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    CPO

    Kreutzer: Septet & Trio / Koch, Himmelpfortgrund

    CD · 1 disc

    $18.99
    Composer
    KREUTZER, CONRADIN
    Artist
    Himmelpfortgrund, Koch
    Released
    Jun 02, 2017
    Today Conradin Kreutzer is regarded as an absolutely paradigmatic representative of the musical "Biedermeier," which designates not so much an epoch as a style and a state of mind. Chamber music often clearly of more demanding execution also served the purposes of home performance in middle-class households. Viewed stylistically, Kreutzer’s music may be described as tranquil, with a basic stance of intimate lyricism and emotionally finely balanced expressive content. Singable, catchy melodies, cautious chromaticisms, and logical harmonic designs predominate in his chamber music. Nevertheless, Kreutzer repeatedly surprises us with unexpected tones actually already suggesting romantic tones. With his great command of the compositional craft, he writes music that is virtuosic but not complicated and always very easy to realize instrumentally – producing music for home performance at its very best!

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    The six-movement Septet Es-Dur op. 62 for clarinet, horn, bassoon, violin, viola, violoncello and double bass is dated to 1804-10, even though the work was not printed until 1825, so that actually the opus number is not quite apt. The composition is of great musical richness, always soundly interesting, contrastingly attractive. The Ensemble Himmelpfortgrund offers an interpretation of undoubted freshness.

    – Klassik.com
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  • Kreutzer: Septet & Trio / Koch, Himmelpfortgrund

    Kreutzer: Septet & Trio / Koch, Himmelpfortgrund

    CPO Jun 2017
    1 disc
    CD
    $18.99
  • Beethoven & Kreutzer Septets
    CAvi-music

    Beethoven & Kreutzer Septets

    CD · 1 disc

    $17.99
    Composer
    Ludwig van Beethoven, Conradin Kreutzer
    Artist
    Sebastian Manz, Andrei Ionita, Franziska Holscher, Felix Klieser, Dominik Wagner, Theo Plath, Haesue
    Released
    May 23, 2025
    Written in 1799, at the same time as the First Symphony, the Septet reflects Beethoven's ambition to gain a foothold in his new Viennese environment. It is an experimental work with six contrasting movements - weighty as a symphony but also influenced by the lighter, more entertaining character of the serenade. Unlike Beethoven, who clearly indicates his intentions, Kreutzer allows the musicians plenty of room to emerge as soloists. Combined with Beethoven's masterpiece, the result is a sound document that uncovers a buried path of music history, once more proving that unknown works are definitely worth studying, rehearsing, and performing.
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  • Beethoven & Kreutzer Septets

    Beethoven & Kreutzer Septets

    CAvi-music May 2025
    1 disc
    CD
    $17.99
    Chandos

    Karen Geoghegan Plays Mozart, Crusell & Kreutzer

    CD · 1 disc

    $21.99
    Composer
    MOZART CRUSELL KREUTZER ROS
    Artist
    Geoghegan, Noseda
    Released
    Oct 26, 2010
    Much to enjoy here … listen to this and marvel at playing of such eloquence.

    Mozart’s sole bassoon concerto dates from 1774. As the booklet points out, every bassoonist plays it at some time, and most seem to harbour an ambition to record it. I have come to regard the results as a very special test of a player’s musicianship. A technically proficient but dull performance will leave you wondering why you bothered to spend a quarter of an hour with such tedious music, whereas in the hands of a player with real imagination and energy it can be a most exhilarating experience. Fortunately, and no surprise to those who have enjoyed her earlier discs for Chandos, this performance falls resoundingly into the latter category. Right from the soloist’s first entry the listener is engaged by Karen Geoghegan’s ripe tone, crisp articulation, imaginative phrasing, total technical control and above all her ability to communicate directly. The variety of tone that she gets from the instrument is one of her chief assets, together with an ability to surprise the listener by minute variations of phrasing. The slow movement, with its muted upper strings and subtle textures is an especial delight, and the Rondo Minuet finale has just the rhythmic lift it needs to keep it alive. The only criticism I would venture is the length of the cadenzas in the first two movements, but she is certainly not alone in this and they are of greater interest than those used by many of those of her rivals that I have heard. The very positive contribution of the BBC Philharmonic under Gianandrea Noseda is a major part of the success of this performance and their efforts are helped in turn by the transparent recording. Perhaps the soloist is a shade too forward for my liking, but I soon adjusted to it.

