East South African folk tune receives new life as a romantic piano ballade. A sonnet of Petrarch resurfaces centuries later as a dramatic declaration of love, through a solo piano work. The repertoire on these discs traces Kristin Ditlow’s own growth as a pianist and musician. Each work marks a chapter of her development and artistry to the present. The song transcriptions are pieces that have been played countless times with vocal partners: the operatic works are works that she has coached or conducted. Her passionate pursuit of travel is also a thread which weaves throughout the discs: the Samuel Coleridge-Taylor spiritual arrangements are works that she became acquainted with as a high school choral accompanist: meeting her husband while on tour in China in 2012: the Mongolian Shepherd Song is her arrangement of a traditional folksong from the Chinese Mongolian community, a work introduced to her by her husband in China originally for erhu and pipa (traditional Chinese instruments) accompaniment but transcribed for violin and piano. Kristin Ditlow has spent five summers performing, teaching, and coaching in Hungary and the Bartók selections all harken back to those times in the Hungarian countryside. Pianist, coach and conductor Dr. Kristin Ditlow dedicates her musical career to collaboration and connection. She has been seen in concert throughout North America, Mainland China, and Western Europe as a soloist, collaborative pianist, and conductor. The set of music pieces in this album is representative of her “Passages” in her career.

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  • Passages - Solo Piano Works Inspired by Opera & Song / Ditlow

    Passages - Solo Piano Works Inspired by Opera & Song / Ditlow

    Affetto Records Apr 2023
    1 disc
    CD
    $26.99
    Chandos

    Tasmin Little plays British Violin Concertos

    CD · 1 disc

    $21.99
    Composer
    COLERIDGE-TAYLOR DELIUS WOOD
    Artist
    Little, Davis
    Released
    Nov 13, 2015
    Marking their third collaboration, violinist Tasmin Little with conductor Sir Andrew Davis are acclaimed for their nuanced understanding of the concertos of Elgar and Moeran and here demonstrate the deep connection to British music with works by Samuel Coleridge-Taylor, Haydn Wood, and Frederick Delius. With the BBC Philharmonic.

    Review:

    Besides the stellar quality of Little's playing (as ever, warmly engaging and technically bombproof), Sir Andrew Davis and the BBC Philharmonic provide accompaniments in a special class. The slow movements of Wood's Concerto opens with a long theme for the principal horn, delivered here with spellbinding loveliness.

    – BBC Music Magazine
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  • Tasmin Little plays British Violin Concertos
    Sold Out

    Tasmin Little plays British Violin Concertos

    Chandos Nov 2015
    1 disc
    CD
    $21.99
    Chandos

    Overtures from the British Isles / Gamba

    CD · 1 disc

    $21.99
    Composer
    AUSTIN BANTOCK COWEN GARDIN
    Artist
    Gamba
    Released
    Jan 28, 2014
    "As Rumon Gamba's nicely slick performances with BBCNOW show, these are all nicely proportioned pieces...they don't deserve the total neglect they've suffered for the last three-quarters of a century." - The Guardian

    Rumon Gamba and the BBC National Orchestra of Wales present a collection of rarely heard overtures from the British Isles. Among these is Sir Frederic Cowen’s The Butterfly’s Ball (1901), illustrating a popular children’s poem by William Roscoe. All is vividly evoked by Cowen’s pleasing melodic lines and delicate instrumental colour. It is easy to see why, in its day, the piece was a firm favourite, being played twenty-six times at the Proms between 1900 and 1940. Samuel Coleridge-Taylor achieved immediate success early in his career with his four-part cantata cycle collectively known as Scenes from The Song of Hiawatha. The Overture, composed in 1899, was intended as a prelude to the complete cycle but is now rarely heard in this context. Indeed, very little of the material in this Overture comes from the other Hiawatha pieces, the principal theme being the spiritual ‘Nobody knows the trouble I see, Lord’. Perhaps better known as a leading baritone of his generation, Frederic Austin was also a composer of some achievement. In his tuneful and exciting concert overture The Sea Venturers, from 1936, he wanted to evoke ‘something of the lives and character of English seamen who...took peril and pleasure as it came’. - Chandos
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  • Overtures from the British Isles / Gamba
    Sold Out

