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    Centaur Records

    Poems and Rhapsodies / Ivakhiv, Shao, Sirenko, Ukraine National Symphony Orchestra

    CD · 1 disc

    $17.99
    Composer
    Various
    Artist
    Solomiya Ivakhiv, Sophie Shao, Volodymyr Sirenko
    Released
    Feb 25, 2022
    The present release is a truly ravishing program for violin and orchestra! Ukrainian born Solomiya Ivakhiv is an accomplished concert violinist, chamber musician, collaborator, educator, and champion of new music. Concertizing internationally, her wide range of repertoire includes the premiere of numerous new works for violin. Dr. Ivakhiv has performed solo and chamber music at Carnegie Hall, Merkin Concert Hall, CBC Glenn Gould Studio, Curtis Institute Field Concert Hall, Italian Academy in New York City, Pickman Hall in Cambridge (MA), San Jose Chamber Music Society, Old First Concerts in San Francisco, Astoria Music Festival (Portland), Tchaikovsky Hall in Kyiv, Concertgebouw Mirror Hall, and at UConn’s Jorgensen Center for the Performing Arts. A dedicated champion of new music, Dr. Ivakhiv has been privileged to premiere numerous new works for violin by composers Eli Marshall, David Ludwig, John B. Hedges, Bohdan Kryvopust, Yevhen Stankovych, Bruce Adolphe, David Dzubay, Leonid Hrabovsky, and Oleksandr Shchetynsky.
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  • Aperitif - A French Collection / Sharon Bezaly, Et Al

    Aperitif - A French Collection / Sharon Bezaly, Et Al

    BIS Nov 2002
    1 disc
    CD
    $21.99
    BIS

    A Verlaine Songbook / Sampson, Middleton

    SACD · 1 disc

    $21.99
    Composer
    BORDES DEBUSSY FAURE HAHN
    Artist
    Sampson, Middleton
    Released
    Nov 18, 2016
    In his poem Art poétique, Paul Verlaine declared that poetry above all should be musical: 'De la musique avant toute chose'. This quality in his work was recognized by composers already during his lifetime, and it is sometimes claimed that Verlaine has been set to music more often than any other poet after him.+ For their Verlaine Songbook, Carolyn Sampson and Joseph Middleton have selected songs by ten composers, including two complete cycles – Fauré's La Bonne Chanson and Debussy's Ariettes oubliées. The 33 songs on the release set a total of 25 texts – several poems by Verlaine have attracted more than one composer, and Clair de lune appears three times, in versions by Debussy, Fauré and Joseph Szulc, while La lune blanche can be heard no less than four, in versions by Fauré, Ernest Chausson, Reynaldo Hahn and Poldowski – the pseudonym of the Belgian-born British composer Régine Wieniawski. Released in 2015 to critical acclaim, Carolyn Sampson's début recital disc, Fleurs (BIS-2102), was a flower-themed anthology with songs by composers ranging from Purcell to Benjamin Britten via Schubert and Debussy. On the present release the repertoire is rather more concentrated in time – all songs were composed during a span of 35 years (c. 1880-1915) – but the variety is nevertheless striking: a reflection of how different artistic temperaments have interpreted the many-facetted Verlaine.

    -----

    REVIEW:

    Sampson and Middleton concentrate on song cycles, bookending their recitals with Debussy's Fetes galantes and Ariette oubliees, and placing La bonne chanson (Faure) at its center. Paysages tristes, by the d'Indy pupil Deodat de Severac, one of the many discoveries here, forms the disc's unforgettable epilogue.

    Both artists are very much at home in this repertory, frequently functioning as an indivisible unit with sound and sense beautifully fused. Sampson is in excellent voice, her tone clear and silvery, her upper registers exquisite. Middleton's playing is marvelously fresh throughout, the thin dividing line between wit and melancholy superbly negotiated.

