Sandrine Piau and Véronique Gens have a longstanding rapport and dreamed of making a recording together. Here they pay tribute to two singers who, like them, were born within a year of each other, Mme Dugazon (1755-1821) and Mme Saint-Huberty (1756-1812): both enjoyed triumphant careers in Paris, inspiring numerous librettists and composers. Gluck even nicknamed Saint-Huberty ‘Madame-la-Ressource’, while ‘a Dugazon’ became a generic name for the roles of naïve girls in love, and later of comical mothers. Rivals? They very likely were, given the quarrelsome spirit of the operatic world of the time, even if they never crossed paths on stage. Intermingling airs and duets, Piau and Gens here play the heroines of Gluck, Grétry, Monsigny, J. C. Bach, Piccinni, Edelmann and Cherubini. Developed in collaboration with the Centre de musique baroque de Versailles, this program on the cusp between Classicism and pre-Romanticism is very much the heart of the repertory championed by Julien Chauvin’s Le Concert de la Loge.
REVIEW:
I don’t know about any rivalry here, but Gens and Piau, both of whom have complete mastery over this repertoire, function extremely well individually (as one might expect) and in duo. They are backed up by a fine and sensitive instrumental ensemble which outlines the highly dramatic content of these arias with a fine sense of the style and good sound that never overwhelms. To be sure, we can obtain the Gluck and Sacchini elsewhere, but the remainder consists of little-known but equally dramatic and well-composed music. Still, this glimpse into the repertoire of the Parisian opera world of the 18th century is well worth obtaining, not only for the premieres of pieces but the artistry of both sopranos as well.
-- Fanfare
