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    PENTATONE

    Dvořák: Legends & Rhapsodies / Netopil, Czech Philharmonic

    CD · 1 disc

    $19.99
    Composer
    Antonin Dvorak
    Artist
    Czech Philharmonic
    Released
    Nov 08, 2024

    Dvořák’s Legends and Slavonic Rhapsodies, recorded by Principal Guest Conductor of the Czech Philharmonic, Tomáš Netopil, marks the Orchestra’s fourth recording featuring Czech composers in 2024’s Year of Czech Music. Dvořák wrote his Slavonic Rhapsodies just before the Slavonic Dances that catapulted him to world fame, and they share their colorful orchestration and appealing folk dance melodies, even if the Rhapsodies have more expansive, ambitious forms. The Legends are at least as ingenious, with a smaller orchestra giving the pieces a more intimate, introspective quality. These lesser-known gems are now presented in a glorious idiomatic interpretation by the Czech Philharmonic, arguably the world’s best orchestra for this repertoire.

    The Czech Philharmonic is one of the world’s orchestral gems, recognised for its rich tradition with the Czech masters as well as European repertoire. Together with their chief conductor and artistic director Semyon Bychkov, they have so far recorded for PENTATONE Mahler’s First, Second, Fourth, and Fifth Symphonies (2022-2023), part of the complete Mahler cycle to be released by the label, as well as Smetana's Má vlast and Dvořák's Seventh, Eighth, and Ninth Symphonies (2024). The Orchestra is also featured on the albums Folk Songs (2023) and Czech Songs (2024) recorded by Magdalena Kožená and Sir Simon Rattle. Principal Guest Conductor Tomáš Netopil makes his Pentatone debut.

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  • Dvořák: Legends & Rhapsodies / Netopil, Czech Philharmonic

    Dvořák: Legends & Rhapsodies / Netopil, Czech Philharmonic

    PENTATONE Nov 2024
    1 disc
    CD
    $19.99
  • Dvorák: Complete String Quartets / Panocha Quartet

    Dvorák: Complete String Quartets / Panocha Quartet

    Supraphon May 2005
    8 discs
    CD
    $94.99
    SWR

    Dvořák: Complete Symphonies, Vol. 6 / Inkinen, Deutsche Radio Philharmonie

    CD · 1 disc

    $20.99
    Composer
    Antonin Dvorak
    Artist
    Deutsche Radio Philharmonie
    Released
    Feb 16, 2024

    In 1884, Antonín Dvořák undertook his first concert tour to England. This was to become a highlight of his career to date and brought him international recognition and economic security. It was a time of private and professional bliss. It is interesting to note, however, that the Seventh Symphony by no means reflects a consistently pastoral, idyllic atmosphere. On the contrary, the music often has a dramatic and sombre effect. It is possible that Dvorak was coming to terms with the blows of fate he had suffered: he had lost his mother and three children. Four years after the premiere of the Seventh Symphony, Dvorak set to work on his Eighth, which differed substantially from it. In the Seventh, he still adhered to the form of the classical symphony according to Beethoven, but here he gave preference to melody over form. It leads through the work, creating the impression of a “sequence of atmospheric poetic pictures.”

    Finnish conductor Pietari Inkinen has been chief conductor of the Deutsche Radio Philharmonie since 2017 and Music Director of the KBS Symphony Orchestra in Seoul since 2022. He has conducted many renowned orchestras, including the Pittsburgh Symphony, the Royal Concertgebouw Orchestra, the Gewandhausorchester Leipzig, the Accademia Nazionale di Santa Cecilia, the Orchestre Philharmonique de Radio France, the Los Angeles Philharmonic Orchestra and the Helsinki Philharmonic Orchestra.