    – Gramophone (12/2016)
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  • A Verlaine Songbook / Sampson, Middleton

    A Verlaine Songbook / Sampson, Middleton

    BIS Nov 2016
    1 disc
    SACD
    $21.99
  • Couleurs de France
    Brilliant Classics

    Couleurs de France

    CD · 1 disc

    $14.99
    Composer
    Jacques Casterede, Arthur Honegger, Charles Koechlin, Guillaume Lekeu, Camille Saint-Saens
    Artist
    Ciconia Consort The Hague Orchestra, Paolo Giacometti
    Released
    Jun 05, 2026
    This recording by Ciconia Consort, Couleurs de France, offers a rare and evocative journey through four lesser-known works for string orchestra by three prominent 20th-century French composers: André Jolivet, Jacques Castérède, and Daniel-Lesur. Jacques Castérède's connection to his French predecessors is evident in his use of modal, chromatic, and diatonic scales. A student of Olivier Messiaen, Castérède nonetheless forged a highly personal harmonic style within an extended tonal idiom, characterized by melodic clarity and accessibility. His compositions seem to harmoniously blend the various French styles of the 20th century. In his work, we hear the sonic fingerprints of Arthur Honegger, Daniel-Lesur, and his teacher Messiaen - all woven into a coherent, lyrical whole. Throughout his life, André Jolivet aimed to "restore to music it's original, ancient meaning, when it served as a magical, incantatory expression of the religious beliefs of human communities."* His later compositions continued this exploration, seeking music's original function as an emotional, ritualistic, and celebratory form of expression. His Symphonie pour cordes, commissioned by French radio and television, was composed in 1961 and premiered on January 9, 1962. The symphony demands exceptional technical skill from all performers. It is written in a freely atonal idiom and is characterized by intense dissonance. Daniel Jean Yves Lesur (1908-2002) was a French composer, organist, and teacher, closely linked to the group La Jeune France, alongside Olivier Messiaen and André Jolivet. His music often reflects a balance between tradition and modernity, combining rich harmonic language with a sense of spiritual depth. Lesur's output includes choral works, chamber music, and orchestral compositions, yet he remains less widely known than some of his contemporaries. Among his instrumental works is the Sérénade pour cordes (1949), a luminous piece that highlights his lyrical style and refined craftsmanship. Written for string orchestra, it embraces classical clarity while exploring colorful modal harmonies, characteristic of Lesur's personal voice. This recording is the fifth CD on Brilliant Classics by the Ciconia Consort (The Hague String Orchestra), a Dutch string orchestra conducted by Dick van Gasteren, an internationally active conductor who was Bernard Haitink's assistant during the Mahler Festival Amsterdam in 1995.
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  • Couleurs de France

    Couleurs de France

    Brilliant Classics Jun 2026
    1 disc
    CD
    $14.99
  • STRING QUARTETS

    STRING QUARTETS

    Dynamic Jan 2011
    1 disc
    CD
    $10.99
    Phaia Music

    STRING QUARTETS

    CD · 1 disc

    $20.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Quatuor Joachim
    Released
    Sep 30, 2014
    In his music, Camille Saint-Saëns constantly aimed for clarity and balance, qualities he considered to be the essence of French style. The form of his wonderfully balanced String Quartet no. 1 in e, op. 112, is difficult and demanding. Past the age of sixty when he finally attempted composing a string quartet, the result was a masterpiece. The String Quartet no. 2 in G, op. 153, is more modest in its proportions. Known primarily as interpreters of choice in French post-Romantic repertoire, the echoes of praise in the press exemplify the best of the Joachim Quartet across all styles and all ages.
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  • STRING QUARTETS

    STRING QUARTETS

    Phaia Music Sep 2014
    1 disc
    CD
    $20.99
  • Saint-Saens: Music for Two Pianos
    SOMM Recordings

