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  • Field, J.: Piano Music
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    Field, J.: Piano Music

    Saydisc Apr 2006
    1 disc
    CD
    $20.99
  • Field: Piano Concertos, Vol. 3
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    Field: Piano Concertos, Vol. 3

    Naxos Feb 2002
    1 disc
    CD
    $19.99
  • Field: Piano Music Vol 1 - Nocturnes And Sonatas / Frith
    Naxos

    Field: Piano Music Vol 1 - Nocturnes And Sonatas / Frith

    CD · 1 disc

    $19.99
    Composer
    FIELD
    Artist
    Benjamin, Frith
    Released
    Aug 23, 1999
    Fifteen years before Chopin wrote his first "nocturne", Irish pianist/composer John Field composed his Nocturne No. 1 in E-flat major, followed by at least 15 more pieces in the same style. In these short works for solo piano, Field--who was one of the most celebrated pianists in the world during the first quarter of the 19th century--put form to the idea of a contemplative, lyrical composition, specifically tailored to the piano's expressive capabilities. These "night" pieces are primarily characterized by a dominant, gracefully flowing melody, with most of the harmonic activity in the pianist's left hand. Although other pianists have recorded at least some of Field's Nocturnes--most notably John O'Conor (Telarc) and Miceál O'Rourke (Chandos)--Benjamin Frith's own uniquely inflected, poetic readings have a satisfying aura of intimacy cast in the warm colors of his well-tempered, expertly recorded piano. Although O'Conor's playing is more lyrical, with more fluid legatos, Frith generally takes more time--and these invariably lovely pieces blossom just as fully and brilliantly. The two sonatas are not notable for their originality--they owe much to their dedicatee, Field's teacher Clementi--but they reveal the young composer's gift for understanding the piano's unique voice. This is music for everyone--for any time of day, for any prevailing mood--and we're lucky to have such a fine pianist as Frith joining the Field field. [10/22/1999] --David Vernier, ClassicsToday.com
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  • AT STORYVILLE
    ORG MUSIC

    AT STORYVILLE

    Vinyl · 1 disc

    $32.49
    Artist
    HOLIDAY, BILLIE
    Released
    Feb 03, 2015
    Billie Holiday is captured live at Storyville in Boston in 1951 and 1953. The discreet recordings capture Lady Day in prime emotive voice. On most selections she is accompanied by the Carl Drinkard Trio, but six others find her joined by Buster Harding's Trio; the great tenor Stan Getz sits in on three of these numbers. Previously out of press for over 25 years, this historic recording has now been remastered and pressed on audiophile-grade vinyl at Pallas Group in Germany.
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  • AT STORYVILLE
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    AT STORYVILLE

    ORG MUSIC Feb 2015
    1 disc
    Vinyl
    $32.49
  • RARE LIVE RECORDINGS 1935-1959
    ESP DISK LTD.

    RARE LIVE RECORDINGS 1935-1959

    CD · 5 discs

    $55.99
    Artist
    HOLIDAY, BILLIE
    Released
    Dec 04, 2007
    In 1972, thirteen years after her death, Congress extended copyright protections to include recorded musical performances. Billie Holiday would have benefited greatly from such protection: during the more than twenty-five years of her career, Holiday gave an unknown number of live performances on TV & Radio and in clubs & concert halls, many of which were recorded both officially and unofficially by sound engineers, fellow musicians and fans. Today, ESP-Disck, which for many years has been assembling unofficial recordings of several artists from before 1972, has released one of the most comprehensive collections of live Billie Holiday recordings to date, some previously available but most not. These recordings, laid out in chronological order, not only demonstrate the arc of Holiday's development as a vocalist but give a rare behind-the-scenes look into how the singer approached her musicians and her audience. The first disc of this compilation opens with a twenty-year-old Billie Holiday performing with Duke Ellington in 1935, followed by a radio broadcast from the Savoy Hotel in New York two years later in which Holiday fronts the Count Basie Orchestra. The next four discs cover Holiday's career from 1949 to her death in 1959.
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  • RARE LIVE RECORDINGS 1935-1959
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    RARE LIVE RECORDINGS 1935-1959

    ESP DISK LTD. Dec 2007
    5 discs
    CD
    $55.99
  • Duty, Honor, Country / Us Army Field Band & Soldiers' Chorus
    Altissimo

    Duty, Honor, Country / Us Army Field Band & Soldiers' Chorus

    CD · 1 disc

    $18.99
    Composer
    PHILIP EGNER WILLIAM FRANKE H
    Artist
    Us Army Field Band
    Released
    Jan 01, 2006
    Includes armed forces medley. Ensembles: United States Army Soldiers' Chorus, United States Army Field Band.
    Includes west point medley by various composers. Ensembles: United States Army Soldiers' Chorus, United States Army Field Band.
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  • BLOWING SESSION
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    BLOWING SESSION

    IMPORTS Dec 2016
    1 disc
    CD
    $15.49
  • Smilin' Through / Cleo Laine, Dudley Moore
    RCA