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  • Dvorák: Der Jakobiner
    Sale

    Dvorák: Der Jakobiner

    Archipel Mar 2014
    2 discs
    CD
    $10.99 $5.49Save 50%
  • Dvorak: Piano Quintets & Bagatelles / Silva, Milstein, Busch Trio
    Alpha

    Dvorak: Piano Quintets & Bagatelles / Silva, Milstein, Busch Trio

    CD · 1 disc

    $20.99
    Composer
    DVORAK, ANTONIN
    Artist
    Milstein, Da Silva
    Released
    Jun 22, 2018
    After two earlier Dvorák releases, the Trios nos.3 and 4 (Dumky) and the two Piano Quartets, Omri Epstein, Mathieu van Bellen and Ori Epstein are joined by one of their teachers at the Queen Elisabeth Music Chapel, the violist Miguel da Silva (founder member of the famous Quatuor Ysaÿe) and the violinist Maria Milstein, who was also an artist in residence at the Music Chapel from 2011 to 2014. Together they continue this recording of the Czech composer’s complete chamber music with keyboard, this time in the two Piano Quintets and the Bagatelles. There is an obvious close rapport between these musicians, who share with us their passion for this repertory and their enjoyment of playing together. A gap of fifteen years separates Dvorák’s two Piano Quintets, which have few features in common except a shared home key: the First marks the debut of a youthful composer, while the Second shows him at the peak of his art. The Bagatelles, originally scored for two violins, cello and harmonium, are among his best-known short pieces.
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    Naxos

    Dvorak: Requiem / Wit, Warsaw Philharmonic

    CD · 2 discs

    $20.99 $29.99 Save 30%
    Composer
    DVORAK, ANTONIN
    Artist
    Libor, Wolak, Kirch, Monarcha, Wit
    Released
    Nov 11, 2014



    Dvorák’s Requiem seems to be making a comeback, with new recordings by Järvi, Jansons, and best of all, this one by Antoni Wit, featuring the excellent Warsaw Philharmonic Orchestra and Choir and four first-class soloists. It’s not an easy work to bring off as far as requiems go. Less histrionic than the Berlioz, less operatic than the Verdi, the work is symphonic in conception and structure, with a chromatic “death” motive that runs through most of its movements, and tightly integrated textures requiring careful balances between the soloists, choir, and orchestra.

    The work’s architecture is impressive: two parts, each containing a central pillar marked off by repetitions of a big chorus, the Dies irae in Part One, and the Quam olim Abrahae (the catchiest choral fugue in the entire 19th century) in Part Two. That Dvorák was clearly thinking in terms of balance and large-scale structure is shown by his placement of the Pie Jesu between the Sanctus and the Agnus Dei. Normally it forms part of the Dies irae sequence, but here it represents an island of repose before the large-scale, recapitulatory finale, while bringing the timing of the second part more in line with the first.

    One of the most interesting things about the Requiem is that, unlike almost all of its predecessors, it does not end with a vision of consolation. In fact, the conclusion is remarkably unsentimental, even grim, with Dvorák returning to the “death” motive and staying in a minor key right up to the final bar. Conceptually it’s more like Mahler’s Sixth, with its “fate” motives, than virtually any other contemporary work, and this fact may account for the music’s comparative neglect. It is, without question, a masterpiece.

    Hitherto there have been two great recordings: Ancerl’s on Supraphon, and Kertesz’s on Decca. This one effortlessly joins them. Wit just may be the best conductor around these days for big choral works such as this (remember his knockout Mahler Eighth). He finds more ear-catching detail in the music than anyone else has to date. Even the biggest climaxes of the Dies irae never turn thick and heavy. The flowing tempos certainly help, but there is throughout a remarkable clarity to the textures that reveals a real podium master directing a first-class ensemble.

    The soloists, who have a lot to do, are also uniformly excellent. In Christiane Libor we have a soprano with plenty of heft to the voice without a hint of shrillness; tenor Daniel Kirch never sounds like he’s crooning; Janusz Monarcha is a real bass, with no trace of wobble anywhere in his tone, while Ewa Wolak never sounds like she’d be better off taking the contralto lead in Gilbert and Sullivan. They are marvelous both singly and as a group, particularly in the mostly solo Recordare. First class engineering makes this a wonderfully satisfying release that hopefully will win many new friends for this powerfully expressive and masterful work.

