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    Grand Piano

    Solitude - Piano Works by Florent Schmitt / Urban

    CD · 1 disc

    $9.99 $19.99 Save 50%
    Composer
    SCHMITT, FLORENT
    Artist
    Biljana Urban
    Released
    Oct 08, 2021

    Florent Schmitt was a strikingly original composer whose influences were as varied as his own restless and imaginative music. A number of his solo piano works are little known and offer an important insight into his compositional development. Neuf Pièces, Op. 27, which includes a Spanish-infused Gitanella movement, was composed during his first period of travel. The expressive and vivid elements of Crépuscules, Op. 56 are infused with harmonic richness and quiet melancholy, while Ritournelle, Op. 2 No. IIbis displays an airiness and wit characteristic of French music of the Roaring Twenties. Internationally renowned pianist, Biljana Urban, presents a selection of neglected gems of French piano literature including many world première recordings.

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  • Solitude - Piano Works by Florent Schmitt / Urban
    Sale

    Solitude - Piano Works by Florent Schmitt / Urban

    Grand Piano Oct 2021
    1 disc
    CD
    $19.99 $9.99Save 50%
    Naxos

    Florent Schmitt: Piano Quintet, A Tour D'anches / Berlin Soloists

    CD · 1 disc

    $19.99
    Composer
    SCHMITT, FLORENT
    Artist
    Wollenweber
    Released
    Apr 26, 2011

    Compared by contemporaries to Ravel and Debussy, French composer Florent Schmitt is being rediscovered today. Following his death, one critic mourned that “French music has just lost a smile and a master”. The whimsical and sparkling À tour d’anches for oboe, clarinet, bassoon and piano and the dramatically beautiful Piano Quintet reveal a powerful and distinctive personality. By turns lyrical, humorous and fiery, these two chamber works span a period of almost forty years, from the beginning of Schmitt’s mature period to his late style.

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  • Schmitt: Orchestral Works
    Chandos

    Schmitt: Orchestral Works

    CD · 1 disc

    $21.99
    Composer
    Florent Schmitt
    Artist
    Peter Donohoe, BBC Philharmonic Orchestra
    Released
    Nov 06, 2026
    The French composer Florent Schmitt was born in 1870, in Meurthe-et-Moselle, close to the German border. He studied music locally before entering the Paris Conservatoire aged nineteen, where he studied with Gabriel Faure, Jules Massenet, Theodore Dubois, and Albert Lavignac. Winner of the Prix de Rome in 1900, Schmitt saw his post-romantic music regularly performed in France before the second world war, but subsequently his music became neglected and is now very rarely played (or recorded). This recording of his Symphonie concertante, featuring Peter Donohoe as soloist, is only the second commercial recording of the piece. Cancunik, 'Suite in Two Parts', was composed for a competition run by the Compagnie francaise de radiophonie which oversaw Radio-Paris. The suite won first prize, and here receives it's premiere recording. The other pieces on the album (Three Dances and Memorial) are orchestrations by the composer of his own works, originally written for solo piano.
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  • Schmitt: Orchestral Works

    Schmitt: Orchestral Works

    Chandos Nov 2026
    1 disc
    CD
    $21.99
  • Phantoms - French Symphonic Poems
    Alpha

    Phantoms - French Symphonic Poems

    CD · 1 disc

    $18.89 $20.99 Save 10%
    Composer
    Charles Gounod, Ernest Guiraud, Augusta Holmes, Marie Jaell, Guy Ropartz, Florent Schmitt, Charles S
    Artist
    Orchestre National Bordeaux Aquitaine, Pierre Dumoussaud
    Released
    Oct 30, 2026
    A genre of high fantasy, complete with it's host of ghosts, demons, spirits and witches, usurped the place of the magical elements of Baroque opera in France during the 19th century,' writes Alexandre Dratwicki in the introduction to this programme, conceived by the Palazzetto Bru Zane and dedicated to 'le fantastique' in French symphonic music between 1850 and 1914. Gounod's La Nonne sanglante, Guiraud's La Chasse fantastique, Carraud's La Chevauchee de la chimere, and Schmitt's Le Palais hante-all these highly evocative titles set the tone, with the mysterious and strange atmosphere reinforced by the instrumentation and orchestration chosen by the composers for these overtures, ballets, or descriptive preludes, as in Hero et Leandre by Augusta Holmes and Ossiane by Marie Jaell-two unjustly forgotten composers whom the Palazzetto Bru Zane is working to bring to the public's attention. Their pieces are recorded here for the first time anywhere in the world. This repertoire is magnificently performed by the Orchestre National Bordeaux Aquitaine, conducted by Pierre Dumoussaud, now music director of the Opera Orchestre Normandie Rouen.
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  • Phantoms - French Symphonic Poems
    Sale