    Smilin' Through / Cleo Laine, Dudley Moore

    CD · 1 disc

    $17.99
    Composer
    MOORE, DUDLEY MCHUGH, JAMES F
    Artist
    Cleo, Nick, Laine, Ray, Ceroli, Dudley, Brown, Moore
    Released
    Sep 17, 2010
    Track Listing
    1. I Don't Know Why (I Just Do) / Love Me Or Leave Me
    2. When I Take My Sugar to Tea
    3. I'll Be Around
    4. Strictly For the Birds
    5. Before Love Went Out of Style
    6. Soft Shoe
    7. Smilin' Through
    8. I Can't Give You Anything But Love
    9. It's Easy to Remember
    10. Play It Again Sam
    11. Be a Child

    Personnel: Cleo Laine (vocals); Dudley Moore (piano); Ray Brown (bass); Nick Caroli (drums).

    This album is the result of two giant entertainers from the British Isles getting together in London in 1982 for a session of ballads and traditional pop. Dudley Moore was more famous, at least in the United States, for his comedic roles in a number of films. But he was a pianist and composer of no mean skills. Cleo Laine had been a singing talent of the first order since the 1950s and often performed and recorded with husband and sax player John Dankworth. Dankworth is present on one cut on this album. While Moore dashes off some nice solo work on such cuts as "When I Take My Sugar to Tea" and an Erroll Garner-like "I Can't Give You Anything but Love," it's Laine's wide-ranged, full-throated, expressive, and clear-as-a-mountain-lake voice that dominates the session. She sets the table for "I Don't Know Why I Just Do," recalling a few lines from "Love Me or Leave Me," and squeezes every ounce of feeling from "I'll Be Around." Then there's a fun, hip, overdubbed, scatting 1960 girl-singer rendition of "Before Love Went out of Style." The album's highlight track is a bluesy "Soft Shoe," where Dankworth chips in with his soprano sax and Laine and Moore engage in congenial patter. Moore's fellow rhythm section players are the inestimable Ray Brown and Nick Ceroli, which is the icing on a tasty musical cake that this album serves up.
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  • Vivaldi For Relaxation
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    Vivaldi For Relaxation

    Sony Masterworks Mar 2001
    1 disc
    CD
    $11.98
  • HANDEL MARRINER: THE DECCA LEGACY
    ELOQUENCE AUSTRALIA

    HANDEL MARRINER: THE DECCA LEGACY

    CD · 19 discs

    $107.23
    Artist
    HANDEL / MARRINER, NEVILLE
    Released
    Mar 29, 2024
    LIMITED EDITION. A unique collection of L'Oiseau-Lyre, Argo, Decca and Philips albums in original covers, showcasing both the genius of Handel and the musicianship of the classic ASMF/Marriner pairing at it's most stylish. Even while a member of the London Symphony Orchestra in the early 1950s, Neville Marriner had made recordings for L'Oiseau-Lyre as a violinist in the Jacobean Ensemble. Accordingly, he took a tape of a concerto grosso to the label's legendary owner, Louise Hanson-Dyer. The artists on it were his new ensemble, the Academy of St. Martin in the Fields. This modest demonstration tape ultimately led to more than 500 recordings, and the success of the Academy with Marriner as the world's most recorded partnership. Handel was an integral part of the Academy's work firstly for L'Oiseau-Lyre, then for Argo, finally for the Dutch label Philips. (Marriner and the Academy also recorded music by Handel for EMI.) Without including later duplicate versions, this box compiles for the first time all the ASMF/Marriner albums made for the Decca family of labels as well as Philips between 1961 and 1997, amounting to a comprehensive survey of the composer's orchestral music, ornamented with Acis and Galatea, Messiah, Jephtha and the Coronation Anthems. Critics from the outset praised not just the energy of the Academy and Marriner in Handel's Concerti grossi, but also their Polish, at a time when period-instrument versions were technically unreliable. Soloists such as the oboist Roger Lord emerged naturally from an ensemble of soloists in the first place. A succession of keyboard players pays testament to the determination of Marriner to find a degree of authenticity in 18th-century music that worked practically for him and his colleagues. First of all his friend Thurston Dart, who researched the sources for much of the music played here, and the mercurial choir director and harpsichordist George Malcolm. In a later generation came Andrew Davis and Christopher Hogwood, the organist on the Argo Messiah which was recorded using his edition. All the vocal works are cast from strength, including Elly Ameling and Philip Langridge in Messiah, Jill Gomez and Robert Tear in Acis and Galatea, and Anthony Rolfe Johnson and Emma Kirkby in Jephtha. Tear is also heard in a lesser-known 1969 album of German and English arias. From 1997, Dmitri Hvorostovsky is heard in Handel excerpts from his 'Arie antiche' album, testifying to the durability of a marriage between ensemble, conductor and composer which survived tumultuous artistic change. Further highlights include the classic Fireworks/Water Music pairing from 1971, ballet music from Ariodante and Alcina (also Argo), the Concerti a due cori from 1979 and the digital-era Philips album of Coronation Anthems, as well as a curiosity: two choruses from Messiah recorded in the studio as a promotional item for the forthcoming recording on Philips of the complete oratorio from Dublin. Handel was their home territory, as Peter Quantrill illustrates in a booklet essay discussing the history of the Academy and Marriner with Handel's music. Philip Stuart, author of Marriner and the Academy: A Record Partnership, contributes a 'sessionography'.
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  • HANDEL MARRINER: THE DECCA LEGACY
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    HANDEL MARRINER: THE DECCA LEGACY