    – David Hurwitz, ClassicsToday.com
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  • Dvorak: Requiem / Wit, Warsaw Philharmonic
    Sale

    Dvorak: Requiem / Wit, Warsaw Philharmonic

    Naxos Nov 2014
    2 discs
    CD
    $29.99 $20.99Save 30%
  • Dvorak: Symphony No. 7; Scherzo capriccioso
    BR Klassik

    Dvorak: Symphony No. 7; Scherzo capriccioso

    CD · 1 disc

    $19.99
    Composer
    Antonin Dvorak
    Artist
    Bavarian Radio Symphony Orchestra
    Released
    Feb 07, 2025
    The Dutch conductor Bernard Haitink and the Bavarian Radio Symphony Orchestra enjoyed a long and intensive artistic collaboration, which came to an abrupt end with Haitink's death in October 2021. BRKLASSIK now presents outstanding and previously unreleased live recordings of their concerts from past years. This recording of Dvorak's Seventh Symphony documents a concert given in March 1981 in the Herkulessaal of the Munich Residenz. The "Scherzo capriccioso" is a studio recording, also from March 1981. Following the success of Antonin Dvorak's first visit to London in 1884, the London Philharmonic Society asked him to return the following year and to compose a new symphony for the occasion. It was an honourable request - after all, the London Philharmonic Society had commissioned Beethoven's Ninth Symphony six decades earlier! When Dvorak began sketching out the symphony on December 13, 1884, he was well aware of the high expectations involved - both his own and those of others. Most music critics and Dvorak biographers, however, have struggled with the interpretation of this exceptional piece. For example, it has been interpreted "politically" against the background of the growing German-Czech tensions of those years. But the existential power of the D minor Symphony - it's anger, it's expansive pessimism, i.e. it's confessional character - may also derive from the biography and personality of it's composer, which were probably far more complex, painful and problematic than any "Bohemian idyll" we might assume. Even in Dvorak's Eighth Symphony, which is considered to be more cheerful, and in his last symphony, "From the New World", one can still detect a more or less latent tendency towards tragic longing. The world premiere of the Seventh Symphony took place on April 22, 1885 in London, with the composer conducting. It became one of Dvorak's greatest successes. Dvorak's Scherzo capriccioso of 1883 is certainly more than just a filler on this CD. The fact that it is more dramatic and passionate than it's playful title suggests is probably due to the fact that it was written at a time of crisis in the composer's life. The work is an elaborate composition of convincing craftsmanship
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  • Dvorak: Symphony No. 7; Scherzo capriccioso

    Dvorak: Symphony No. 7; Scherzo capriccioso

    BR Klassik Feb 2025
    1 disc
    CD
    $19.99
  • Dvorak: Stabat Mater; Serenade for Strings
    Sale

    Dvorak: Stabat Mater; Serenade for Strings

    Brilliant Classics Aug 2011
    2 discs
    CD
    $13.99 $6.99Save 50%
    Vox

    Dvořák: Violin & Piano Concertos / Ricci, Firkušný, Susskind, St. Louis Symphony

    CD · 1 disc

    $19.99
    Composer
    Antonin Dvorak
    Artist
    Ruggiero Ricci, Rudolf Firkusny, Walter Susskind
    Released
    Feb 23, 2024

    Rudolf Firkušný was a great advocate for Dvořák’s Piano Concerto during his lifetime. He made several recordings of the work and this classic Vox recording from 1975 is still considered one of the best versions available. Ruggiero Ricci’s account of the Violin Concerto from 1974 is also an acclaimed classic.

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  • Dvorák: Requiem
    Naxos AudioVisual

    Dvorák: Requiem

    Blu-Ray · 1 disc

    $16.99
    Composer
    DVORAK, ANTONÍN
    Artist
    Libor, Wolak, Kirch, Monarcha, Wit, Wojnarowski
    Released
    Dec 09, 2014
    Antonín Dvořák’s huge popularity in England was built largely on the success of his Stabat Mater, which hehad conducted there in 1884 and 1885. It was well suited to the country’s choral traditions and ledeventually to a commission for a Requiem, which was premièred in Birmingham in 1891. Written in tenmonths during tours to Russia, England and Germany, its success was immediate. Sitting closer to thetradition of Cherubini than Verdi, its tone is compassionate and reflective, devoid of unnecessary drama,and movingly crafted with great sophistication.
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  • Dvorák: Requiem