    Phantoms - French Symphonic Poems

    Alpha Oct 2026
    1 disc
    CD
    $20.99 $18.89Save 10%
  • Schmitt: Complete Piano Duet and Duo Works
    Grand Piano

    Schmitt: Complete Piano Duet and Duo Works

    CD · 4 discs

    $42.99
    Composer
    SCHMITT, FLORENT
    Artist
    INVENCIA PIANO DUO
    Released
    Jan 13, 2017
    Florent Schmitt stands alongside Debussy and Ravel as one of the most original and influential French composers of his time. Winner of the Prix de Rome in 1900, Schmitt wrote successfully in many forms but he was a formidable pianist who described his often rich and multi-staved scores as “fistfuls of piano”. His music for the instrument is colourful, filled with adventurous harmonic innovation, stylistic bravura and good humoured wit. This complete collection for piano duo and duet includes unpublished works and rarities.
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  • Schmitt: Complete Piano Duet and Duo Works

    Schmitt: Complete Piano Duet and Duo Works

    Grand Piano Jan 2017
    4 discs
    CD
    $42.99
    Alpha

    Schmitt: La Tragedie de Salome & Chant elegiaque

    CD · 1 disc

    $20.99
    Composer
    Florent Schmitt
    Artist
    Alain Altinoglu
    Released
    May 17, 2024

    In 1907, Florent Schmitt composed music to accompany a ‘mimodrame’ danced by Loïe Fuller, La Tragédie de Salomé. His score is bursting with colour, energy, and voluptuousness – and also with oriental influences stemming from his travels to Morocco and Constantinople, where he discovered the howling dervishes. The final scene features the heart-rending ‘Chant d’Aïça’, an oriental melody sung by a soprano. This music, though bold and modern for the listeners of 1907, nonetheless aroused the admiration of another composer, Igor Stravinsky, to whom Schmitt dedicated the Symphonic Suite he subsequently derived from the work. However, Alain Altinoglu, at the helm of the Frankfurt Radio Symphony Orchestra of which he has been Music Director since 2021, has chosen to record the original version of this landmark of early twentieth-century French music. The beautiful Chant élégiaque, in its 1911 version for cello and large orchestra, completes this programme.

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  • Schmitt: La Tragedie de Salome & Chant elegiaque

    Schmitt: La Tragedie de Salome & Chant elegiaque

    Alpha May 2024
    1 disc
    CD
    $20.99
    Chandos

    Schmitt: Suites from Antoine et Cleopatre & Symphony No. 2 / Oramo, BBC Symphony

    SACD · 1 disc

    $21.99
    Composer
    SCHMITT, FLORENT
    Artist
    Oramo
    Released
    Mar 16, 2018

    Making his debut on Chandos, Sakari Oramo, who with the BBC Symphony Orchestra this year has championed new and rarely performed works, presents in surround sound the extravagant musical world of Florent Schmitt. The recording follows two exceptional Barbican performances with the same forces, a ‘sensuous and exotic’ Antoine et Cleopatre, according to the Financial Times (2016), and the first performance for nearly a dozen years of Symphony No. 2 (2017). The Second Symphony, the last major work by Schmitt, has nothing valedictory about it: as lavish and rhythmically sophisticated as his earlier music, emphatically bounding in fast passages and supple in slow, it also encompasses all the different musical expressions and styles that he had used over almost eight decades of composing. On the other hand, it is far from being an ‘old man’s piece.’ ‘It is really exuberant- very, very inventive, and incredibly busy for everyone,’ as Sakari Oramo explained in a BBC Radio 3 interview. The symphony is paired with the two orchestral suites from Antoine et Cleopatre, music written for Shakespeare’s play, premiered in 1920 at the Paris Opera, and very rarely recorded since then.

