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    Channel Classics

    The Muses Restor'd / Podger, Brecon Baroque

    CD · 1 disc

    $20.99
    Composer
    Thomas Baltzar, Francesco Barsanti, John Blow, Francesco Geminiani, George Frideric Handel, John Jen
    Artist
    Rachel Podger, Brecon Baroque
    Released
    May 24, 2024

    Award-winning Baroque violinist Rachel Podger takes the resurgence of the Arts in England post -1660 as the compelling inspiration for her new album, The Muses Restor’d. Adopting its title as its theme, Rachel and her vivacious Brecon Baroque take the listener on a journey of captivating violinled chamber music from Jacobean to Early Georgian England. Ranging from the gentle intimacy of consort idioms to the full-blown instrumental virtuosity of the evolving Baroque period, this album uncovers little known glories of English instrumental music and its influences. This refined and intimately chiselled chamber music celebrates a rich tradition where the violin joins a plethora of keyboards, lutes, viol and continuo cello reinstating these sonatas, fantasies, suites, grounds and popular tunes to the mainstream of English cultural life of the time. Together with four musicians from Brecon Baroque, Rachel Podger performs works by Handel, Lawes, Blow, Locke, Purcell, Schop, Jenkins, Baltzar and Jones.

    “This oeuvre provides a deeply satisfying kaleidoscope of musical expression over a century of British
    musical life."
    - Rachel Podger

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  • The Muses Restor'd / Podger, Brecon Baroque

    The Muses Restor'd / Podger, Brecon Baroque

    Channel Classics May 2024
    1 disc
    CD
    $20.99
  • Forqueray, A.: Suite No. 1 in D Minor / Baltzar, T.: Divisio

    Forqueray, A.: Suite No. 1 in D Minor / Baltzar, T.: Divisio

    Centaur Records Apr 2000
    1 disc
    CD
    $18.99
    Musicaphon

    Bach's Predecessors: Music fur Violine Solo / Siedel

    CD · 1 disc

    $16.99
    Composer
    BACH BALTZAR WESTHOFF BIBER
    Artist
    Annegret Siedel
    Released
    Jun 05, 2020
    Johann Sebastian Bach‘s Chaconne, the last movement of the Partita No. 2 in D minor, is considered to be the most overwhelming piece ever written for violin solo. The richness of impression can’t be surpassed. The virtuoso polyphonic play developed here on “only“ four strings – on the violin, which is regarded above all as a melody instrument – let ask for the history of this phenomenon, the development and the testimonies for polyphonic violin playing between 1670 and 1720. During this period the Passacaglia by Heinrich Ignaz Franz Biber – the first extensive set of variations handed down to us – and the suite in A major by Johann Paul Westhoff, the first printed cyclic composition for solo violin, had their origin. Bach‘s Chaconne is part of the carefully written manuscript in which Bach put together three sonatas and three partitas: “Sei Solo. a Violino senza Basso accompagnato”. Prerequisite for the composition of these works is a profound experience as a violin player. Of course, one wonders wherefrom Johann Sebastian Bach got his knowledge and looks primarily at his family. He received musical education firstly by his father Johann Ambrosius Bach (1645-1695), the head of Eisenach city musicians, who also served as court musician and was a respected violinist. After his death the just ten-year-old older was taken in by his brother Johann Christoph (1671-1721), organist at St. Michael‘s Church in Ohrdruff, who continued to teach him. In nearby Eisenach, the uncle Johann Christoph Bach (1642-1703) was organist at the Georgenkirche. When fifteen-year-old Johann Sebastian attended the Michaelisschule in Lüneburg for two years, he almost certainly had contact with Hamburg, Lübeck and Celle and the musical life there. In these cities over generations musicians acted in the “Ratsmusik”, who played the violin excellently. Virtuoso violin playing was at home in northern Germany.
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  • Bach's Predecessors: Music fur Violine Solo / Siedel

    Bach's Predecessors: Music fur Violine Solo / Siedel

    Musicaphon Jun 2020
    1 disc
    CD
    $16.99
  • Johann Schop and his Contemporaries