    Saint-Saens: Music for Two Pianos

    CD · 1 disc

    $18.99
    Composer
    Camille Saint-Saens
    Artist
    Artur Pizarro, Ludovico Troncanetti
    Released
    Nov 15, 2024
    SOMM Recordings is pleased to present Music for Two Pianos by the French virtuoso pianist and composer, Camille Saint-Saens (1835 - 1921), whose output for solo and duo pianists totals almost 200 compositions. The programme on this release comprises original works for two pianos alongside selections transcribed by Saint-Saens from his orchestral pieces. The featured pianists, Artur Pizarro and Ludovico Troncanetti, made their piano duo debut in Lisbon in 2023 with a recital featuring the repertoire on this album. The artists share a love of performing two-piano and four-hands repertoire, and they have plans to continue their collaboration with further projects on stage and in the studio. The renowned Portuguese pianist, Artur Pizarro, winner of the Leeds International Piano Competition amongst others, performs internationally as a recitalist, chamber musician, and soloist with the world's leading orchestras and conductors. The Italian pianist, Ludovico Troncanetti, is a graduate of the Milan Conservatory and is actively involved in reviving the works of the Russian pianist and composer Anton Rubinstein. The recital opens with Saint-Saens' transcription of Le Rouet d'Omphale (Omphale's Spinning-Wheel), the most famous of his four symphonic poems inspired by Greco-Roman mythology. Both this work and the Marche heroique had their premiere in the original version for two pianos, the march seeming to presage the war that broke out between France and Prussia in July 1870. The first and most substantial of Saint-Saens' original two-piano works is a set of Variations on a Theme of Beethoven, based on the Trio section of the Minuet from Beethoven's Piano Sonata No. 18, the Hunt. The eight variations plus a fugue, presto, and coda require considerable ensemble skill from the pianists to pull off. From 1886-the year of the Organ Symphony and The Carnival of the Animals-comes Saint-Saens' tribute to Chopin, whom he had passionately admired since he was a student. Saint-Saens vividly evokes the spirit of the Polonaise without actually quoting any of Chopin's own works inspired by the national dance of his native Poland. Saint-Saens frequently wintered in North Africa; in fact he died in Algiers in December 1921. During an 1889 trip to Las Palmas in Northern Africa, he began composing his Scherzo for two pianos. It's a work with echoes of Debussy, Ravel, and Satie, which he cautioned would be difficult to read at sight and would require much practice. Caprice arabe, along with the symphonic poem Africa and the "Egyptian" Piano Concerto, is one of a trio of piano compositions inspired by Saint-Saens' journeys to North Africa. The recital ends with another caprice, the virtuosic Caprice heroique, which leans more towards being capricious than heroic, despite it's powerful opening and fugue-like ending.
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  • Saint-Saens: Music for Two Pianos

    Saint-Saens: Music for Two Pianos

    SOMM Recordings Nov 2024
    1 disc
    CD
    $18.99
    Naxos AudioVisual

    A Musical Journey - France: A Musical Tour of Brittany and N

    DVD · 1 disc

    $13.99
    Composer
    SAINT-SAENS FRANCK
    Artist
    Wit, Szabo, Gunzenhauser, Neuhold, Kan
    Released
    Jun 26, 2012
    The Places: Brittany and Normandy, in Northern France, have a character all their own, preserving, as they do, ancient Celtic traditions in a countryside bounded on one side by a rocky coast-line. The great Abbey of Mont St-Michel remains a centre of pilgrimage and secular interest, and in Normandy we catch glimpses of the Bayeux Tapestry, with it's near contemporary record of William of Normandy's successful expedition in 1066 to conquer England. The Music: The music chosen for this tour of Northern France is the Organ Symphony of Camille Saint-Saens, a work written in memory of Franz Liszt that takes it's name from the use of the organ in it's grandiose final movement. The other music to be heard is an orchestral version of the Belgian-born composer Cesar Franck's Prelude and Chorale, written two years earlier, in 1884, and the Romance in C major, Op. 48, of Saint-Saens.
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  • A Musical Journey - France: A Musical Tour of Brittany and N

    A Musical Journey - France: A Musical Tour of Brittany and N

    Naxos AudioVisual Jun 2012
    1 disc
    DVD
    $13.99
    Naxos AudioVisual

    Musical Journey: Germany - Majestic Marches

    CD · 1 disc

    $13.99
    Composer
    TCHAIKOVSKY MENDELSSOHN WAGN
    Artist
    Hayman
    Released
    Apr 24, 2012
    Germany
    Majestic Marches

    A Musical Visit to Kulmbach and the Tin Soldier Museum

    The Places:
    On a hill above the ancient town of Kulmbach stands the imposing 12th century Hohenzollern fortress of Plassenburg. Among various collections on display is the remarkable Tin Soldier Museum, with various figures and dioramas that recreate battles and mirror the great castle itself, with a variety of scenes from all periods of human history.

    The Music:
    The March has an inevitable part to play in human history. Marco Polo remarked on the use of music by the armies of China to terrify the enemy before a battle. Military music, however, has a more precise purpose, whatever alarm it may strike into the hearts of those who hear it. Drums and trumpets may serve as useful signals, to advance or retreat, to eat or to sleep. The same instruments and their near relations may serve to keep an army moving together, and may serve to inspire feelings of bravery and patriotism. At the same time a march can provide a suitable accompaniment to an occasion of solemnity, a wedding, a funeral or a state ceremony. The music chosen for this tour offers a series of Marches by different composers, culminating in Mendelssohn’s Wedding March.