    Dvorák: Requiem

    Naxos AudioVisual Dec 2014
    1 disc
    Blu-Ray
    $16.99
  • Dvorak: String Quartet "American", Quintet / Firkusny, Juilliard Quartet

    Dvorak: String Quartet "American", Quintet / Firkusny, Juilliard Quartet

    Sony Masterworks Jun 2007
    1 disc
    CD
    $17.99
    Dynamic

    Dvořák: Piano Trios Nos. 1 & 2 / Trio des Alpes

    CD · 1 disc

    $16.99
    Composer
    Antonin Dvorak
    Artist
    Trio des Alpes
    Released
    Jan 17, 2025

    Dvořák’s chamber music is amongst the most extensive and significant of the 19th century, and the four surviving piano trios embody his command of the form. The first two were written in rapid succession, with No. 1 in B flat major marrying Schubertian lyricism with Slavic inflexions, serenity with joy. No. 2 in G minor is rather more classically conceived, though it shares the same formal structure as No. 1 and exudes a similar quotient of lyric beauty.

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  • Dvořák: Piano Trios Nos. 1 & 2 / Trio des Alpes

    Dvořák: Piano Trios Nos. 1 & 2 / Trio des Alpes

    Dynamic Jan 2025
    1 disc
    CD
    $16.99
  • Dvorak: Stabat Mater
    PENTATONE

    Dvorak: Stabat Mater

    SACD · 1 disc

    $21.99
    Composer
    Antonin Dvorak
    Artist
    Hanna-Elisabeth Muller, Roxana Constantinescu, Christian Elsner, Tareq Nazmi, MDR Leipzig Radio Choi
    Released
    Apr 04, 2025
    The Dresdner Philharmonie and Marek Janowski present a recording of Antonin Dvorak's Stabat Mater, together with the MDR Leipzig Radio Choir, Hanna-Elisabeth Muller (soprano), Roxana Constantinescu (mezzo-soprano), Christian Elsner (tenor) and Tareq Nazmi (bass). In terms of scope and duration, Dvorak's Stabat Mater is the largest setting of this sacred text to date. Likely inspired by the tragic death of all his three children - in the timespan of just two years - the work is heartrending, yet establishes a gradual path from darkness to light, from despair to peace and hope; ascetic and restrained, yet full of suspense. This recording, made in connection to a live performance commemorating the bombing of Dresden, offers a rendition that never drags, avoids excessive sentimentality, and is all the more moving as a result. Marek Janowski is one of the most celebrated conductors of our time and has a vast PENTATONE discography, chiefly consisting of German operas and symphonic works. From 2019 to 2023 he was Chief Conductor and Artistic Director of the Dresdner Philharmonie. Dvorak's Stabat Mater is his seventh PENTATONE recording with this orchestra, with whom he recently released Schubert's Unfinished and Great Symphonies (2023), Schumann's complete symphonies (2024), as well as Haydn's Die Schopfung (2024). The MDR Leipzig Radio Choir also appeared on that recording, has frequently featured on other PENTATONE recordings and starred on Bruckner Haydn Motets (2021) and Mendelssohn Choral Works (2023). Hanna-Elisabeth Muller released Reine de coeur (2018) and Sinnbild; Strauss Songs (2022) on PENTATONE. Roxana Constantinescu featured on PENTATONE recordings of Mascagni's Cavalleria rusticana and Puccini's Il tabarro (both 2020), as well as Kodaly & Bartok (2023). Christian Elsner also has a longstanding relationship with the label, including his solo recording of Schubert Lieder (2015). Tareq Nazmi appeared on the beforementioned recording of Die Schopfung.
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  • Dvorak: Stabat Mater

    Dvorak: Stabat Mater

    PENTATONE Apr 2025
    1 disc
    SACD
    $21.99
  • Dvorak: Symphony No. 9; Simon: Four Black American Dances
    Reference Recordings

