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    Ragtime Classics 1901-1919
    Centaur Records

    Ragtime Classics 1901-1919

    CD · 1 disc

    $18.99
    Composer
    JOPLIN LAMB SCOTT TURPIN H
    Artist
    Brian Dykstra
    Released
    Mar 25, 2014


    RAGTIME CLASSICS 1901–1919 • Brian Dykstra (pn) • CENTAUR 3340 (68:00)


    JOPLIN Gladiolus Rag. The Chrysanthemum—An Afro-American Intermezzo. Bethena—A Concert Waltz. Peacherine Rag. Solace—A Mexican Seranade. The Entertainer. LAMB Top Liner Rag. SCOTT Grace and Beauty. TURPIN The St. Louis Rag. JOPLIN/HAYDEN Sun Flower Slow Drag. WOODS Slippery Elm Rag. COOKE Blame It on the Blues. JOHNSON Dill Pickles. AUFDERHEIDE The Thriller!


    I interviewed pianist/composer Brian Dykstra in Fanfare 35:6, at which time two CDs featuring his concert rags were very favorably received by Lynn René Bayley, Barry Brenesal, and yours truly. This time around, he’s chosen to bring us some of his favorite classic rags rather than his own novel creations. These include such Joplin staples as The Entertainer, Solace, Peacherine Rag, Gladiolus Rag, and Bethena—A Concert Waltz . The program also features works by composers whom fame has passed by, such as Charles L. Cooke, Charles L. Johnson, and May Aufderheide (according to Dykstra one of many women ragtime composers). Cooke’s catchy Blame it on the Blues sounds quite happy for a song with “blues” in the title and Johnson’s Dill Pickles is more likely to make you caper with frolicsome abandon than pucker you lips with vinegar. Apparently it owes its comical name to chance: Johnson, who worked for the Carl Hoffman Music Company, was stuck for a title when he noticed a fellow employee carrying a box of dill pickles, eh voilà! Aufderheide’s The Thriller! is full of sass and bounce: Dykstra doesn’t hold back on the dynamics in the “thrilling” last measures. There are also pieces by the “other” famous ragtime composers, James Scott and Joseph Lamb. Lamb’s Ragtime Nightingale ’s opening left-hand pattern reminds Dykstra of Chopin’s Revolutionary Etude but, title to the contrary, he doesn’t feel that the music contains any particularly bird-like figurations, so he’s added a lengthy trill to make amends. Looked at from Lamb’s perspective, it’s possible that the composer thought that some of the lighter, “tinkly” bits preceding the trill might suggest the nightingale’s song.


    Dykstra’s tempos are sometimes faster than those to which I’ve grown accustomed. I’ve loved Solace since I heard it in The Sting , played, I believe, by Marvin Hamlisch. His languid, dreamy performance made the most of the tango rhythm and brought out more of the music’s wistful melancholy. I prefer his version to Dykstra’s more straight-ahead approach, but it’s interesting to hear a contrasting point of view. Joshua Rifkin (you can hear him on YouTube if you don’t have the original recording to hand) is likewise on the slow side (sometimes too slow for my taste). Of course, Rifkin’s landmark recordings were notable for their slow tempos, which honored Joplin’s oft-quoted advice to “Never play ragtime fast at any time.” A comparison of the two pianists in The Entertainer is also revealing, with Rifkin substantially slower than Dykstra. Rifkin, of course, enjoys iconic status as one of the prime movers of the ragtime revival of the 1960s, but there’s a lot to be said for Dykstra’s spritely playing. Also, he’s either added substantial variants of his own or is playing from an edition I haven’t encountered: This alone makes him worth hearing. Add in that this enjoyable program is garnished with rarities to whet a connoisseur’s palate and it’s plain that it deserves a place in any ragtime collection.