    Picture Format: NTSC, Color, 4:3
    Audio Format: DTS 5.1, Dolby Digital 5.1, PCM Stereo 2.0
    Region: 0 (All Region)
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  • Musical Journey: Germany - Majestic Marches

    Musical Journey: Germany - Majestic Marches

    Naxos AudioVisual Apr 2012
    1 disc
    CD
    $13.99
    Resonus Classics

    PIANO TRIOS

    CD · 1 disc

    $18.99
    Composer
    RAVEL SAINT-SAENS
    Artist
    FIDELIO TRIO
    Released
    Nov 11, 2016
    The acclaimed Fidelio Trio make their Resonus debut with an exquisite recording of French piano trios- Camille Saint-Saens’ large-scale Op. 92 second trio, and Maurice Ravel’s sole foray into the genre dating from 1914. Coming off the back of a Royal Philharmonic Society Award nomination in 2016, this recording sees the trio expand on their unparalleled reputation for new music demonstrating the vast range of this brilliant chamber group’s abilities and talent. “Ravel’s Piano Trio was a lyric upwelling… the Fidelio players brought it off superbly, and it was a joy.” (The Sunday Times) “This is a bold and powerful recording, thoughtfully recorded, showing the young Fidelio Trio to be a force to be reckoned with.” (International Record Review.)
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  • PIANO TRIOS

    PIANO TRIOS

    Resonus Classics Nov 2016
    1 disc
    CD
    $18.99
  • Moments of Love

    Moments of Love

    Bridge Records Mar 2014
    1 disc
    CD
    $18.99
  • Saint-Saens, Wieniawski: Violin Concertos / Rachlin, Mehta
    Sony Masterworks

    Saint-Saens, Wieniawski: Violin Concertos / Rachlin, Mehta

    CD · 1 disc

    $17.99
    Composer
    SAINT-SAËNS, CAMILLE WIENIAWS
    Artist
    Zubin, Julian, Mehta, Rachlin
    Released
    May 13, 2010
    I enjoyed this new Sony coupling of Saint-Saëns and Wieniawski concertos very much indeed. They are both highly rewarding works, well crafted in the best sense. Their special charm is that the quality of the invention and the manner in which the themes are discussed is exactly right for the music's modest scale. Julian Rachlin has their full measure and continually beguiles us with the spontaneous melodic flow. He is a Lithuanian prodigy (beginning his concert career at the age of ten!) and is utterly in command of the galaxy of colour his instrument can create in that special way that seems to come so readily and easily to Jewish fiddlers, when they are so naturally gifted. Not for a single bar throughout this music is his virtuosity displayed for its own sake: it is always put at the service of the two composers. The Saint-Saëns was taken from a live concert, although this is not made clear in the presentation material. Both concertos were recorded in the Mann Auditorium and there are subtle differences in the sound, although the balance is basically excellent throughout. In Saint-Saëns the audience absorbion cushions the orchestral textures, but also makes the solo image warmer, more seductive; in the Wieniawski the orchestra] focus is fresher, the body of the string tone has more tangibility, and the violin is made to 'stand tall', more positively up front. But Julian Rachlin's playing can take any amount of scrutiny and in the live performance, where there were no chances for retakes, he is just as technically assured as when recording under studio conditions. Mehta, too, is on top form and so is the orchestra.

    The Saint-Saëns comes first and has many delights to offer. The first movement has a splendidly passionate lyrical impulse and the Andantino is sheer delight: it has one of the composer's most delicious inspirations, a siciliano which is relished here by one and all (including us). Note Rachlin's gentle reprise of the lovely lyrical theme, surrounded by delicate touches of woodwind colour at 4'53" and again his re-presentation at 6'41", high up and exquisite. This is what fine fiddling is all about. But the performance reaches its peak in the splendid finale, the longest movement, which has wit and fire and a memorable chorale melody thrown in for good measure. It appears ethereally on the violins at 3'55" (Mehta and his orchestra wonderfully persuasive); then at 4'18" the soloist relishes its beauty. When the brass finally get their teeth into it (843") they let rip with real gusto, and then the soloist admonishes them with a gentle riposte which includes a disarming pianissimo echo. The sinuously flowing opening of the Wieniawski is beautifully and naturally moulded by the orchestra, with fine contributions from the principal oboe and solo horn, and when the soloist arrives the music's rhapsodic feeling continues most pleasingly. The second subject is beguiling enough when it first appears, but at its reprise (6'14") Rachlin's 50110 voce playing makes one's toes curl with pleasure. At 1135" the orchestra's principal clarinet shows what he is made of in the preparation for the glorious Andante, where the violin enters gently but with a simmering, sultry tone. The chimerical finale is full of joy and has the lightest touch from all concerned. I have played this record a lot and shall return to it with much pleasure. Not all music has to move mountains like Beethoven's Eroica.