    ELOQUENCE AUSTRALIA Mar 2024
    19 discs
    CD
    $107.23
  • CHRISTMAS AT KING'S COLLEGE CAMBRIDGE
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    CHRISTMAS AT KING'S COLLEGE CAMBRIDGE

    ALTO Oct 2012
    1 disc
    CD
    $11.01
  • GUITAR ADAGIOS / VARIOUS
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    GUITAR ADAGIOS / VARIOUS

    DECCA Jul 2004
    2 discs
    CD
    $18.49
  • ESSENTIAL GUITAR: 34 GUITAR MASTERPIECES / VARIOUS
    DECCA

    ESSENTIAL GUITAR: 34 GUITAR MASTERPIECES / VARIOUS

    CD · 2 discs

    $12.49
    Composer
    VARIOUS ARTISTS
    Artist
    ESSENTIAL GUITAR: 34 GUITAR MASTERPIECES / VARIOUS
    Released
    Aug 13, 2002
    Featuring some of the most beautiful melodies of all time, played on one of the most popular instruments of all time by masters including Julian Bream, Andres Segovia and John Williams, this is a no-risk collection. The latest volume in the Billboard best-selling "Essential" series is full of gorgeous, romantic music.
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    SOMM Recordings

    Adrian Boult conducts Berg, Stravinsky, & Vaughan Williams

    CD · 1 disc

    $32.99
    Composer
    Alban Berg, Igor Stravinsky, Ralph Vaughan Williams
    Artist
    Royal Opera House Orchestra, BBC Symphony Orchestra
    Released
    Jan 05, 2024

    SOMM RECORDINGS announces the first appearance on disc of three historic live recordings by Sir Adrian Boult to mark the 40th anniversary of the pre-eminent British conductor’s death, including his complete 1949 account of Alban Berg’s Wozzeck, Stravinsky’s Capriccio (1948), and Vaughan Williams’ Fourth Symphony (1965).

    Boult had led the UK premiere of Berg’s excoriating opera in 1934, although only Act II of that performance survives. This complete 1949 recording with the BBC Symphony, Heinrich Nillius as Wozzeck, and Suzanne Danco as Marie – only the second UK performance – adds to Boult’s and the opera’s stature on disc. Recorded live in London’s Royal Albert Hall, it is a remarkable document of an exhilarating performance.

    Boult’s pioneering championing of ‘new’ music is also heard in his recording of Stravinsky’s Capriccio, with the BBC Symphony and the prodigiously gifted Australian Noel Mewton-Wood at the piano.

    Boult’s rare outing in 1965 with the Royal Opera House Orchestra saw him returning to a work he premiered 30 years earlier, Vaughan Williams’ Fourth Symphony. Under Boult’s baton it is a stirring and startling statement of loss and grief.

    A bonus track features a revealing discussion of his 19-year tenure at the head of the BBC Symphony by Boult with Bernard Keeffe for BBC Radio in 1965.

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  • Adrian Boult conducts Berg, Stravinsky, & Vaughan Williams
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    Adrian Boult conducts Berg, Stravinsky, & Vaughan Williams

    SOMM Recordings Jan 2024
    1 disc
    CD
    $32.99
  • The Best Of Gilbert And Sullivan / D'oyly Carte Opera
    Sony Masterworks

    The Best Of Gilbert And Sullivan / D'oyly Carte Opera

    CD · 1 disc

    $11.98
    Composer
    D'OYLY CARTE OPERA CO.
    Artist
    D'Oyly Carte Opera Co.
    Released
    Aug 08, 2000
    The partnership of W. S. Gilbert and Arthur Sullivan proved to be a potent force in the world of English comic opera. After an inauspicious start, the team produced many memorable, enduring masterworks during their 25-year collaboration such as 'Trial by Jury,' 'H.M.S. Pinafore,' 'The Pirates of Penzance,' and perhaps their most popular work, 'The Mikado.' The combination of Gilbert's brilliant wordplay, elaborate plot devices, and satirical bite with Sullivan's sympathetic, imaginative musical scores proved irresistible to audiences and their works continue to enchant, continually captivating listeners.
    This collection offers selections from seven of their most popular works, brilliantly performed by the venerable D'Oyly Carte Opera Company whose history dates back to the original Gilbert and Sullivan productions. The troupe demonstrates an innate understanding and idiomatic command of the music and words and successfully conveys the sparkling charm of these works. A well-annotated booklet contributes to making this compilation an excellent introduction to Gilbert and Sullivan's "topsy-turvy" world.
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  • The Best Of Gilbert And Sullivan / D'oyly Carte Opera
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    The Best Of Gilbert And Sullivan / D'oyly Carte Opera

    Sony Masterworks Aug 2000
    1 disc
    CD
    $11.98