The violinist Amandine Beyer interprets Bach’s famous Sonatas and Partitas, veritable bravura pieces that push back the limits of the instrument, at the intersection between the German solo tradition and the Italian concerto. After the success of the Red, Yellow, Blue, Pink and White collections (a total of sixty reissues) which gave a new lease of life to the pearls of the Baroque catalogues from our house labels, here are fourteen new titles which offer a chance to discover other treasures, whether Baroque or dating from an earlier or later era. Like the most recent series, this sixth instalment opens out onto the Classical repertory (Mozart by Ensemble 415 and Chiara Banchini) and the Renaissance (Févin by Doulce Mémoire and Denis Raisin Dadre); recordings that are an integral part of Alpha’s identity and history. Fourteen reissues performed by the leading musicians in the field, most of which received one or more awards on their original release. Proper booklets accompany the discs, with notes in three languages (French, English, German). Photographers from all over the world have been selected to illustrate the covers, this time with the guiding thread of the color green, a symbol of nature, fertility...and hope!

This new release gives us a small impression of what was played for entertainment in the late 17th and early 18th centuries in the houses of London's high society. The variety of the programme ranges from typical British melancholy to ostinato melodies by Nicola Matteis, an Italian violinist who, like Handel, who is also represented here, enriched the musical life on the Thames as a musical guest worker and Englishman of choice, to the exuberance of the 'Ayres'. The famous baroque violinist Amandine Beyer and the recorder player Michael Oman are supported by the ABC - Austrian Baroque Company.

A bestselling recording since it's first release in 2008, Amandine Beyer and Gli Incogniti's memorable performance of Vivaldi's Four Seasons has been reissued by Alpha Classics for a second time. Using both the Le Cene edition and the Manchester manuscript, Beyer's broad understanding of the composer's markings meant that she was able to fully respect the score whilst remaining curious and experimental. This approach prompted BBC Radio 3 to state: "I would stick my neck out and say I have never heard one that satisfied me better". Beyer describes the four concertos as "an infinite source of delights" and credits musicologist Olivier Foures for the addition of three rarely recorded, or previously unpublished, concertos to the programme. These superb pieces, which throw an intriguing light on Vivaldi's different modes of composition, are a fine addition to this performance of the famous Four Seasons, which established Gli Incogniti among the top reference ensembles for historically informed performance.

Antonio Vivaldi wrote often for the orphan girls of the Ospedale della Pietà. The fame of the music-making ladies in Venice once resounded far beyond the lagoon city. Michael Oman, Amandine Beyer and the Grazzi brothers dedicate themselves to this very virtuoso repertoire with the Austrian Baroque Company. “Explosive music-making, glorious recorder-playing, Baroque swing” – this is how one could describe the basic aims and achievements of those top players from the original-instrument scene who came together to create the Austrian Baroque Company, a group which is celebrated internationally, receiving the highest praise and many awards since its formation in 2001.