    Johann Schop and his Contemporaries

    Musicaphon Apr 2000
    1 disc
    CD
    $16.99
    Genuin

    Klingende Hamburgensien

    CD · 1 disc

    $20.99
    Composer
    BALTZAR SCHOP TELEMAN
    Artist
    La Porta Musicale, Dennert, Steinfeld
    Released
    Mar 17, 2017
    The works by Georg Philipp Telemann and his north German colleagues presented on this Genuin release, featuring Baroque violinist Gabriele Steinfeld and harpsichordist Anke Dennert, reveal no hint of the coolness associated with the Hanseatic city. The full rnage of passion from an epoch overflowing with artistic energy is captured by teh two musicians, on instruments that were already being played on the Elbe when the young Telemann was demonstrating his almost southern temperament in the city. What's more, their violin from 1680 and harpsichord from 1716 tell us gripping musical tales by Johann Schop, Matthias Weckmann, and Thomas Baltzar. In Telemann's own words: let us come forth and be joyful!
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  • Klingende Hamburgensien

    Klingende Hamburgensien

    Genuin Mar 2017
    1 disc
    CD
    $20.99
  • The Queen's Delight - English Songs And Country Dances Of The 17th And 18th Centuries / Fiona Mcgown, Les Musiciens De Saint-Julien, Lazarevitch
    Alpha

    The Queen's Delight - English Songs And Country Dances Of The 17th And 18th Centuries / Fiona Mcgown, Les Musiciens De Saint-Julien, Lazarevitch

    CD · 1 disc

    $20.99
    Composer
    VARIOUS
    Artist
    Lazarevitch, Les Musiciens De Saint-Julien
    Released
    Sep 25, 2020

    This programme reflects the full flavour and richness of English music and the instrumental and vocal repertory it inspired in Europe in the seventeenth and eighteenth centuries. The rhythmic impulse of this repertory – sometimes making use of ostinato – culminates in the grounds, jigs, contredanses and soon that were all the rage at the time and led to the publication of John Playford’s collection The English Dancing Master in 1651. Les Musiciens de Saint-Julien, showing their familiarity with early sources from England, Scotland and Ireland, also emphasise the melodic aspect of these dances, which in the course of time became sungairs–the soprano Fiona McGown and the baritone Enea Sorini complete a colourful instrumentarium. Finally, the light-hearted dimension of entertainment is present everywhere in this repertory, which was popular in the sense that it was universally practiced at the time, achieving a fame that spread far beyond the British Isles.

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  • Stylus phantasticus

    Stylus phantasticus

    Berlin Classics Nov 2009
    1 disc
    CD
    $20.99
    Genuin

    Senza Basso - Auf dem Weg zu Bach / Nadja Zwiener

    CD · 1 disc

    $20.99
    Composer
    VARIOUS
    Artist
    Nadja Zwiener
    Released
    Apr 02, 2021

    Johann Sebastian Bach is commonly understood as the starting point of the violin repertoire. But there was unaccompanied violin music before him, too—and it is truly exciting! The renowned baroque violinist Nadja Zwiener presents this music with her solo debut album on GENUIN. Her inspired recording shows that Bach was able to build his repertoire on a great foundation: Composers such as Johann Georg Pisendel, Johann Westhoff, and even Arcangelo Corelli and Giuseppe Tartini wrote highly challenging works for the incredibly versatile instrument. The concertmistress of the English Concert and the Gaechinger Cantorey takes us on a fascinating journey.

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  • Senza Basso - Auf dem Weg zu Bach / Nadja Zwiener

    Senza Basso - Auf dem Weg zu Bach / Nadja Zwiener

    Genuin Apr 2021
    1 disc
    CD
    $20.99
    Brilliant Classics

    All In A Garden Green - Four Seasons Of English Music / Le Tendre Amour

    CD · 1 disc

    $13.99
    Composer
    PLAYFORD BYRD MELL BALTZAR
    Artist
    ENSEMBLE LE TENDRE AMOUR
    Released
    Apr 24, 2012
    A delightful collection of English songs from the 17th century, constructed around the major influence of the four seasons, and showcasing the great enthusiasm for music, particularly amateur music making, that took place during this era.

    During the Commonwealth of England (c.1640–1660), music disappeared almost entirely from religious and court occasions. The use of instruments and music in churches was banned, and organs were destroyed by order of the regime – so the public turned to village and tavern musicians, country dances and new musical clubs for music making. Coinciding with the decline of the Elizabethan madrigal, folk music and settings of the famous poets of the day were popular; similarly, keyboard variations on dance tunes and romantic songs for voice and lute were all the rage, and this continued into the years of the Restoration under Charles II. The monarch’s influence can be detected in the French style of some of the later works, featuring oboe and large groups of strings.

