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  • Franz Krommer, Johann Nepomuk Hummel: Chamber Music For Bassoon & Strings

    Franz Krommer, Johann Nepomuk Hummel: Chamber Music For Bassoon & Strings

    Ars Produktion Mar 2010
    1 disc
    SACD
    $21.99
  • Krommer: Symphonies Nos. 1-2
    Naxos

    Krommer: Symphonies Nos. 1-2

    CD · 1 disc

    $19.99
    Composer
    Franz Krommer
    Artist
    Klara Mach Jasencakova, Vojtech Podrouzek, Marketa Cepicka, Czech Chamber Philharmonic Orchestra Par
    Released
    Jul 24, 2026
    Franz Krommer served the Habsburg emperors as court composer in Vienna, having succeeded his Czech compatriot, Leopold Kozeluch. He excelled in a vast range of music, notably the string quartet and music for winds, but he also wrote eight published symphonies and a sequence of concertos. In the recordings heard here conductor Marek Štilec uses corrected parts based on archival records. Both the First and Second Symphonies are fulsome and vigorous with graceful trios and bustling energy, revealing an increasingly bold and adventurous language. The attractive Concertino is in effect a divertimento full of shifting moods.
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  • Krommer: Symphonies Nos. 1-2

    Krommer: Symphonies Nos. 1-2

    Naxos Jul 2026
    1 disc
    CD
    $19.99
  • Krommer: String Quartets / Marcolini Quartet

    Krommer: String Quartets / Marcolini Quartet

    CAvi-music Apr 2009
    1 disc
    CD
    $19.99
  • Krommer: Clarinet Concertos / Berkes, Esterházy Sinfonia
    Sale

    Krommer: Clarinet Concertos / Berkes, Esterházy Sinfonia

    Naxos Mar 1995
    1 disc
    CD
    $19.99 $13.99Save 30%
    Brilliant Classics

    Krommer: Clarinet Quartet, Op. 83 - Quintet, Op. 95

    CD · 1 disc

    $13.99
    Composer
    KROMMER, FRANZ
    Artist
    Schubert Consort Amsterdam, Graaf
    Released
    Jun 30, 2015
    He is perhaps best known now for his clarinet concertos, to which his quartets including the instrument form a not insubstantial pendant: they, too, are full of virtuosic writing for the instrument, who placed forward in a soloistic position, with the string parts mostly moving together to accompany it. In the late Clarinet Quintet, however, the instruments enjoy a more equal balance of the kind familiar from Brahms's chamber music for the instrument: indeed, in the opening movement's fugue, the clarinet is the last voice to enter. Here the harmonies are cloudier, more Romantically inclined, and a more reflective spirit presides even in the quick outer movements: there is a rapt and melancholic Andante which deserves far greater popularity. These new recordings come from Dutch instrumentalists who have specialized in this repertoire. As principal clarinettist of the Rotterdam Philharmonic Orchestra for many years, Henk de Graaf has recorded Mozart's Clarinet Concerto (as soloist) and much chamber music from the late-Classical/Early Romantic period by Crusell, Weber, Spohr and others.
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  • Krommer: Clarinet Quartet, Op. 83 - Quintet, Op. 95

    Krommer: Clarinet Quartet, Op. 83 - Quintet, Op. 95

    Brilliant Classics Jun 2015
    1 disc
    CD
    $13.99
  • Krommer, F.: Divertimento in  F Major, Op. 96 / Piano Quarte

    Krommer, F.: Divertimento in F Major, Op. 96 / Piano Quarte

    Phoenix Edition Jul 2008
    1 disc
    CD
    $18.99
  • Oboe Concertos Of The Classical Era / Klein, Freeman
    Cedille

    Oboe Concertos Of The Classical Era / Klein, Freeman

    CD · 1 disc

    $19.99
    Composer
    KROMMER HUMMEL
    Artist
    Klein, Freeman, Czech Nso
    Released
    Jan 01, 1999
    "František Vincenc Kramá?, as he is correctly named, is better known as Franz Vinzenz Krommer. Born in Bohemia in 1759, he was educated, in part, by an uncle, but taught himself theory. He left Bohemia in 1785 and worked extensively in Hungary for the better part of 10 years. From 1795 until his death in 1831 he worked in Vienna. His reputation was very high, and his works were quite widely known throughout Europe. His quartets were considered on a par with Haydn's, and overall he was often compared to Beethoven. From our point of view those statements may be excessive, but he certainly was a polished musician deserving considerable renown. His wind concertos are especially fine, and are gradually becoming well regarded in our own time.