    FANFARE: Robert Schulslaper
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  • Ragtime Classics 1901-1919

    Ragtime Classics 1901-1919

    Centaur Records Mar 2014
    1 disc
    CD
    $18.99
    Azica Records

    Live at Yoshi's SF

    CD · 1 disc

    $18.99
    Composer
    REINHARDT GRAPPELLI PORTER
    Artist
    Hot Club Of San Francisco
    Released
    May 29, 2012

    The Hot Club of San Francisco = Live at Yoshi's San Francisco = Starring Isabelle Fontaine, vocals = the Hot Club of San Francisco, in it's 20-year history, has released ten adventurous, critically acclaimed CDs in the passionate gypsy-jazz style that traces it's origins to guitarist Django Reinhardt and his Quintets du Hot Club de France. = This latest CD starring vocalist Isabelle Fontaine puts their gypsy-jazz style in the forefront of interpretations of songs from the Great American Songbook. Sprinkles in between Cole Porter and Victor Young are songs from Miss Fountaine's homeland of France. A fun Live at Yoshi's ride through songs interpreted by these gypsy jazz virtuosos.

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  • Live at Yoshi's SF

    Live at Yoshi's SF

    Azica Records May 2012
    1 disc
    CD
    $18.99
  • SHEARING, George: Lullaby of Birdland (1947-1952)

    SHEARING, George: Lullaby of Birdland (1947-1952)

    Naxos Mar 2006
    1 disc
    CD
    $19.99
    Frémeaux

    GYPSY SWING GUITAR

    CD · 1 disc

    $20.99
    Composer
    VARIOUS
    Artist
    Rodolphe Raffalli
    Released
    Nov 01, 2003
    This highly enjoyable 14 track CD contains the swinging gypsy guitar music of Rodolphe Raffalli, who interprets the compositions of Django Reinhardt, Billie Holiday, Charles Trenet, Al Jolson, Charles Aznavour and others. Raffalli includes one original song on the CD and is joined by Christian Escoude, Florin Niculescu, Max Robin, Philippe "Doudou" Cuillerier and Antonio Licusati.
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  • GYPSY SWING GUITAR

    GYPSY SWING GUITAR

    Frémeaux Nov 2003
    1 disc
    CD
    $20.99
  • English String Miniatures Vol 2 / Lloyd-jones, Et Al

    English String Miniatures Vol 2 / Lloyd-jones, Et Al

    Naxos Mar 2001
    1 disc
    CD
    $19.99
  • My Secret Heart / Ben Heppner
    Sony Masterworks

    My Secret Heart / Ben Heppner

    CD · 1 disc

    $11.98
    Composer
    GIANNINI CHARLES NOVELLO VA
    Artist
    Ben Heppner
    Released
    Nov 09, 1999
    If Wagner's Tristan had lived in the 1940s instead of Medieval times, perhaps he would have crooned Ivor Novello's "Love is my reason for living" or serenaded his Isolde with Rudolf Friml's "Love me tonight." If these popular songs don't aspire to the transcendent rapture of Wagnerian opera, they do share a sense of absorption in sheer passion. Perhaps sensing this, Ben Heppner, acclaimed as the finest Wagnerian tenor of his generation, offers here a selection of the sentimental and nostalgic love songs sung on radio, stage and screen by earlier "crossover" stars such as Mario Lanza and Nelson Eddy.
    Heppner, who sings even a demanding role such as Tristan emphasizing lyrical warmth, brings an appealingly direct quality to these songs, varying from the emphatic to the intimate in approach. If he misses the fun in some of the music (although he finds it in Mana-Zucca's swaggering "I love life") there is no doubting his affection for it, and the orchestrations by Jonathan Tunick are romantically enveloping without being schmaltzy. Familiar tunes like "I'll be seeing you" and Lanza's theme song "Be my love" are supplemented by appealing obscurities by Noel Coward and Eric Coates, among others, and Heppner's operatically supported high notes ring out in stirring celebration of these charming songs.
    REVIEWS:
    Opera News (2/2000) - "...Heppner's heroic good cheer and ebullient singing give a gilded edge to this album of old-fashioned favorites... reveling in their deep-purple lyrics and gloriously sentimental melodies ...he sounds as if he's having a wonderful time..."
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  • My Secret Heart / Ben Heppner