    Dvorak: Symphony No. 9; Simon: Four Black American Dances

    SACD · 1 disc

    $24.99
    Composer
    Antonin Dvorak, Carlos Simon
    Artist
    Pittsburgh Symphony Orchestra
    Released
    Jul 03, 2026
    Reference Recordings proudly presents the Pittsburgh Symphony Orchestra performing Manfred Honeck's masterly interpretation of Antonin Dvorak's Symphony No. 9 in E minor, (Op. 95) "From the New World." This album also features the first commercial release of Carlos Simon's "Four Black American Dances." The album was recorded live in February 2025 in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.
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  • Dvorak: Symphony No. 9; Simon: Four Black American Dances

    Dvorak: Symphony No. 9; Simon: Four Black American Dances

    Reference Recordings Jul 2026
    1 disc
    SACD
    $24.99
  • Dvorák: Complete Symphonies, Vol. 1
    SWR

    Dvorák: Complete Symphonies, Vol. 1

    CD · 1 disc

    $10.49 $20.99 Save 50%
    Composer
    DVORAK, ANTONIN
    Artist
    Chichon
    Released
    Apr 14, 2015
    This release marks the first appearance of the chief conductor of the German radio philharmonic orchestra, Karel Mark Chichon, on the SWR music label, and for his debut, the young London-born conductor has done nothing less than a complete recording of the symphonies of Anton Dvorak. but that's not all! in addition to the symphonies are other orchestral works of the Czech master, as is the case here with the early, Slavic-patriotic themed rhapsody, op. 14. future releases will include all the overtures and interludes from Dvorak's operas - works of exquisite beauty, but rarely appearing on recordings.
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  • Dvorák: Complete Symphonies, Vol. 1
    Sale

    Dvorák: Complete Symphonies, Vol. 1

    SWR Apr 2015
    1 disc
    CD
    $20.99 $10.49Save 50%
    Vox

    Dvořák: Cello Concerto / Nelsova, Ricci, Susskind, St. Louis Symphony

    CD · 1 disc

    $19.99
    Composer
    Antonin Dvorak
    Artist
    Zara Nelsova, Ruggiero Ricci, Walter Susskind
    Released
    Feb 23, 2024

    Antonín Dvořák’s Cello Concerto is considered the finest of his concertos, and arguably the greatest of all such works for the cello. These Vox recordings from 1974 performed by Zara Nelsova in the Concerto, Silent Woods, and the Rondo, and Ruggiero Ricci in the Romance and Mazurek, with the St. Louis Symphony Orchestra conducted by Walter Susskind, are acclaimed classics.

    REVIEW:

    Zara Nelsova brings a rich, expansive tone to her warm, expressive account of the Cello Con certo’s solo part, and Susskind and his players are with her every step of the way. It is good to have the melodious Silent Woods and the spare Rondo in G minor on the program right after the concerto. Both are lovingly played here.

    -- American Record Guide

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  • Dvorak: The Complete Works for Violin & Piano
    Supraphon

    Dvorak: The Complete Works for Violin & Piano

    CD · 2 discs

    $42.99
    Composer
    Antonin Dvorak
    Artist
    Jiri Vodicka, David Marecek
    Released
    Oct 18, 2024
    Won't nearly an hour and three quarters of music for violin and piano by the same composer be too monotonous? No it won't because it is Dvorak... Dvorak never repeated himself; in every work, he created a different musical world. It would be hard to find another composer capable of such diversity within a single musical genre. After the earliest of the pieces, the Romance, he sent his publisher Simrock the Mazurek, which he dedicated to the Spanish virtuoso Pablo de Sarasate. The almost meditative Nocturne first appeared in a string quartet and then a quintet before being heard for the first time as an independent piece in arrangements including one for violin and piano. The Violin Sonata in F major, a chamber music pendant to Dvorak's Violin Concerto, clearly took inspiration from Brahms's First Violin Sonata. And there is more: the virtuosic Capriccio, the haunting Romantic Pieces, the Slavonic Dance No. 2 presented here uniquely in the composer's own arrangement, the delightful Humoresque arranged by Fritz Kreisler... and a work bearing the opus number 100, which Dvorak deliberately reserved for his Sonatina dedicated to two of his children; though simple, it is no less individual than any of the composer's other mature opuses. To sum it all up, this is a unique collection of Dvorak's complete works for violin and piano recorded by the virtuoso Jiri Vodicka, concertmaster of the Czech Philharmonic, sensitively accompanied by David Marecek at the piano. The recording is enhanced by the beautiful acoustics of the Rudolfinum's Dvorak Hall in Prague. Dvorak for violin and piano. A new world of music in every composition.
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  • Dvorak: The Complete Works for Violin & Piano