    His two oboe concertos were written in Vienna in 1803 and 1805. Both are dramatic works with virtuoso turns and leaps abounding. The first is more Mozartean in nature while the second has distinct overtones of early Beethoven. Both are first-class pieces that deserve to be known.

    Johann Nepomuk Hummel is more of a known quantity. He was highly regarded in Vienna as a contemporary of Beethoven, though of somewhat lesser stature. His Introduction, Theme, and Variations is a polished, virtuoso piece of considerable brilliance.

    Alex Klein was born in Brazil, trained at Oberlin College, and for the last five years has been principal oboist of the Chicago Symphony. His technique is flawless. He is well supported by Paul Freeman and the Czech National Symphony. Cedille's recorded sound is first-class, as expected from this source."-- John Bauman, Fanfare [11/1999]
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  • Oboe Concertos Of The Classical Era / Klein, Freeman

    Oboe Concertos Of The Classical Era / Klein, Freeman

    Cedille Jan 1999
    1 disc
    CD
    $19.99
  • Krommer: Oboe Quartet No 3, Etc / King, Etc

    Krommer: Oboe Quartet No 3, Etc / King, Etc

    Naxos Jun 2006
    1 disc
    CD
    $19.99
  • Krommer: Symphonies 4, 5 & 7 / Griffiths, Orchestra della Svizzera Italiana
    CPO

    Krommer: Symphonies 4, 5 & 7 / Griffiths, Orchestra della Svizzera Italiana

    CD · 1 disc

    $18.99
    Composer
    KROMMER, FRANZ
    Artist
    Griffiths
    Released
    Mar 23, 2018

    Franz Krommer (1759-1831) was a first rate composer. As you can see, he was three years younger than Mozart, and outlived both Beethoven and Schubert. During that time, he wrote hundreds of instrumental works: chamber music, concertos, nine symphonies (No. 8 is missing), and the wind ensemble music on which his reputation now largely rests. Interestingly, he composed almost no vocal music. The quality of his output is very high: he really sounds like the natural successor to Haydn in many respects. His symphonies are almost exactly contemporary with Beethoven’s, and rather than sounding conservative or reactionary, we can hear them as part of an evolving tradition–different but not necessarily inferior.

    Krommer’s idiom evolved as he aged. These three symphonies date from the 1820s, and reveal a composer moving comfortably within the classical style (of which he was a charter member, let’s not forget), but extending its expressive range through vivid orchestration and an expanded harmonic vocabulary. In its rhythms and frequent alternation between major and minor modes, his music also sounds recognizably Czech. Consider the dance movements in each of these three symphonies. Although he calls them “Menuetto,” they are true scherzos (sound clip), full of harmonic and rhythmic audacities. You won’t find Beethoven’s bigness of vision here, but then you don’t find that anywhere else either. In all other respects, these are outstandingly fine works.

    The symphonies have been recorded previously (most of them, anyway), but these versions from Howard Griffiths are exemplary in their stylishness and alertness to every nuance that Krommer asks for. The findings of the period instrument movement manifest in the generally swift tempos and incisive accents, but this never becomes a fetish. Excellent engineering makes this release utterly irresistible. We badly need a systematic critical edition of Krommer’s works, accompanied by a wide ranging series of recordings. In the meantime, grab this and marvel.

    – ClassicsToday (David Hurwitz)
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    CPO

    Krommer: Symphonies Nos. 1-3 / Griffiths, Orchestra della Svizzera Italiana

    CD · 1 disc

    $18.99
    Composer
    KROMMER, FRANZ
    Artist
    Griffiths
    Released
    Jan 20, 2017

    Franz Krommer was once a highly regarded composer, but he then ceased to be remembered more quickly and disappeared more completely than any other creative musician of his generation. It was not until 1997 that the Czech musicologist Karel Padrta compiled a thorough catalogue of his works including a biographical introduction. Krommer all too long was overshadowed by Haydn, Mozart, and Beethoven, and it is only recently that his oeuvre has begun to attract increased attention. Krommer’s oeuvre focuses almost exclusively on instrumental music. In his first symphony he succeeds in forming a thoroughly individual synthesis of stylistic elements recalling Haydn and Mozart, while in his second such work he largely distances himself from these models and develops a symphonic style all of his own. The slow introduction of the first movement, which begins in forte with a gloomy D minor triadic chord, immediately presents a tone quite different from that of his early works and develops an individual sound character with a fitting continuation in the following Allegro vivace’s main movement complex distinguished by strong dynamic contrasts and constantly oscillating between major and minor. Krommer’s third symphony is comparatively conventional, which may have to do with the fact that it is based on an older source and was merely reworked for its publication.