    Overtures from the British Isles / Gamba

    Chandos Jan 2014
    1 disc
    CD
    $21.99
    Sono Luminus

    America Again / Lara Downes

    CD · 1 disc

    $18.99
    Composer
    BEACH BERNSTEIN COPLAND
    Artist
    Lara Downes
    Released
    Oct 28, 2016

    Langston Hughes wrote his poem “Let America Be America Again” in 1938. The country was crushed by the decade of depression that had squashed so many American dreams, and was threatened by the gathering clouds of the impending war in Europe. Birth right and skin color posed restrictions to the justice and liberty which rest at the heart of American promise, and America was a country divided. Today, we still live in troubled times, where circumstances and skin color still keep the American promise out of reach for so many. The music featured on this release is a tribute to the generations of American men and women, both black and white, both immigrants and pioneers, who dreamed and accomplished the impossible. American music is made of everything that we are, coming from so many different people and places and expressing so many dreams. Lara Downes is a best-selling pianist, who with this release makes her Sono Luminus debut. She performs constantly across the United States, and has also been featured on European stages. This important collection of American repertoire includes three world premieres, and is a unique program which will resound with listeners in today’s world.

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  • America Again / Lara Downes
    Sold Out

    America Again / Lara Downes

    Sono Luminus Oct 2016
    1 disc
    CD
    $18.99
  • Lyrita - Celebrating Fifty Years Devoted To British Music - Set One
    Lyrita

    Lyrita - Celebrating Fifty Years Devoted To British Music - Set One

    CD · 4 discs

    $32.99
    Composer
    VARIOUS
    Artist
    Various
    Released
    Oct 01, 2009
    Also Available: Lyrita - Celebrating Fifty Years Devoted To British Music - Set Two

    In Set One strong choices are made time after time. Alwyn’s Magic Island is in fact Prospero’s island - from The Tempest. The English Dances beguile and enchant. They are drawn from an LP and then from an extended CD which found Lyrita orchestral recording standards at their utter peak. The Russian Scenes are well done although ultimately they are a collection of exotic postcards and dances. The Benjamin Overture is a playful piece in the manner of the lighter examples by Barber and Bax. It comes as no surprise to discover that it was used as the overture to Benjamin’s opera Prima Donna. Berkeley’s crisp Serenade for Strings is presumably authoritative with the composer at the helm. Bliss conducting a suite from his Adam Zero seems underwhelming as music and as a performance - Handley’s version is much better. The delightful Bridge Suite for Strings is lovingly done by Boult. Similarly sumptuous and achingly poignant is A Shropshire Lad. Finzi’s Eclogue, Howells’ Merry-Eye and Hadley’s One Morning in Spring speak for themselves. The Forgotten Rite by John Ireland is a subtle, poetic and completely convincing piece. It’s interesting that this first set has only one bleeding chunk from a larger piece and that is the second movement of Busch’s Cello Concerto. The Cello Concerto is a strong work and makes quite a discovery among the rich crop of new Lyritas in 2008. Although issued on CD in the early 1990s the Foulds Mantras - of which we here have the Mantra of Bliss - is amongst the most radical and impressive. Then again Foulds was an extraordinary composer whose significance is international. Light music is represented by shapely performances of Coates’ From Meadow to Mayfair, Gibbs’ Fancy Dress and the Coleridge Taylor Valse. Fredman’s reading of the famous Delius Walk is to be treasured. He would have made an estimable Song of the High Hills had the opportunity been offered. Lyrita are the only label to provide Holst’s tangy Japanese Suite and, audaciously enough, it’s here in this set. From the 19th century comes Sterndale Bennett’s Caprice and the remarkable Variations on a Hungarian Air by Hurlstone. Henry Wood’s orchestration of the Bach Toccata and Fugue in D Minor was originally presented under a pseudonym, Paul Klenovsky. Oh how those Russian names legitimise British talent! Gipps’ Horn Concerto is played by the very talented David Pyatt. Would that Lyrita had also recorded her other concertos. Don’t forget her works for Clarinet (1940); Viola (Jane Grey Fantasy, 1940), Oboe (1941), Violin (1943), Piano (1948), Violin and Viola (1957) and Contra-Bassoon (Leviathan) and the five symphonies (1942, 1945, 1965, 1972, 1982). Names much associated with Cheltenham are represented by the Yorick overture, the Jabez and The Devil and the only recently vinyl-liberated Hoddinott Welsh Dances (Set 2).