    My Secret Heart / Ben Heppner

    Sony Masterworks Nov 1999
    1 disc
    CD
    $11.98
    Chandos

    Fanfares / Wilson, Onyx Brass

    SACD · 1 disc

    $21.99
    Composer
    VARIOUS
    Artist
    Onyx Brass: Wilson
    Released
    Mar 16, 2018

    Among all the many Chandos brass recordings, each release having played a major role in the label’s successful history, this one may well be the loudest. In the vast acoustic of St. Jude’s Church, London, rendered in surround-sound, and in the largest ensemble format to which it has ever expanded, Onyx Brass, under the energetic direction of John Wilson, brings together four dozen fanfares by fourteen British composers of the past century and a half. Including works by Arnold, Bax, Bliss, Imogen Holst, Ketelbey, and Tippett- with numerous premiere recordings, this album is an unmissable celebration of stirring, brilliant, joyous, exciting, varied, sometimes military, and always optimistic music.

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  • Fanfares / Wilson, Onyx Brass

    Fanfares / Wilson, Onyx Brass

    Chandos Mar 2018
    1 disc
    SACD
    $21.99
  • Marine Band Retrospective
    Sale

    Marine Band Retrospective

    Altissimo May 2008
    1 disc
    CD
    $16.99 $11.99Save 29%
  • United States Air Force Heritage of America Band: The Golden
    Sale

    United States Air Force Heritage of America Band: The Golden

    Altissimo Jan 2009
    1 disc
    CD
    $18.99 $13.99Save 26%
  • Haydn: Missa Sunt Bona Mixta Malis, Offertorium / Weil, Landon

    Haydn: Missa Sunt Bona Mixta Malis, Offertorium / Weil, Landon

    Sony Masterworks Jul 2008
    1 disc
    CD
    $17.99
  • Haydn: Harmoniemesse, Salve Regina / Hickox, Argenta, Et Al

    Haydn: Harmoniemesse, Salve Regina / Hickox, Argenta, Et Al

    Chandos Oct 1997
    1 disc
    CD
    $21.99
    Sony Masterworks

    Angelika Kirchschlager - When Night Falls

    CD · 1 disc

    $11.98
    Composer
    MOZART VARIOUS
    Artist
    Angelika Kirchschlager
    Released
    Nov 02, 1999
    The story goes that Sony had to twist Angelika Kirchschlager’s arm pretty hard to persuade her to record this compilation: after all, she has hitherto been known for rather more rigorous programming both in live recital and on disc. With pictures of herself and her baby enfolded in a bath towel, the packaging may be soft-focus, but Kirchschlager proves herself no soft touch. She takes it all seriously enough to use a Welsh, Provencal and Portuguese language coach where necessary; and to include songs which go darker and deeper than the (itals)Wiegenlieder(end itals) of Schubert and Brahms which frame this recital. For here, too, is Brahms’s ‘Gestille Sehnsucht’, revealing the shadowy yearnings of the distinctly adult soul; and Weber’s ‘Lass mich schlummern’, its latent agitation trembling through John Williams’s guitar accompaniment. The breadth of idiom within this ostensibly single-mood recital is matched by the variety of accompaniment: as well as Williams’s guitar, Yuri Bashmet’s viola puts in an appearance for Brahms, and Roger Vignoles joins the chamber-musical soloists who accompany Haydn’s arrangement of ‘Ar hyd y nos’. Kirchschlager’s kid-gloves Welsh is as nicely attuned to Haydn’s prettification of the folksong as her English is to lullabies by Menotti and Copland, and to the surprising re-invention of ‘Edelweiss’ as folksong manque.

    -- Hilary Finch, BBC Music Magazine
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  • Angelika Kirchschlager - When Night Falls

    Angelika Kirchschlager - When Night Falls

    Sony Masterworks Nov 1999
    1 disc
    CD
    $11.98
  • Encore!
    Sale

    Encore!