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    ALTO

    Classics for Clarinet / Jack Brymer

    CD · 1 disc

    $11.01
    Composer
    Wolfgang Amadeus Mozart, Franz Krommer, Carl Maria von Weber, Heinrich Josef Baermann, Claude Debussy
    Artist
    Jack Brymer
    Released
    Jul 26, 2024

    "His command is absolute, the mood calmingly resigned... The underlying melancholy (missed here by many) is fully brought out... [others] Weber's concertino, excellently exploits the clarinet's qualities... Baermann's Adagio has a certain melodic grace of an operatic kind ; and Debussy's Rhapsodie (competition work) has a lot of characteristic things, and never suggests that it was a piece he really had to write... Brymer's playing will be familiar from many recordings: He has a smooth technique, a lovely liquid tone - rich and warm in the clarion register, oily and vibrant in the chalumeau... He phrases Kramář with grace in the outer movements and expression in the Adagio; a skillful, thoroughly musical performance". (Gramophone)

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  • Classics for Clarinet / Jack Brymer

    Classics for Clarinet / Jack Brymer

    ALTO Jul 2024
    1 disc
    CD
    $11.01
  • PARTITA OP. 57, 67, 69, 79

    PARTITA OP. 57, 67, 69, 79

    Tudor Jan 2001
    1 disc
    CD
    $21.99
    Chandos

    Contemporaries Of Mozart Collection - Symphonies / Bamert, London Mozart Players

    CD · 5 discs

    $40.99
    Composer
    KROMMER STAMITZ PLEYEL KOZE
    Artist
    Bamert, London Mozart Players, Brown, Juritz
    Released
    Aug 31, 2010
    Matthias Bamert’s ‘Contemporaries of Mozart’ project is one of Chandos’ longest-running and most successful series. The unquestionable genius of Mozart has tended to eclipse the accomplishments of many other composers who were writing at the same time as he. Many of these composers, successful in their day, suffered neglect in subsequent decades and in some cases were almost forgotten. Matthias Bamert’s series has shown just how rich this area of the repertoire is, and each of the CDs has received superb critical acclaim. This uniquely compiled box set comprises five of the most successful CDs in the series to date (many of the works are poorly represented in the catalogue, if at all) and provides an ideal introduction to the repertoire – at bargain price.

    Each CD offers a wealth of classically elegant melodies wrapped up in imaginative orchestration. There are three symphonies by the Mannheim master Carl Stamitz, replete with crescendos and the then newfangled clarinets in an orchestra that so impressed Mozart. There are shimmering and rhythmic symphonies by the composer, publisher and piano maker Ignace Pleyel and the graceful and introspective symphonies by Pavel Vranicky, including the unusually titled ‘Grand Characteristic Symphony for Peace with the French Republic’, plus delightful symphonies by Kozeluch and dramatic orchestral music by Krommer, who is better known for his woodwind music.
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  • Frisson: Music for Woodwind Orchestra
    Divine Art

    Frisson: Music for Woodwind Orchestra

    CD · 1 disc

    $18.99
    Composer
    Cecile Chaminade, Franz Frommer, Constant Lambert, Richard Strauss, Guy Woolfenden
    Artist
    Czech Philharmonic Wind Ensemble, Fiona Sweeney
    Released
    Jan 09, 2026
    On 9 January 2026, conductor Shea Lolin presents Frisson, an exciting new album of music for woodwind orchestra and his third recording with the principal woodwind players of the Czech Philharmonic (Gramophone's Orchestra of the Year 2024). Frisson follows the release of the ground-breaking Twisted Skyscape, the first album devoted entirely to new music for woodwind orchestra, and Chromosphere, which focused on contemporary repertoire. Frisson marks Shea Lolin's 20-year involvement with the woodwind orchestra and celebrates it's evolution from the early eighteenth-century genre of Harmoniemusik - formal ensemble music for pairs of winds - to it's modern form. The album features a superb programme of arrangements for woodwind orchestra by Shea Lolin, all originally commissioned by the Bloomsbury Woodwind Ensemble. He expands Franz Krommer's exquisite Octet - Partita in F Major, Op. 57, and Richard Strauss's youthful Serenade, Op. 7, creating a broader sonic landscape while maintaining their essence. Also included is Cécile Chaminade's beloved Concertino, Op. 107, arranged for woodwind orchestra and featuring young Glaswegian flautist Fiona Sweeney, who makes her debut with the Czech Philharmonic on this release. Completing the album is More Gordian Knots by Guy Woolfenden OBE, a spirited reimagining of Purcell's music for The Gordian Knot Unty'd, written during Woolfenden's remarkable 40-year association with the Royal Shakespeare Company.
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  • Frisson: Music for Woodwind Orchestra