    -- Gramophone [12/1992]
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  • Saint-Saens, Wieniawski: Violin Concertos / Rachlin, Mehta

    Saint-Saens, Wieniawski: Violin Concertos / Rachlin, Mehta

    Sony Masterworks May 2010
    1 disc
    CD
    $17.99
    Nimbus

    Saint-Saens: Music for Piano Duo & Duet, Vol. 1 / Jones, Farmer

    CD · 1 disc

    $20.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Jones, Farmer
    Released
    Aug 12, 2016

    Martin Jones and Adrian Farmer are widely acclaimed musicians, both performing on several Nimbus Records albums. Martin's is a prolific recording artist and has recorded most of the standard works for piano. This new release is the first of two volumes of original compositions and arrangements for piano duo and duet by Camille Saint-Saëns. His music was often described as "having wit and charm".

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    Bongiovanni

    French Opera Arias

    CD · 1 disc

    $9.49 $18.99 Save 50%
    Composer
    BIZET DONIZETTI GOUNOD THOM
    Artist
    Sonia Ganassi
    Released
    Jan 28, 2014
    • A 2011 concert performance by Italian mezzosoprano Sonia Ganassi singing French arias of Bizet, Gounod, Massenet, and others. • Conductor Carla Delfrate leads the Orchestra Filarmonica Marchigiana. • Recipient of the Italian Abbiati prize in 1999, Ms. Ganassi has appeared in many of the world's major opera houses, and is scheduled to appear with the Vienna State Opera as Jane Seymour in Donizetti's Anna Bolena during the 2013/14 season.
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  • French Opera Arias
    Sale

    French Opera Arias

    Bongiovanni Jan 2014
    1 disc
    CD
    $18.99 $9.49Save 50%
  • Aaron Rosand Plays Berlioz, Tchaikovsky, Ravel, Lalo, Others
    Vox

    Aaron Rosand Plays Berlioz, Tchaikovsky, Ravel, Lalo, Others

    CD · 2 discs

    $29.99
    Composer
    BERLIOZ LALO RAVEL
    Artist
    Reinhardt, Rosand, Swr Sinfonieorchester Des Sudwestrundfunks, Szoke, Wdr Sinfonieorchester Koln
    Released
    Jan 01, 1995
    Strange how fashion moves on. It has left any piece for solo instrument and orchestra having the effrontery to call itself anything other than concerto in the wasteland. Such pieces now have a life on CD alone except for the rarest concert exceptions and competitions (and then usually in a version with piano). So be it. Though it is strange that when the public is more easily captivated by the 3 minute sound-byte that these shorter pieces are not more popular in concert.

    These bon-bons are dispatched with affectionate zest by Rosand who plays them for every subtle turn and dexterous twist and every gramme of neon excitement. He is in total rapport with his orchestra and conductor. The recordings are all excellent given their twenty years worn lightly except for the harsh Berliox Reverie et Caprice.

    The Northern sun and moon play in brilliantly poetic limelight over the Sibelius Humoresques. I learnt these utterly lovable pieces from this recording when it was issued with a recording of Nielsen's Symphony No. 6 on Turnabout LP. These are the distilled quintessence of Sibelian temperament - romance in all its cool lunar intensity. The benign Tchaikovsky Serenade is done with meditative reserve. The brash edge on the solo violin in the Berlioz piece compromises what is otherwise a sentimentally doleful performance. The Saint-Saens Introduction and Rondo Capriccioso has been well done by many violinists (Ulf Hoelscher is one of my favourite recordings - EMI). Rosand turns in an exotic performance - accented balletically and not short on crackling energy bursts. In the case of the rather revolutionary Chausson Poème I have recently heard the Vadim Repin version on Teldec and prefer the richer air brought about through the plusher modern EMI recording. The Chausson is a terribly neglected work forward-looking, meditative, with touches of Delius. Hearing the Rosand again I am torn. Rosand seems to put his all into this music and it pays in dividends of eloquence. The Ravel Tzigane I first heard during the early 1970s on a Philips Universo LP played by Arthur Grumiaux - a most affecting performance more effective, I thought, in its fanciful introspection than in the flyaway acrobatics. Rosand is good in both.

