CD · 1 disc
Since its inception in 1964, the Berlin Jazz Fest had been thought of as a festival that, if not avant-garde, welcomed the most progressive and experimental forms of music of a period rich in all types of modernistic trends, from radical free jazz to a multitude of fusions of pop, rock, soul and jazz. But in 1969, as if swimming against the tide of the revolutions that swept the West, the organizers took an audacious stand: it was Duke Ellington’s 70th birthday and not only did they welcome him at the head of his big band for the first time, but part of the program focused on his heritage; as a bonus and birthday gift, Ellington was featured on the publicity poster of the festival’s sixth edition.
The Berlin concert of 8 November 1969 is magnificent testimony to the extraordinary freshness of tone that Ellington’s big band still displayed on stage, when the sheer pleasure of playing took over from the routine of performance. The concert of 2 November 1973, on the stage of the Philharmonie, turned out to be Ellington’s last concert at the Berlin Jazztage.
CD · 6 discs
Sunnyside Records presents the second boxed set of recordings from the archive of pianist Joe Castro, a diverse collection featuring incredible and never heard performances from legends like Paul Bley, Paul Motian, Leroy Vinnegar, Paul Chambers, Philly Joe Jones and many more. // The initial Joe Castro boxed set, Lush Life - A Musical Journey (Sunnyside, 2015), provided an insight into the world of the pianist's early meetings with the greats of jazz at home recorded sessions. These recordings included Buddy Collette, Chico Hamilton, Teddy Wilson, Stan Getz, Zoot Sims and Lucky Thompson. The box also included a couple of sessions recorded for potential release on Castro and Duke's Clover label, including a Castro Big Band and the Teddy Edwards Tentet. // The second boxed set of recordings from Joe Castro's collection, Passion Flower - For Doris Duke, highlights his collaborations with a vast array of incredible musicians. There are fine home recordings of jam sessions, studio recordings of Castro's Atlantic Records releases, recordings of projects of friends and productions that were done under the aegis of Clover Records, the label that Duke and Castro founded and briefly ran.