    Similar remarks could be made about the performance of the Crusell Concertino, his last work in this form. The Kreutzer Fantasie falls into three sections, ending with a Polacca. In style, form and length it is very similar to Weber’s Clarinet Concertino, and whilst not as memorable as that work it is enjoyable and is given a first class performance here.

    The remaining work is one I had not heard before – the “Rossini” Concerto. I understand that this was only discovered in the 1990s and that some Rossini scholars doubt that he wrote it. Whilst I have not read their reasoning for that view, I must say that I find it hard to believe that he had a hand in it. The booklet refers to its “veritably Rossinian wit” but each time I listened to it I missed it, although I certainly acknowledge that it does “display various kinds of bravura agility” with playing of a breathtakingly confident style. I am glad to have heard it but doubt if I will wish to return to it often.

    This disc offers four works for bassoon and orchestra from the late 18 th and early 19 th centuries in superb performances well recorded and presented. Only one is a real masterpiece, two are pleasant if second rate, and one is wholly forgettable. If the programme appeals to you there is much to enjoy here, and wind players in particular should listen to this and marvel at playing of such eloquence.

    -- John Sheppard, MusicWeb International
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  • Karen Geoghegan Plays Mozart, Crusell & Kreutzer

    Karen Geoghegan Plays Mozart, Crusell & Kreutzer

    Chandos Oct 2010
    1 disc
    CD
    $21.99
  • Beethoven's Forgotten Contemporaries

    Beethoven's Forgotten Contemporaries

    Musicaphon Dec 2010
    1 disc
    CD
    $16.99
    Carus

    Kreutzer: Der Taucher

    CD · 1 disc

    $20.99
    Composer
    Conradin Kreutzer
    Artist
    Hofkapelle Stuttgart, Kammerchor Stuttgart, Sarah Wegener, Philipp Mathmann, Barbara Stoll, Daniel A
    Released
    Jul 19, 2024

    Konradin Kreutzer wrote his opera "Der Taucher" for the Stuttgart court theatre. Many years after the Stuttgart premiere in 1813, Kreutzer reworked the work for Vienna. Subsequently, this version was always performed. A recording of the original version is now available for the first time. Under the direction of Frieder Bernius, the Kammerchor and Hofkapelle Stuttgart perform this operatic rarity together with Sarah Wegener and Philipp Mathmann (both soprano). After 200 years, a composer whose trademarks are catchy, lyrical melodies and colorful instrumentation will be brought to life once again.

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  • Kreutzer: Der Taucher

    Kreutzer: Der Taucher

    Carus Jul 2024
    1 disc
    CD
    $20.99
    Bridge Records

    The Developing Song Cycle - Kreutzer, Weber, Thalberg

    CD · 2 discs

    $18.99
    Composer
    VARIOUS
    Artist
    Georgine Resick
    Released
    Aug 30, 2005

    Soprano Georgine Resick's Visions Intérieures, is a survey of the development of the song cycle. Ms. Resick sings in German, Polish, French, Swedish, and Italian, in this two-CD tour-de-force which presents a superb selection of works and composers rarely heard today. The great flowering of the song cycle occurred in early nineteenth century Germany, with its greatest representations being the well-known cycles by Schubert and Schumann. These cycles inspired numerous imitations, many of which, while not attaining the depth and breadth of their models, are charming and integrated works. On Disc One, entitled The Early German Song Cycle, Ms. Resick is accompanied by Andrew Willis, performing cycles of Weber and Kreutzer on a copy of a Louis Dulcken fortepiano (Munich 1815-20). The duo then performs cycles of Cornelius, Thalberg, and Jensen on an original 1841 Bösendorfer. On Disc Two, entitled The Wanderer: The Song Cycle in Migration, Ms. Resick is joined by Warren Jones, performing late-nineteenth and early-twentieth century cycles on a Steinway D. In an interesting cultural crossover, The Wanderer presents songs by a Russian composer of French-Lithuanian descent setting Polish poems; a German-influenced Polish composer setting German poetry; a French influenced Italian, and French composers setting translations of texts from Persia and Denmark.Georgine Resick is an internationally recognized soprano in both the operatic and concert fields. Renowned for her Mozart and Strauss interpretations, she has sung a wide variety of leading roles with the Vienna State Opera, Chicago Lyric Opera, Paris Opera, Houston Grand Opera, and numerous others.