    The second disc breaks the mould by including a work which calls itself 'concerto'. Saint-Saens' Third is a true warhorse having been much recorded by all and sundry amongst the violinistic brethren. The three Saint-Saens concertos have charm, Beethovenian gravitas (from the violin concerto, that is) and some flashy witchery but they lack the exoticism of the Caprice Andalou (would that Rosand would tackle that work!), the Havanaise, and the Introduction and Rondo Capriccioso. Rosand matches the requirements of this work most beautifully but I do not find this concerto the most involving of pieces at the best of times lacking the very melodic distinction that marks out his second piano concerto and third symphony. It always strikes me as a work that is going through the romantic motions.

    The Havanaise is a different matter altogether and while I have fond memories and great affection for the Leonid Kogan version Rosand is all quiet grace, restful smiles, sprinting brilliance, sparks flying everywhere. Next time Class Fm (or its equivalent elsewhere ) wants to try a soupçon of soothing music which has true character they should reach for this track. A recording and performance to count alongside the best. You will want to play it again and again.

    From Havanaise it is a natural progression to move to Lalo's once ubiquitous Symphonie Espagnole. With its glaring Brahmsianisms, stock Spanishry, deep reserve of charm and mercurial mood changes it is a work still capable with small effort of winning friends. I wonder what would have happened if Lalo had just called it a concerto. By the way the Rhapsodie Norvégienne is also well worth seeking out. I remember it being coupled with the Martinon recording of the Namouna suites and making quite a splash. The Repin on Teldec is a richer recording but for the same price you can have Rosand and almost three times as much music as the Teldec offers.

    There is some stunning playing on offer here: stunning both in the depths of expression and in spark-striking pyrotechnics. Recommended.

    -- Rob Barnett, MusicWeb International
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  • La Mer - French Piano Trios
    Chandos

    La Mer - French Piano Trios

    CD · 1 disc

    $21.99
    Composer
    Mel Bonis, Claude Debussy, Camille Saint-Saens
    Artist
    Neave Trio
    Released
    Jun 20, 2025
    The Neave Trio's new album celebrates French works for piano trio, focussing on three works composed around the turn of the twentieth century. Saint-Saens's Piano Trio No. 2 dates from 1892 and comprises five movements. Unusually for Saint-Saens, the work took a great deal of time from conception to completion (over five years) and then went through a number of revisions before Saint-Saens was finally satisfied. Mel Bonis's two pieces Soir and Matin, whilst on a smaller scale, are equally powerful works, bridging the worlds of romanticism and impressionism. The first piece is dominated by a cantabile melody, whilst Matin is more chromatic and harmonically complex. The album concludes with Sally Beamish's arrangement of Debussy's orchestral masterpiece La Mer. This three-movement symphonic work presented Beamish with an exceptional challenge, as she strove to 'reinvent Debussy's orchestral score with the piano trio in mind... This meant exploring what strings and piano can do in terms of texture, and concentrating on idiomatic and natural techniques.' By studying and recreating Debussy's colours and textures, rather than attempting to transcribe every note, Beamish produced an arrangement that presents the performers and listeners with a completely new perspective on these well-loved seascapes.
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  • La Mer - French Piano Trios

    La Mer - French Piano Trios

    Chandos Jun 2025
    1 disc
    CD
    $21.99
  • Saint-saëns: Christmas Oratorio Op 12, Mass Op 4

    Saint-saëns: Christmas Oratorio Op 12, Mass Op 4

    Cantate Dec 2005
    1 disc
    SACD
    $16.99
    Naxos

    Saint-saens: Violin Sonata No 1; Berceuse; Triptyque / Clamagirand, Cohen

    CD · 1 disc

    $19.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Fanny Clamagirand, Vanya Cohen
    Released
    Apr 30, 2013


    SAINT-SAËNS Violin Sonata in d. Berceuse, Op. 38. Elégies: No. 1 in D, Op. 143; No. 2 in F, Op. 160. Sarabande et Rigaudon, Op. 93. Romance in D?, Op. 37. L’air de la pendule triptyque, Op. 136 • Fanny Clamagirand (vn); Vanya Cohen (pn) • NAXOS 8.572750 (68:01)


    This CD turned out to be more than a pleasant surprise; it turned out to be a sheer delight. I wasn’t sure what to expect from two relatively young and relatively unknown (on record, at least) artists in Saint-Saëns’s frequently essayed Violin Sonata in D Minor, but the performance by Fanny Clamagirand and Vanya Cohen proved positively persuasive and more than competitive with some of the very best, among which I would count my first recording of the piece with Heifetz and Emanuel Bay on a 1950 RCA LP, along with more recent versions by Gil Shaham and Gerhard Oppitz on Deutsche Grammophon, and the very impressive young violinist Jack Liebeck with Katya Apekisheva on Quartz.