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    B Records

    Schmitt & Touchard: La Tragédie de Salome / Masmondet, Les Apaches

    CD · 1 disc

    $20.99
    Composer
    Florent Schmitt, Fabien Touchard
    Artist
    Sandrine Buendia, Les Apaches, Julien Masmondet
    Released
    Feb 10, 2023

    Julien Masmondet and Les Apaches present Florent Schmitt's La Tragédie de Salomé in a new light by revisiting its original 1907 version, augmented by Fabien Touchard’s creations in homage to Loïe Fuller, the artist who then embodied the modernity of Salomé. At the crossroads of dance, poetry and music, they pay tribute to this masterpiece of orchestration by elaborating together a new type of show, captured by b•records at the Théatre de l'Athénée Louis-Jouvet.

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    Naxos

    Schmitt: La Tragedie de Salome, Musique sur l'eau, & more / Falletta, Buffalo Philharmonic

    CD · 1 disc

    $19.99
    Composer
    SCHMITT, FLORENT
    Artist
    Platts, Chooi, Falletta
    Released
    Nov 13, 2020
    Florent Schmitt was a student of Massenet and Fauré, and winner of the coveted Prix de Rome. His impressionistic style blends influences ranging from Debussy to Wagner, with references to Stravinsky and other contemporaries. Conceived as a ballet but revised as a symphonic poem, La Tragédie de Salomé depicts Salome’s dangerous seductiveness with subtle magnificence. Narrative symbolism also applies to the evocative word painting of the exquisite Musique sur l’eau. The perilous saga of Oriane et le Prince d’Amour contrasts with the poetic tapestry of orchestral colors in Légende, in a version that replaces the original solo saxophone with violin.

    -----

    REVIEW:

    Although Florent Schmitt lived until 1958 and took an interest in musical trends of the day, his fundamental style never really changed. It tightened up a bit under the influence of Stravinsky but remained essentially late Romantic. JoAnn Falletta has been an unfailingly successful advocate of Schmitt's on disc. There are quite a few versions of La tragédie de Salomé available, but none more refined and silky than this one. The Buffalo Philharmonic is a polished orchestra and has a wonderful satin feel for French music. The smooth acoustic of Kleinhans Hall and Naxos’s customary transparency do the rest.

    All told, this is a winning release. In the vanishing wake of dodecaphonic music, where process was everything, we seem to be rediscovering beauty and meaning in composers who were, so to speak, left behind. More power, then, to Florent Schmitt!

    – Fanfare
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    BIS

    French Trumpet Concertos / Hardenberger, Gabel, Royal Stockholm Philharmonic

    SACD · 1 disc

    $21.99
    Composer
    Betsy Jolas, Andre Jolivet, Florent Schmitt, Henri Tomasi
    Artist
    Hakan Hardenberger, Roland Pontinen
    Released
    Jun 03, 2022
    During the second half of the 19th century, a French school of trumpet playing was established, with French musicians and composers at the forefront of the instrument’s musical and technical development. As a result, it was entrusted with a more prominent role within the orchestra and soon also as a solo instrument. On the present disc, Håkan Hardenberger – who like so many other leading trumpet players studied in Paris – presents some of the fruits of this development: five important French works composed between 1944 and 1977. With the support of the Royal Stockholm Philharmonic Orchestra and conductor Fabien Gabel – who incidentally began his career as a trumpet player – he opens the disc with Henri Tomasi’s Trumpet Concerto. Often performed and recorded, it here appears on album for the first time with its original, longer ending, reconstructed from a newly discovered manuscript. Another rarity is the version for trumpet and orchestra of Florent Schmitt’s Suite, a work which is more commonly heard with piano accompaniment. Rather more frequent in concert are André Jolivet’s Concerto and the Concertino in which Hardenberger is joined by his regular chamber music partner Roland Pöntinen as co-soloist. The most recent work on the disc is Onze Lieder by Betsy Jolas, a work which has a special resonance for both soloist and conductor as it was written for their trumpet teacher Pierre Thibaud.
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  • Heritage
    Channel Classics