    Dvorak: The Complete Works for Violin & Piano

    Supraphon Oct 2024
    2 discs
    CD
    $42.99
    Supraphon

    Dvořák: The Complete Piano Trios / Jarušková, Jarušek, Giltburg

    CD · 2 discs

    $47.99
    Composer
    Antonin Dvorak
    Artist
    Boris Giltburg, Veronika Jaruskova, Peter Jarusek
    Released
    Sep 22, 2023

    Piano Trio No. 4, “Dumky”, ranking among Antonín Dvořák’s most celebrated works, is one of the most frequently recorded chamber pieces in existence. After attending a performance, with the composer on the piano, Leoš Janáček summed up his impressions succinctly: “A new source of light has flashed.” When it comes to Piano Trio No. 3, the renowned Vienna-based critic Eduard Hanslick called it a gem, demonstrating that Dvořák was “one of the best modern masters”. Piano Trios No. 1 and 2, however, have been scarcely performed. In this light, the complete recording of Dvořák’s piano trios is a project richly deserving attention. All the more so due to the artists who have made it: Boris Giltburg, winner of the Queen Elisabeth Competition and one of the world’s most distinguished contemporary pianists, alongside Veronika Jarušková and Peter Jarušek, members of the globally celebrated Pavel Haas Quartet, who have earned great recognition for performing Dvořák’s music – Gramophone Recording of the Year (quartets) and Gramophone Chamber Award (quintets, together with Giltburg).

    The three musicians featured on the album manifest an incredible chime. Possessing the uttermost technical brilliance, they breathe as one. The album was made at the studios in the picturesque Wye Valley, straddling the border between England and Wales, under the supervision of the legendary producer Andrew Keener while London was celebrating the coronation of Charles III. Exceptional moments for Dvořák’s exceptional music... Giltburg – Jarušková – Jarušek: A truly one-of-a-kind Dvořák festivity.

    REVIEWS:

    Make no mistake, this is Dvořák playing of the highest order and – even against some strong competition – these performances as a whole set a new benchmark in this marvellous quartet of works. Urgently recommended!

    -- Europadisc

    Happily, the present ensemble is equal to the demands of these fine works. The string players have a wealth of experience in the Czech repertoire as long-standing members of the celebrated Pavel Haas Quartet. Indeed, one of the most immediately striking aspects in these performances is the sheer beauty of the string sound. They are ably matched by pianist Boris Giltburg whose care over articulation and unfussy, nuanced playing is a constant delight. Among highlights, the conclusion of the development of the first movement of the B flat trio is quite magical and the entire F minor trio is powerfully focussed while resisting the hectoring tendency that mars even some committed renditions.”

    -- BBC Music Magazine, November 2023

    These performers bring out the rustic elements in this music; they connect with the childlike stargazers that we all are at heart, and that is a good part of Dvořák’s appeal. I suppose you could call it the ultimate in authentic performance, and that’s fine by me. Great sound, too (Wyastone Concert Hall, 2022 23, producer Andrew Keener). Strongly recommended.

    -- Gramophone, Awards Issue 2023

    The ‘Dumky’ trio is a delight here, as it should be; but I found myself drawn more to the others, enjoying the way they bring the folk rhythms and Dvorak’s lyrical gifts together, and the sense of effortless virtuosity and power Giltburg brings, even though a lot of the time he isn’t unleashing it.

    -- BBC Radio 3, 30th September 2023

    What a marvellous disc. Jaruskova and Jarusek of the Pavel Haas Quartet and the renowned pianist Giltburg are so at home in the four piano trios they might almost be tearing the freshly finished pages from Dvorak’s hands. Superbly recorded by Andrew Kenner, this is a total delight.