    - Rob Barnett, MusicWeb International


    Lyrita - Celebrating Fifty Years devoted to British Music - Set One

    CD 1 [73:53]
    William ALWYN Symphonic Prelude - The Magic Island - LPO/Alwyn [10:11]
    Malcolm ARNOLD English Dances - Set 2 - LPO/Arnold [9:49]
    Bach orch. Henry WOOD Toccata and Fugue in D Minor - LPO/Braithwaite [9:49]
    Granville BANTOCK Russian Scenes - LPO/Wordsworth [14:13]
    Arnold BAX Northern Ballad No.1 - LPO/Boult [10:09]
    Arthur BENJAMIN Overture to an Italian Comedy - RPO/Fredman [6:17]
    William Sterndale BENNETT Caprice in E - Malcolm Binns (piano) LPO/Braithwaite [13:17]

    CD 2 [75:21]
    Lennox BERKELEY Serenade for Strings - LPO/Berkeley [13:14]
    Arthur BLISS Adam Zero - Suite - excerpt - LSO/Bliss [8:53]
    Frank BRIDGE Suite for String Orchestra - LPO/Boult [20:50]
    William BUSCH Cello Concerto (II) Raphael Wallfisch (cello) - RPO/Handley [6:51]
    Geoffrey BUSH Overture - Yorick - NPO/Handley [8:30]
    George BUTTERWORTH A Shropshire Lad Rhapsody - LPO/Boult [8:38]
    Eric COATES From Meadow to Mayfair Suite (excerpt) - NPO/Boult [8:14]

    CD 3 [74:28]
    Samuel COLERIDGE-TAYLOR Valse de la Reine - LPO/Wordsworth [4:32]
    Arnold COOKE Jabez and The Devil - Suite - LPO/Braithwaite [18:02]
    Frederick DELIUS The Walk to the Paradise Garden - LPO/Fredman [10:53]
    Gerald FINZI Eclogue Peter Katin (piano) - NPO/Handley [10:32]
    John FOULDS Mantra of Bliss - LPO/Wordsworth [13:06]
    Cecil Armstrong GIBBS Fancy Dress - Dance Suite - RPO/Joly [17:20]

    CD 4 [67:58]
    Ruth GIPPS Horn Concerto - David Pyatt (horn) LPO/Braithwaite [17:14]
    Patrick HADLEY One Morning in Spring - LPO/Boult [3:56]
    Alun HODDINOTT Welsh Dances Set 2 - NYOW/Davison [9:04]
    Gustav HOLST Japanese Suite - LSO/Boult [11:01]
    Herbert HOWELLS Merry-Eye - NPO/Boult [8:52]
    William HURLSTONE Variations on a Hungarian Air - LPO/Braithwaite [10:36]
    John IRELAND The Forgotten Rite - Prelude - LPO/Boult [7:05]

    rec. 1966-2007. ADD/DDD
    LYRITA SRCD.2337 [4 CDs: 73:53 + 75:21 + 74:28 + 67:58]
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