    Heritage

    CD · 1 disc

    $20.99
    Composer
    Joseph Jongen, Charles Koechlin, Florent Schmitt, Leon Stekke, Henri Tomasi
    Artist
    Sebastian Berner, Frankfurt Radio Symphony, Elias Grandy
    Released
    Apr 03, 2026
    Sebastian Berner is one of the most prominent trumpet players of his generation: in 2022, he won first prize at the Maurice André International Competition in Paris and is principal trumpet of the Frankfurt Radio Symphony Orchestra. While Henri Tomasi's trumpet concerto, composed in 1948, is fairly well known, the Concertino for Trumpet and Orchestra, composed in 1913 by the Belgian Joseph Jongen, is much rarer, and the concerto by his pupil Léon Stekke, dated July 1937, is being recorded for the first time. Another world premiere is Charles Koechlin's Chants de Kervéléan, transcribed in 2008 for trumpet and orchestra by Robert Orlidge. Finally, Florent Schmitt's Suite in Three Parts was premiered in it's orchestral version in 1956 by Maurice André.
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  • Heritage

    Heritage

    Channel Classics Apr 2026
    1 disc
    CD
    $20.99
  • Schmitt: Melodies
    Resonus Classics

    Schmitt: Melodies

    CD · 1 disc

    $18.99
    Composer
    SCHMITT, FLORENT
    Artist
    Various
    Released
    Aug 07, 2020

    Rarely heard on recording, the songs of Florent Schmitt receive fresh exposure in this significant new survey of these neglected works including a number of world premiere recordings. The qualities that appeal in many of Schmitt’s larger works are found in abundance in this selection that spans his entire creative life: his music’s gorgeous sensuality, biting wit, laconic charm, and unleashed savagery. Pianists Fabienne Romer and Edward Rushton along with an outstanding lineup of soloists, explore this rich seam of complex compositional techniques, revealing a composer of extraordinary individuality along with a fascinating affinity with the darker side of human existence.

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  • Schmitt: Melodies

    Schmitt: Melodies

    Resonus Classics Aug 2020
    1 disc
    CD
    $18.99
    Chandos

    Schmitt: La Tragedie De Salome, Le Palais Hante, Psaume 47 / Tortelier, Bullock, São Paulo Symphony

    SACD · 1 disc

    $21.99
    Composer
    SCHMITT, FLORENT
    Artist
    Bullock, Tortelier
    Released
    Jun 28, 2011
    This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

    An auspicious and impressive debut for this new performing team. Any new Schmitt disc from this source will be eagerly awaited.

    This is a disc to welcome in every respect. Yan Pascal Tortelier was a stalwart of the Chandos catalogue not so many years back so it is a pleasure to welcome him back into ‘active service’ particularly when at the helm of the orchestra with which he has recently started as principal conductor, The São Paulo Symphony Orchestra. This ensemble have proved to be an absolute revelation in recent years with a series of sensational discs - mainly on the BIS label - of primarily Latin-American repertoire. It is a particular delight to hear all the good opinions of them formed there carried over into unfamiliar repertoire. Chandos have matched BIS on the sonics front producing a disc of excellent range, detail and sonic impact – elements all vital in conveying the richness and power of these three hedonistically romantic scores.

    Composer Florent Schmitt seems doomed to the periphery of the popular Classical Music repertoire certainly outside his native France. The issue, as it is with so many similar composers, is one of achieving a kind of critical mass of familiarity which allows him to become recognisably his own man as opposed to being simply an amalgam of influences. Curiously, this disc both serves and hinders that cause. As a first port of call for the collector new to his music this is pretty much ideal bringing together as it does his three most famous (relatively) scores in solidly fine performances. If Chandos are going to do for Schmitt what they are currently doing for Halvorsen or D’Indy it is vital that this represents simply volume 1 in a developing series. None of the works presented here are new to the catalogue so converts to the Schmitt cause will have to decide whether duplication of repertoire is affordable.

