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    CPO

    Koffler: Piano Works & String Trio, Op. 10 - Schöllhorn: Spu

    CD · 1 disc

    $18.99
    Composer
    KOFFLER SCHOLLHORN
    Artist
    Von Der Heydt, Kalitzke
    Released
    Feb 24, 2017
    Jozef Koffler earned a firm place in music history as one of the first Polish and European twelve-tone composers. Born in Stryj, he returned to his home region in 1924 after his education in Vienna and settled in Lemberg, where he was active not only a composer but also as a charismatic teacher and music journalist. The investigation of Koffler's oeuvre has shown that he adopted Schonberg's method of composition with twelve interrelated tones and applied it in a most highly creative manner, often modifying its strict rules in order to achieve the desired artistic result. The piano works and String Trio, Op. 10 presented on this album offer expressive testimony to Koffler's originality. The album concludes wtih Johannes Schollhorn's Spur, a work composed in 2003 and dedicated to Koffler. Here a contemporary composer turns to the traces left behind by Koffler: with creative imagination and sensibility he engages, as it were, in his own play with the original material, whcih, sometimes more strongly, other times more suggestively, manifests itself in the new contents.
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    CAvi-music

    COMPOSING BEETHOVEN

    CD · 1 disc

    $19.99
    Composer
    BEETHOVEN, LUDWIG VAN
    Artist
    Herold, P. Staemmler, H. Staemmler
    Released
    Jun 12, 2020
    No one knows who first gave Beethoven's Trio Op. 11 the nickname Gassenhauer ("street song"). Neither do we know if the name was kindly intended or derogatory, chosen to boost sales or perhaps meant ironically (Heinrich Heine, for instance, would later satirize the omnipresence of a tune, sung everywhere, from Weber's opera chorus "Wir winden dir den Jungfernkranz").The catchy tune in Beethoven's final movement with variations was the vocal trio "Pria ch'io l'impegno" ("Before I go to work") from the comic operaL'Amor marinaro (The Sailor's Love), composed in 1797 by Joseph Weigl, who was a godchild of Haydn and had been pupil of Antonio Salieri. The aria enjoyed widespread, long-term popularity: more than 30 years after the opera's première, Paganini still delighted Vienna audiences with variations on the same tune. Beethoven wrote his instrumental trio only half a year after the première, probably fulfilling a commission by clarinetist Joseph Bähr, who is said to have asked for variations on that theme. When clarinetist Kilian Herold asked composer Johannes Schöllhorn to arrange a Beethoven work for trio, Schöllhorn thought of the Bagatelles Op.119. The idea was to add a final level to a three-level concept, Composing Beethoven, consisting in an original work by Beethoven, then one of Beethoven's arrangements of his own works, and, finally, a work by Beethoven arranged by a 21st-century composer. Schöllhorn, already well-experienced in creative approaches to music of the past, deconstructs the original piano texture here in such a way that the resulting sound is not too lean, but opens up new areas of freedom for the pianist's new partners. He has conceived a light, airy trio texture brimming with discreet punch lines, interruptions, disruptions, unexpected connections, and cello sonorities ranging from sul tasto to col legno battuto, resulting in a fond, respectful homage to Beethoven.
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  • COMPOSING BEETHOVEN

    COMPOSING BEETHOVEN

    CAvi-music Jun 2020
    1 disc
    CD
    $19.99
  • Schöllhorn: Clouds and Sky

    Schöllhorn: Clouds and Sky

    Mode Records Apr 2013
    1 disc
    CD
    $20.99
    Haenssler Classic

    Schnebel & Schollhorn: Yes I Will Yes / Sun, Lavoie, Dernbach, Porter, Fischer, West German Radio Symphony Orchestra of Cologne

    CD · 1 disc

    $10.49 $20.99 Save 50%
    Composer
    Schnebel, Schollhorn
    Artist
    Sun, Lavoie, Rundel, Porter, Fischer, Dernbach
    Released
    Apr 01, 2022
    Sarah Maria Sun is known as one of the foremost vocal performers in the contemporary music scene. Her repertoire currently spans more than 1000 compositions from the 16th to the 21st century, including 350 world premieres. She regularly performs as a soloist in renowned concert halls and festivals worldwide. At leading opera houses and stages she created complex female figures in music theaters, operas and monodramas. For her role as Elsa in Sciarrino’s “Lohengrin“ (2017) as well as for her performance in Philip Venables’ “4.48 Psychoses“ (2019) she was nominated as singer of the year. From 2007-2014, she was the first soprano of the Neue Vocalsolisten Stuttgart, a chamber ensemble of seven singers that has been one of the world’s leading pioneers of contemporary music for decades.
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