    -- The Sunday Times, 8th October 2023

    I found this disc an example of chamber musicianship at its best: the excellent sound engineering balances and blends parts, which underscores the ensemble’s suc­cessful delivery of Dvořák’s most sensitive nuances and extroverted peaks. Listening to all the selections in succession, we are treated to a vibrant experience indeed—but one in which the distinctive essence of each trio is aptly captured.

    -- The Classic Review, October 2023

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    Tudor

    Brahms: Symphony no. 2 & Dvořák: Symphony no. 7 / Hrůša, Bamberg Symphony

    SACD · 2 discs

    $28.99
    Composer
    Johannes Brahms, Antonin Dvorak
    Artist
    Jakub, Hruša
    Released
    Oct 07, 2022

    The Bamberger Symphoniker’s collaboration with the record label Tudor has evolved in cycles. It began with Joachim Raff’s œuvre, a pioneering step into overlooked repertoire. Then stepped up to the Greats with Schubert’s symphonies: the first recording to follow the new Schubert edition was enthusiastically hailed as a refreshing new departure interpreted with historical awareness. Reaching for the stars under the aegis of Jonathan Nott, the scores of Gustav Mahler then entered the Bamberg Konzerthalle. That whole cycle has won countless prizes and awards, becoming a milestone of Mahler discography.

    The next step? Staying in Vienna with symphonies by Johannes Brahms while remaining true to Gustav Mahler’s Bohemian homeland with Antonín Dvořák. The Bamberger Symphoniker and Jakub Hrůša’s cycle of the four Brahms symphonies and Dvořák’s last four symphonies is the first recording to give an overview of their extraordinary universe and cast light on their musical affinity, in a vivid soundscape with a contemporary pulse.

    REVIEWS:

    This enticing release is a further addition to the ongoing series twinning symphonies by Brahms and Dvořák, a theme validated by the kinship between both the composers and the cross-fertilisation of their styles. The orchestra and conductor here have since 2016 been producing a stream of admirable concerts and releases...The ominous, growling opening of Dvořák’s Seventh is perfectly realised and Hrůša immediately reveals his mastery of the form through the application of subtle rubato in his phrasing without the musical thread going slack. Again, lovely woodwind playing strikes a pastoral note, recalling the Brahmsian inspiration to the work but the darker, denser, “Germanic” orchestration also underlines that link; this is a lilting, songful and unhurried account which never loses the skein of disquiet lurking beneath the dancing, three-quarter-time melodies and the faintly disturbing, mysterious conclusion with distant horns intoning gnomically leaves the listener in ambivalent mood, paving the way for the similarly enigmatic Poco adagio. As with the first movement, Hrůša presides over relaxed, flowing playing underpinned by a prominent bass line and a solid, rhythmic stability modulated by judicious use of rubato and rallentando. The stately grandeur of the music is maximised, ensuring that Dvořák does not come across as just a lightweight, jolly tunesmith.This is attractively packaged in a dark green cardboard digipack with colour and black and white photos, trilingual notes and an interview with the conductor by German musicologist and critic Wolfgang Sandner, who describes the unusually warm and friction-free friendship between the two composers whose works make a welcome match for this release, especially, as Sandner remarks, Dvořák’s Seventh Symphony is regarded as the most “Germanic” of his mature works.-- MusicWeb International (Ralph Moore)

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    PENTATONE

    Evening Songs - Dvořák, Fibich, Smetana & Suk / Plachetka, Svec

    CD · 1 disc

    $19.99
    Composer
    Antonin Dvorak, Zdenek Fibich, Bedrich Smetana, Josef Suk
    Artist
    Adam Plachetka, David Svec
    Released
    Oct 25, 2024
    Renowned bass-baritone Adam Plachetka celebrates the Year of Czech Music with an anthology of Czech evening songs by Antonin Dvorak, Bedrich Smetana, Zdenek Fibich and Josef Suk. All based on love poems for Vitezslav Halek's Vecerni pisne (Evening Songs), these songs provide a panorama of great Czech music, also zooming in on lesser-known repertoire. Plachetka performs them together with pianist David svec. Bass-baritone Adam Plachetka frequents the world's most prestigious opera houses, and is a MET regular, equally at home in dramatic and comic repertoire. He returns to PENTATONE after having released Molieri, combining opera arias by Mozart and Salieri, in 2022.
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