    La Tragédie de Salomé turned up on a blind listening disc a year or so back and is a perfect embodiment of that peculiarly Gallic obsession with what might be termed ‘erotic exotica’. Schmitt wrote an hour long ballet score in 1907 scored for chamber orchestra. Subsequently he extracted a suite of about half the score scored for a much larger orchestra and that is what is presented here. The sequence of the music in the suite follows the broad arc of the drama from a quiet yet sensuous dawn through ever more obsessive and charged dances to the climactic tragedy as Salome and the palace are overwhelmed by a storm. It is graphically seductive stuff and impossible not to respond to if you have any taste for cinematic excess in music. Likewise it is meat and drink to a virtuoso orchestra and a recording company with a reputation for demonstration quality recordings. Throughout the entire disc the playing of the orchestra is simply first rate. The strings are a model of sensuous sonority, the woodwind full of character and the brass perfectly blended; brazen or full-voiced as the music requires. Additionally, the trumpets just give their tone a little edge of vibrato which is ideal in this repertoire. Chandos have produced this as a SA-CD. Unfortunately I do not have the facilities to listen to it in this format but even the ‘standard’ CD is pretty sensational. The liner notes by Roger Nichols are good and include a useful synopsis for the ballet suite. The information about the individual works is good but I do think it would have benefited from a more extended biographical note and one that placed these works in context both as part of the composer’s oeuvre and more importantly their significance in the greater scheme of French music of the period.

    The second work on the disc reflect another French fin-de-siecle obsession; namely the works of Edgar Alan Poe. Here Schmitt writes a compact thirteen minute tone-poem called Le Palais hanté based on the story The Fall of the House of Usher. In recording terms this is the rarest item offered. I can think of only one other recording – on French EMI with the Monte Carlo Opera Orchestra coupled with Caplet and Debussy. My cassette copy languishes unloved and unlistened to somewhere in the attic so I have not been able to make a direct comparison but memory tells me it had nothing of the colour or fluency of the current version. In a not wholly relevant but interesting diversion it is interesting to see how that other great Poe-acolyte Josef Holbrooke treated similarly nightmarish narratives at almost exactly the same time (1903/4) – I have to say I prefer Schmitt who manages to reign in the temptation to go fully over the top. The problem that Schmitt does have in this work is that it is far stronger on atmosphere and orchestration than melodic memorability. It is certainly worth hearing but is not the work to convince one that Schmitt is a great composer.

    More convincing on that front is the final work which seems to tap yet another abiding French fascination – this time with what I might term the ‘militant psalm’. The orchestra is joined by their own – very fine – choir and soprano soloist Susan Bullock. The immediate impression of the singing is of great discipline and care over the balancing of the voices. The men’s voices are strong and extremely well focused whilst the sopranos have no apparent difficulties at all with Schmitt’s high-lying tessitura. The chorus to orchestra balance is very good with soloist Bullock set believably in front. For my personal taste I find her voice a fraction too fruity for this type of music. The booklet provides full texts in the original French as well as English and German translations but the choir sing with such excellent diction that it is easy to follow the text by ear alone.

    After all of the superlatives above it might seem strange not to give the disc an unqualified recommendation which indeed I probably would have done right up to the point I made a comparison with another version in my collection. This is the 1990 Erato recording from Marek Janowski and the Choir and Orchestra of Radio France. The two main works are here but by omitting Le Palais hanté it makes for a disc of relatively short measure. Add to that that the current disc is better played and engineered and you will wonder why I hesitate. It is simply because somehow when making the direct comparison the new disc has a fraction of controlled calculation the older disc doesn’t. In its rather wild and woolly way the ecstasy – be it of a lascivious Salome or of a religious fervour comes across better. For example, in the psalm setting Schmitt repeats the lines “frappez les mains”. The French chorus, strained by the tessitura and not nearly as tight an ensemble do sound as though they are caught up in some revelatory moment. The São Paulo chorus in contrast sound a tad too drilled - perhaps worth noting too Janowski is a good two minutes quicker than Tortelier overall which does convert into extra urgency of expression. Likewise in the ballet suite, the final conflagration and destruction of the palace strains the French players and engineering but in doing so the mental picture they create is excitingly vivid, conversely the Brazilian players are able to take it all in their stride – objective reportage rather than breathless eye-witness. But this is really a matter of tiny degree and no-one buying this new disc would be anything but thrilled particularly if you have a sound-system up to the task. One last thought – again in direct comparison I think Janowski is slightly more skilful at handling the transitions between sections in both main works. This is less of an issue in the suite which are linked dances but in the Psalm his more fluent approach allows the work to flow as an organic whole. And just to add to your purchasing conundrum – the Janowski Erato disc has been re-released on the Warner Apex label at a tempting bargain price of under £5.00 as opposed to the Chandos full price. Well nobody ever said collecting was straightforward!

