CD · 2 discs
Along with Petrali, Davide di Bergamo and Fumagalli, Giovanni Morandi was one of the most influential organ composers of the 18th century. During his time as Master of Music at the cathedral of Senigallia, he wrote a great deal of liturgical works for organ. Morandi’s organ pieces feature brilliant melodies, pianistic writing, and sonic effects which mirrored the Italian opera world that was thriving around Morandi. This particular recording is made on an organ built by Gaetano Callido for the Paris church of SS Simon and Thaddeus in Borca di Cadore, as well as on an 1830 organ built by Antonio and Angelo Amati. Full organ specifications are included in the booklet.
CD · 1 disc
With its roots in ancient Greece and Rome, the oboe has evolved from the rustic medieval shawm and the French Baroque hautbois to become the modern instrument we know today. Italian composers provided the first works befitting of its expressive nature, and ever since, great writers such as J.S. Bach, Handel and Mozart have been inspired by the instrument’s unique, emotive qualities, using it as a medium for some of their most beautiful and delicate melodies. With an equal ability to shine in a chamber setting or to rise above an orchestra, and its distinctive timbre, expressive character and versatility, the oboe continues to be an inspirational and joyful instrument.
Salomone Rossi's output was influenced by more than the events of his times and such a figure as Monteverdi. What makes him different is that he was Jewish by birth and upbringing and was deeply affected by his relations within the Jewish community in Mantua and the age-old music of the chanting of the Old Testament Book of Psalms in the religious ceremonies he would have attended. Echoes of this ancient psalmody can be heard in the profoundly religious feeling of his arias, almost as though Rossi were attempting to keep his distance from a trend - already present in the late 1500s due to social, cultural and aesthetic factors – towards using sacred cantatas as an exercise in baroque vocal extravagance to showcase the skill of the performer rather than inspire religious feeling in the listener.