    Altissimo Oct 2011
    1 disc
    CD
    $18.99 $13.99Save 26%
  • CROOKS, Richards: Opera Arias / Songs (1925-1945)

    CROOKS, Richards: Opera Arias / Songs (1925-1945)

    Delos Jan 1997
    2 discs
    CD
    $26.99
    Chandos

    Tasmin Little plays British Violin Concertos

    CD · 1 disc

    $21.99
    Composer
    COLERIDGE-TAYLOR DELIUS WOOD
    Artist
    Little, Davis
    Released
    Nov 13, 2015
    Marking their third collaboration, violinist Tasmin Little with conductor Sir Andrew Davis are acclaimed for their nuanced understanding of the concertos of Elgar and Moeran and here demonstrate the deep connection to British music with works by Samuel Coleridge-Taylor, Haydn Wood, and Frederick Delius. With the BBC Philharmonic.

    Review:

    Besides the stellar quality of Little's playing (as ever, warmly engaging and technically bombproof), Sir Andrew Davis and the BBC Philharmonic provide accompaniments in a special class. The slow movements of Wood's Concerto opens with a long theme for the principal horn, delivered here with spellbinding loveliness.

    – BBC Music Magazine
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  • Tasmin Little plays British Violin Concertos
    Sold Out

    Tasmin Little plays British Violin Concertos

    Chandos Nov 2015
    1 disc
    CD
    $21.99
  • English String Miniatures Vol 3 / Lloyd-jones, Royal Ballet
    Naxos

    English String Miniatures Vol 3 / Lloyd-jones, Royal Ballet

    CD · 1 disc

    $19.99
    Composer
    VARIOUS
    Artist
    David, Lloyd-Jones
    Released
    Oct 01, 2001
    As soon as the first track of this interesting compilation CD begins, it is clear that it will give much enjoyment. Carlo Martelli's five-minute long Persiflage has a dramatic opening gesture, and then maintains the interest it has created. The Naxos recording is bold and direct, and contributes fully to the effect created by the excellent strings of the Royal Ballet Sinfonia.

    The best known composers featured on this enterprising programme are Finzi and Holst. The two Finzi items both represent the more lyrical side of his style, whereas Holst's delightful Brook Green Suite has three short movements organised in the traditional fast-slow-fast design. David Lloyd-Jones plays the central Air very much at a flowing tempo, thereby missing some of its poetry, and his outer movements are on the fast side too. But this remains an engaging performance if it does not erase memories of Imogen Holst's recording for Lyrita with the English Chamber Orchestra.

    Haydn Wood has enjoyed something of a resurgence with the greater interest in light music which has developed during the last ten years. And quite right too, for his infectiously rhythmic 18th Century Scherzo makes an immediate and pleasing impression. Equally enjoyable is another five-minute miniature, William Blezard's Duetto, which is in fact a tuneful canon introduced by a skilfully placed passage of pizzicato. This offers a particularly interesting balance between technique and inspiration.

    The central Lento espressivo movement of Bruce Montgomery's charming Concertino is given the full treatment by Lloyd-Jones and his players, to winning effect, while the finale is appropriately energetic. For me, however, the highlight of the programme is the Sinfonia Concertante by Michael Hurd, in which Robert Gibbs is the accomplished violin soloist. Again there are three movements, and again there is a beautifully lyrical movement at the centre.

    -- Terry Barfoot, MusicWeb International

    And Rob Barnett writes

    It's all over in just over an hour but in that time you are swept along from one compass point to another.

    The spirited innocent intoxication of Martelli's Persiflage makes me all the more impatient for the release of the Dinemec CD of the Martelli Second Symphony. Persiflage (banter) gambols along in carefree fifties confidence - a touch of Wirén here and a splosh of Coates there: brilliant silvery playing. The two Finzi pieces have been done elsewhere with more inwardness and poise but you will be glad of the repose they offer. Holst's Brook Green is hurried along in the Prelude and Dance faster than Imogen Holst ever did in the Lyrita but the Air is very well spun. The Blezard with its escalator pizzicato and serenade jewellery is just as strong as the Martelli. This probes and strains at the boundaries of tonality.