    I’m none the wiser as to whether Schmitt is a great composer or not – my listening notes are dotted with references to other works but then I realized that often the Schmitt pre-dates them so in effect he was very much a composer of his time. The fact that he rarely seems to get to a “volume 2” is emphasized by the fact that there is a recent (2007) Hyperion disc I have not heard which again duplicates the two main works as well as HDTT’s revival of the classic EMI Martinon recordings. These are also relatively early pieces – Schmitt lived through to 1958 so I do hope that this same team return to his later catalogue. In any event, this is as auspicious and impressive a debut for this new performing team as I hoped it would be – any new disc will be eagerly awaited.

    -- Nick Barnard, MusicWeb International
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  • The Composers Conduct
    Sale

    The Composers Conduct

    Urania Records Oct 2010
    2 discs
    CD
    $32.99 $16.49Save 50%
  • French Saxophone Quartets

    French Saxophone Quartets

    Naxos Jan 1999
    1 disc
    CD
    $19.99
    Signature

    Sonates / Collerette, Le Bozec

    CD · 1 disc

    $20.99
    Composer
    PREVOST ROUSSEL SCHMITT
    Artist
    Helene Collerette, Anne Le Bozec
    Released
    Nov 09, 2018
    On this new recording, an exceptional duo of musicians from the Orchestre Philharmonique de Radio France, Hélène Collerette (1st violin) and Anne Le Bozec perform a program of three sonatas. The three works - spanning barely forty-three years, Florent Schmitt's op. 68 (1918-19), Albert Roussel's op. 28 (1924-25) and an early work of André Prévost form 1960-61, conceived when this Ontario-born composer of old Quebec descent was attending classes in Paris with Olivier Messiaen and Henri Dutilleux - epitomize a vibrant period for French chamber music and its sphere of influence. Rhythmic energy galvanizes this Franco-Canadian programme from start to finish, innervating passages of expressive intimacy with the same intensity as wilder pages bristling with vigor.
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  • Sonates / Collerette, Le Bozec

    Sonates / Collerette, Le Bozec

    Signature Nov 2018
    1 disc
    CD
    $20.99
  • Schmitt: La Tragédie De Salomé / Davin, Fayt

    Schmitt: La Tragédie De Salomé / Davin, Fayt

    Marco Polo Jun 1993
    1 disc
    CD
    $19.99
  • PRESIDENT'S OWN UNITED STATES MARINE BAND: American Games
    Altissimo

    PRESIDENT'S OWN UNITED STATES MARINE BAND: American Games

    CD · 1 disc

    $13.99 $18.99 Save 26%
    Composer
    MAW CUSHING SCHMITT SKOLKAT
    Artist
    Us Marine Band, Foley
    Released
    Feb 28, 2012
    From the earliest days of our nation, the United States Marine Band’s primary mission has been to provide the best music in the world to the President and people of this great nation. Whether in White House performances, public concerts, or national and international tours, the music of the Marine Band is the music of America, and this album is no exception. American Games is a compilation of compositions and pieces beloved around the globe. The album features songs “Angel Camps” and Nikos Skolkattas' "Greek Dances," among many others. Led by LtCol Timothy W. Foley, the United States Marine Band plays on this album with all of the integrity and musicianship characteristic of the band since its inception during the Revolutionary War. American Games is eclectic, beautifully played, and sure to become a classic in homes everywhere.
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  • PRESIDENT'S OWN UNITED STATES MARINE BAND: American Games
    Sale