    This outpouring of inspired music is captured perfectly in this new collection, performed with insight and sensitivity by Ensemble Le Tendre Amour. Composers featured include Purcell, Playford, Morley, Croft, Lawes, Byrd, Eccles, Ravenscroft and, of course, many anonymous works. From bucolic country music to sophisticated pieces for a gentrified city audience, the music provides a vivid soundtrack to life in the turbulent world of 17th century England.

    OTHER INFORMATION:
    • Recording made in June 2011.
    • Includes extensive booklet notes and complete sung texts.

    REVIEWS:

    "What an enchanting promenade through a musical garden – full of colour – a splendid sound - lively and high-spirited dances, not to mention the tender rendition of gentle love songs. Also truly splendid were the seven soloists of the ensemble, especially heard were: Sébastien Perrin (traverso), Adriana Alcaide (violin), and Nina Akerblom Nielsen (soprano). The result: an enchanting excursion to a baroque garden, glorious!" - Niederösterreichisches Nachrichten, St. Pölten, Austria.

    "Closing the 10th Samobor music festival this year was a performance by early music ensemble Le Tendre Amour from Barcelona with the program “All in a Garden Green,” which caused great audience approval in the Samobor Franciscan church. Various combinations of instrumentation, a creative selection of repertoire, refined performance, and passionately dedicated members of this specialized ensemble, opened a rich array of emotional and spiritual nuances of beautiful music to the listener. The ensemble was as rich and inexhaustible as the interesting artistic periods themselves." - Radio Samobor, Croatia.
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  • All In A Garden Green - Four Seasons Of English Music / Le Tendre Amour

    All In A Garden Green - Four Seasons Of English Music / Le Tendre Amour

    Brilliant Classics Apr 2012
    1 disc
    CD
    $13.99
    Naxos

    Beyond Bach & Vivaldi - Rare Unaccompanied Works for the Baroque Violin / Lodge

    CD · 1 disc

    $19.99
    Composer
    BALTZAR MATTEIS NOGUEIRA
    Artist
    Augusta Mckay Lodge
    Released
    Apr 13, 2018

    Though Bach’s set of six ‘Sonatas and Partitas’ represents the pinnacle of writing for the solo violin, the Baroque repertoire was rich in compositions for the unaccompanied violin, much of which remains little explored. On this recording Augusta McKay Lodge, hailed as “the real thing, a true virtuoso” (Seen and Heard), explores masters of the genre such as Biber, Locatelli and Pisendel but delves deeper to include the impassioned works of Nicola Matteis, the Franco-Italian warmth of Thomas Baltzar and a series of other long-overshadowed works by their contemporaries.

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    MV Cremona

    Antonio Stradivari 1679 - Baroque Music on Stradivari Instruments / Stravaganze Barocche

    CD · 1 disc

    $19.99
    Composer
    Thomas Baltzar, Giovanni Bononcini, Lelio Colista, Arcangelo Corelli, Michel Farinel, Carlo Ambrogio
    Artist
    Stravaganze Barocche, Federico Guglielmo, Diego Cantalupi
    Released
    Apr 21, 2023

    Cremona 1679 – Antonio Stradivari was in his thirties and, despite his young age, was undoubtedly a renowned maker among the excellent Cremonese craftsmen. He lived with his first wife Francesca Ferraboschi in strada Magistra, in the parish of Sant’Agata. The following year he took an important step as confirmation of his success and wealth: he bought a house with workshop opposite the church of San Domenico, in the quarter that was the heart of the creative activity of the city’s violin makers. Made in the same year, the Hellier violin and the Sabionari guitar reveal Stradivari’s great technical skills and artistic maturity. The Hellier, a violin of large size and vigorous style, was named after its first, lucky owner, a rich gentleman of British origin who presumedly bought the violin directly from Stradivari. The decoration of the ribs and scroll, made with the technique of inlay filled with mastic of wood paste and glue, is characterized by a phytomorphic design of flowers and buds with animals. The elegant ornamentation on the top and back plates consists of a double inlayed purfling enclosing small ivory or bone lozenges and roundels fixed with mastic of wood and glue.

    The Sabionari is one of the five Baroque guitars made by Antonio Stradivari that have survived to date. It was made in 1679 based on the same mould used in 1681 for the Giustiniani guitar and in 1688 for the Hill guitar. According to some sources, the instrument was sold by Stradivari’s descendants to Giovanni Sabionari from Ferrara at the end of the eighteenth century. In the early nineteenth century, it was modified to become a six-string guitar, as it happened to many Baroque guitars, by the maker Giuseppe Marconcini. In 2011, the guitar was restored to its original Baroque configuration with five double strings after the replacement of the parts made by Marconcini.

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