    Clamagirand (b. 1984), a past graduate student of Jean-Jacques Kantorow at the Paris Conservatory, sports a robust tone that projects with a good deal of authority, yet is of an alluring sweetness. Saint-Saëns’s D-Minor Sonata, the first and by far more popular of two he wrote, can invite some coarseness in tone in a number of its rough-and-tumble passages, but Clamagirand will have none of it. She cuts through the slashing first-movement chords without slashing them, and she springs sprightly through the ricochet-like spiccato bowing in the Allegretto moderato . Vanya Cohen, born in 1980 in Monaco of Russian parents, leaves no doubt in her confident delivery of the piano part that Saint-Saëns’s swirling and whirling score is as much piano sonata as it is violin sonata. This is as brilliant and thoroughly convincing a performance of the piece as I know.


    The most enchanting aspect of this album, however, is the short, salon-like pieces that fill out the disc to a generous 68 minutes. All in all, not counting the two sonatas, Saint-Saëns composed no more than six opus numbers originally scored for violin and piano, and on the present disc we have all but one of them, the Caprice brilliant in B Minor of 1859. In its place, Clamagirande and Cohen give us the Romance, op. 37, originally for flute and piano, but published with an alternate version for violin. And for extra measure, they also give us the Sarabande et Rigaudon , op. 93, originally a work for orchestra.


    It would be inaccurate to say that these pieces are entirely absent from the catalog, but according to current listings, they’ve received scant attention on disc; and that’s really a shame, for there’s not one of them that’s not a real charmer. This is a most enjoyable program, and it’s one performed to the highest standards by two exceptionally talented artists. Very strongly recommended.


    FANFARE: Jerry Dubins
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    Grand Piano

    Saint-Saens: Complete Piano Works, Vol. 5 - Rarities & Transcriptions / Burleson

    CD · 1 disc

    $19.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Geoffrey Burleson
    Released
    Sep 13, 2019

    The eight world premiere recordings included in this programme are played from a treasure trove of unpublished manuscripts obtained by Geoffrey Burleson from the Bibliotheque nationale de France, each of them filled with strong and imaginative ideas. Further virtuosic rarities by Saint-Saens include a solo transcription of his exotic Africa for piano and orchestra, and fantasies on works by Beethoven, Gounod, Liszt, Bizet, and others. Geoffrey Burleson has an active career as a performing artist, and has performed in such prestigious venues as the Eglise St-Merri, Paris; the American Academy in Rome; the Sibelius Academy, Helsinki; the Dimitris Mitropoulos Hall, Athens; the National Museum of Art, Mexico City and De Doelen, Rotterdamas as well as with the Buffalo Philharmonic Orchestra, the Arlington and New England Philharmonics, and the Holland Symfonia. He is on the piano faculty of Princeton University and the City University of New York Graduate Center, and is professor of music and director of piano studies at Hunter College, CUNY.

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    Music and Arts Programs of America

    Zino Francescatti In Performance - Tchaikovsky, Bruch, Et Al

    CD · 1 disc

    $19.99
    Composer
    SAINT-SAËNS, CAMILLE BRUCH, M
    Artist
    Zino, Francescatti
    Released
    Oct 27, 2009

    Francescatti who was a year younger than Heifetz, was among the foremost violinists of the mid-20th century, from about 1935 to 1975. In the words of critic Henry Roth, there was "a special character, a vitality and a savoir faire to his playing that set him apart from a host of gifted virtuosi who possessed vibrant sound and creditable musicianship." The concert performances collected here, all of them previously unissued, provide good examples of his Italianate lyricism and ravishing tone.

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  • Zino Francescatti In Performance - Tchaikovsky, Bruch, Et Al

    Zino Francescatti In Performance - Tchaikovsky, Bruch, Et Al

    Music and Arts Programs of America Oct 2009
    1 disc
    CD
    $19.99