    PRESIDENT'S OWN UNITED STATES MARINE BAND: American Games

    Altissimo Feb 2012
    1 disc
    CD
    $18.99 $13.99Save 26%
    Oehms Classics

    French Clarinet Rhapsody

    CD · 1 disc

    $11.99
    Composer
    DEBUSSY POULENC HONEGGER SC
    Artist
    Perl, Manno
    Released
    Apr 27, 2010
    "This is a convenient recital, presenting—unusually, it turns out, in a single program—the clarinet-and-piano works of Debussy and his contemporary Florent Schmitt, plus those of the demi-Six Honegger, Milhaud, and Poulenc (the other three were Auric, Durey, and Tailleferre), who were more or less a generation younger. Despite a name that sounds as German as, say, “John Barbirolli,” clarinetist Ralph Manno is a native German, making the program all the more atypical. This disc follows soon after Oehms’s release of a two-CD set featuring Manno and Alfredo Perl in music of Brahms; both that and the present disc, however, turn out to be reissues of 1995 recordings.

    Manno’s performance of Debussy’s Rhapsodie (there never was a deuxième) is languorous at first, then fluid and dynamic as the music demands. His sound, appropriately international rather than characteristically German, is attractive and well focused, and his technique and control are impressive. The aptly named Petite pièce, written as a sight-reading exercise, is smooth and expressive.

    The Lorraine-born Florent Schmitt (1870–1958) should be better known; he is remembered today mostly for the extravagant, almost expressionistic La Tragédie de Salomé. The present Andantino, by contrast, is brief, modest, and perhaps even a bit sentimental...

    If the composers who made up Les Six had any musical trait in common (and Milhaud, for one, denied that they did), it is a quintessentially French irreverence, even impudence. (Two of the movements of Milhaud’s sonatine are marked Très rude.) The Honegger and Milhaud sonatines were both composed in the 1920s; the former is an aphoristic work in three movements lasting only six minutes all together; Manno plays with impressive command here... The late, folksy Duo Concertant is an attractive example of Milhaud’s Provençal style; the slight Caprice, running under two minutes, serves as a sort of encore...this disc can be recommended for its overview of the core French clarinet recital repertoire."

    FANFARE: Richard A. Kaplan
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  • French Clarinet Rhapsody

    French Clarinet Rhapsody

    Oehms Classics Apr 2010
    1 disc
    CD
    $11.99
    Naxos

    L'eventail de Jeanne / Axelrod, Orchestre National des Pays de la Loire

    CD · 1 disc

    $19.99
    Composer
    RAVEL FERROUD IBERT SCHMITT
    Artist
    Axelrod
    Released
    Oct 14, 2016
    We know L’Éventail de Jeanne (Jeannes’s Fan), a collaborative ballet in ten movements by ten composers, primarily from Ravel’s opening Fanfare and Poulenc’s Pastourelle, but the other numbers have plenty of appeal. Roussel’s bittersweet Sarabande adds weight to an otherwise frothy brew, while Florent Schmidt’s concluding Kermesse-Valse provides a buoyant concluding apotheosis. Other savory bits include a polka by Darius Milhaud and perky Canarie by Alexis Roland-Manuel, but it’s all good fun and played here with exemplary spirit and point by John Axelrod and the Loire ensemble.

    Here’s an interesting tidbit. Poulenc’s Pastourelle appears to be a nearly literal crib from the “Balalaika” movement that concludes Stravinsky’s Suite No. 1 for small orchestra (sound clips). I wonder if this was noticed at the time?

    Ravel’s Mother Goose makes a logical coupling–another children’s ballet, composed and scored with a similarly light touch. Axelrod’s is a sensitive performance, a touch on the slow side, perhaps, but well-proportioned and sensitively detailed. The orchestra plays quite well, with the many woodwind solos sweet and smooth, if perhaps lacking the ultimate character that we hear from Martinon (EMI/Warner) or Ozawa (DG). Axelrod dwells lovingly on the concluding Fairy Garden, and when the music is so beautiful who can blame him? This disc, in short, is a joy. Don’t overlook it.

    – ClassicsToday (David Hurwitz)
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