    Frisson: Music for Woodwind Orchestra

    Divine Art Jan 2026
    1 disc
    CD
    $18.99
  • Krommer: Partitas For Wind Ensemble Vol 3 / Michael Thompson
    Naxos

    Krommer: Partitas For Wind Ensemble Vol 3 / Michael Thompson

    CD · 1 disc

    $19.99
    Composer
    KROMMER
    Artist
    Michael Thompson Wind Ensemble
    Released
    Nov 01, 2001

    When Franz Krommer wrote the three wind partitas presented on this recording (between 1808 and 1810) the Harmonie-Musik tradition was waning, making these some of the last examples of this once widely-practiced genre. Scored for pairs of oboes, clarinets, horns, and bassoons, they gain added ceremonial nobility with the addition of contra-bassoon. Listeners new to this music also will note the high, penetrating clarinet parts in C for the Op. 76 Partita and the many flamboyant arpeggio passages for second horn throughout Op. 69. Both techniques recall outdoor styles of the late 1700s.


    These new performances by the Michael Thompson Wind Ensemble are of very high order and have been pleasingly recorded in a bright-sounding church acoustic that suits this extrovert music particularly well. This account of Op. 79 supplants an older analog version by the Nash Ensemble, with well-focused if quite closely miked sound and playing that's more technically refined and better blended. Op. 76 has been recorded previously by the Meyer Wind Ensemble for EMI, but that performance is outclassed here by superior playing and a brilliant sense of comedy. For an enticing sample, try the final Rondo! Highly recommended.
    --Michael Jameson, ClassicsToday.com
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  • COMPLETE PHILIPS RECORDINGS
    ELOQUENCE AUSTRALIA

    COMPLETE PHILIPS RECORDINGS

    CD · 17 discs

    $85.49
    Artist
    NETHERLANDS WIND ENSEMBLE
    Released
    May 27, 2022
    Issued complete for the first time, including several albums new to CD, is the Philips catalogue of the Netherlands Wind Ensemble - an ensemble that made a defining contribution to Dutch musical life in the 1970s. The Netherlands Wind Ensemble began life in 1959 as a wind quintet, but soon expanded to play Classical-era serenades and divertimenti which were hardly known at the time but have since been recognised and enjoyed as masterpieces of entertainment music, notably the Gran Partita of Mozart, the late Octet by Beethoven and the wonderful Octet-Partitas by his Viennese contemporary, Franz Krommer. Starting to record for Philips in 1968, the Netherlands Wind Ensemble immediately won critical praise for the technical precision of it's playing as well as the brilliance and wit of it's interpretations, whether led by it's regular conductor Edo de Waart (himself a former oboist and member of the ensemble) or played as true chamber music. The ensemble made one of the first comprehensive recordings of Mozart's wind music, including miniatures, no less delightful for their brevity and rarity, and a precious but little-known collaboration with the much-loved Dutch soprano Elly Ameling. The youthful, funky vibe of the Netherlands Wind Ensemble was captured by Philips both in exceptionally vivid recordings as well as kooky cover designs, which are reproduced on the sleeves of the issues. A booklet essay by Peter Quantrill outlines the history and character of the ensemble, drawing on a new interview with Edo de Waart. The repertoire extends into the nineteenth century with a classic account of the Wind Serenade by Dvorak - the ensemble's debut on disc - as well as ingenious arrangements of overtures and arias by Rossini, and a unique collection of 'little marches by great masters'. The Netherland Wind Ensemble's long-standing commitment to modern music is represented by the wind music of Richard Strauss and Stravinsky, and the pioneering Jazz Symphony by the Franco-American 'bad boy' of classical music in the 1920s and 30s, Georges Antheil, recorded live at the 1976 Holland Festival.
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  • COMPLETE PHILIPS RECORDINGS
    Sold Out

    COMPLETE PHILIPS RECORDINGS

    ELOQUENCE AUSTRALIA May 2022
    17 discs
    CD
    $85.49