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  • The Developing Song Cycle - Kreutzer, Weber, Thalberg

    The Developing Song Cycle - Kreutzer, Weber, Thalberg

    Bridge Records Aug 2005
    2 discs
    CD
    $18.99
  • Lieder Der Romantik

    Lieder Der Romantik

    Orfeo Jun 1987
    1 disc
    CD
    $20.99
  • Choral Concert: Meistersinger (Die) - SILCHER, F. / GLUCK, F

    Choral Concert: Meistersinger (Die) - SILCHER, F. / GLUCK, F

    Haenssler Classic Dec 2008
    1 disc
    CD
    $20.99
  • Weikl, Bernd: Operettenrecital

    Weikl, Bernd: Operettenrecital

    Orfeo Dec 1984
    1 disc
    CD
    $20.99
    Profil

    Der schwarzeste Bass: Gottlob Frick Portrait

    CD · 4 discs

    $32.99
    Composer
    VARIOUS
    Artist
    Various
    Released
    May 17, 2019
    It was the conductor Wilhelm Furtwängler who first gave Gottlob Frick the nickname "Der schwärzeste Bass". This accolade has been picked up time and again, gone through various manifestations, and become a sort of trademark of the German bass Gottlob Frick. That said, the attribute "black" is often applied to define the vocal range of a basso profundo's ability to produce sonorous deep notes. However, the definition of "black bass" means far more than that: it applies primarily to the deep, dark timbre, the rich and sonorous sound and the lasting flexibility of the voice even in the deep registers, paired with strength, momentum, natural resonance and abundant expression in the entire vocal range. "If you have ever heard the timbre of Gottlob Frick's voice, you will never forget it," as the German singing expert Jürgen Kesting accurately observed in his standard reference work "Die großen Sänger". Gottlob Frick is seen rightly therefore as the incarnation of the black bass. He is a German bass who, thanks to the many sound recordings he left us documenting his sonorous, unusually beautiful and fluently melodic singing, enjoys a popularity to this day that is probably unparalleled in this vocal register. One of the reasons the internationally renowned critic John B. Steane advanced to justify his inclusion of Gottlob Frick in his list of 100 most important singers in "Opera Now" is encapsulated in this fitting characterisation: "When it comes to the Wagnerian basso profundo, the only name in recent times that matters" – by which he means the 1940s to 1980s – "is that of Gottlob Frick: a tower of strength in the strongest ensemble and one of the greatest basses of all time. His voice is steady despite its powerful capacity, supple and splendid. Frick's two-and-a-half-octave bass is remarkably well trained and remains constant through its entire spectrum. He has a strong sense of rhythm and he can sing both legato and staccato in exemplary manner, without depriving his listeners of that rich timbre of his."
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  • Der schwarzeste Bass: Gottlob Frick Portrait

    Der schwarzeste Bass: Gottlob Frick Portrait

    Profil May 2019
    4 discs
    CD
    $32.99
    Capriccio

    Hermann Prey

    CD · 5 discs

    $25.99 $33.99 Save 23%
    Composer
    MOZART LORTZING BEETHOVEN
    Artist
    Prey, Coburn, Klepper, Hawlata, Kuhn, Parsons
    Released
    Jun 09, 2015

    ‘I am an EU singer’, Hermann Prey always said about himself. However, by that he did not mean so much his citizenship of a European Union country as the fact that he felt at home in the fields of ‘E’ and ‘U’, i.e. in ‘serious’ and entertainment music alike. For Prey, this distinction never existed, but only the issue of the quality of music, and he found this not only in opera and Lied, but also in operetta, the musical and the well-made hit. For forty-six years Prey convinced audiences; this five-disc collection reveals his fascinatingly wide-ranging repertoire and interpretative skill.

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  • Hermann Prey
    Sale

    Hermann Prey

    Capriccio Jun 2015
    5 discs
    CD
    $33.99 $25.99Save 23%
    Capriccio

    150 German Folksongs / Prey, Schreier, Dresden Kreuzchor, Thomanerchor Leipzig

    CD · 5 discs

    $21.99
    Composer
    TRADITIONAL
    Artist
    Prey, Schreier, Dresdner Kreuzchor, Thomanerchor Leipzig, Regensubrger Domspatze
    Released
    Aug 30, 2011

    A festive concert of great voices, this Volkslied-Edition offers on 5 CDs the most famous and most beloved German folksongs, performed by well known singers like Hermann Prey, Peter Schreier, and famous choirs, especially boys choirs, such as the Dresden Kreuzchor, Thomanerchor Leipzig and the Regensburger Domspatzen. A well done edition for all friends of choir music offered for a verys special price!

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