    Anything by Michael Hurd is worth you ear-time. I recently welcomed his glorious Oboe Concerto on ASV and this 10 minute pocket violin concerto in all but name spins that same skein of regret and grace that flows from the Atterburg Third Suite; the highest praise. The Haydn Wood is like a skilled and well-turned chip off the Prokofiev Classical block. Montgomery is a name usually unrecognised among the British music fraternity. Film music enthusiasts will know him for his music to the early salvos from the 'Carry On' crew. He also wrote detective fiction as Edmund Crispin. There is an excellent article on him by Phil Scowcroft. His Concertino for string orchestra is Bliss-like (Music for Strings - strong resemblances) with a modicum of Rawsthorne's severity thrown in and a touch of etiolated Delius in the lento espressivo. It is the single most substantial piece on the disc.

    Hearing the whole recital I rather wish Naxos had gone the whole hog and given us more Martelli, Blezard, Montgomery and Hurd. These are the works which make this a thoroughly recommendable anthology. Roll on volumes 4 and 5.

    -- Rob Barnett, MusicWeb International
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  • CHORAL RECORDINGS ON PHILIPS
    ELOQUENCE AUSTRALIA

    CHORAL RECORDINGS ON PHILIPS

    CD · 13 discs

    $66.74
    Artist
    JOCHUM, EUGEN
    Released
    Apr 09, 2021
    Eugen Jochum's complete recordings of choral / sacred music for Philips collected together for the first time. Includes the rare Rudolf Mengelberg Magnificat. Born into a Catholic family of Bavarian musicians, Eugen Jochum was playing the organ and conducting his father's choir as a child. Late in life he became renowned as a Bruckner specialist, as he acknowledged, 'but I began with the music of Bach, Mozart and Beethoven. And it is to their music that I still feel closest'. Even as the period-instrument movement gathered momentum during the 1960s, Jochum refused to relinquish Bach to historical specialists. He wrote an extensive essay on the interpretation of Bach's St. Matthew Passion in the 1960s. 'Even nearer to my heart,' he said, 'is the B minor Mass, the most spiritual work in the repertory.' For Philips he recorded the four great pillars of Bach's sacred music between 1958 (B minor Mass) and 1973 (Christmas Oratorio). His interpretations tread a scrupulous, devotional middle way between stylistic traditions: 'I don't think it matters too much if you use a large or a small choir, old or new instruments; what they must be is lively and dramatic. Expression is the heart of the matter'. The understanding of dance rhythm and momentum which distinguish Jochum's Bruckner performances also inflect his Bach recordings, notably enhanced by his ability to get singers to engage with the meaning of the text. Jochum established his Wagnerian credentials early in his career with a superb Tannhauser, and his passions extended far beyond music for the church and concert-hall. He had a huge musical personality, but what continues to impress across his discography is his ability to know when and how to apply the components of that personality to the repertoire at hand. This master of rubato could stick with a lively and steady tempo to great effect in the great choral fugues of Haydn's Creation and Beethoven's Missa solemnis, and this master of forward motion also knew when to stop and let the music breathe, in the Beethoven's 'Sanctus-Benedictus' above all. This Eloquence box is offered as a companion to Jochum's complete orchestral recordings for Philips. It is enhanced by some of the finest Bach singers of their day - Ernst Haefliger, Walter Berry and Agnes Giebel notable among them - and the superb principals of the Concertgebouw such as Han de Vries (oboe), Hubert Barwahser (flute) and Anner Bijlsma (cello), all of whom went on to pursue careers as solo-musicians. The Christmas Oratorio and The Creation feature the Bavarian Radio Symphony Orchestra and local choirs, with whom Jochum had enjoyed a fruitful relationship since becoming their principal conductor in 1949. Niek Nelissen provides the insightful notes, including fascinating observations surrounding the recording sessions, and the booklet is enhanced with several rare photographs.
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  • CHORAL RECORDINGS ON PHILIPS
    Sold Out

    CHORAL RECORDINGS ON PHILIPS

    ELOQUENCE AUSTRALIA Apr 2021
    13 discs
    CD
    $66.74