Over the last decade the music of the Puerto Rican composer Roberto Sierra has become internationally admired, and this has led to prestigious commissions and performances around the world. Fandangos was heard at the BBC Proms in London and employs a harpsichord work attributed to Antonio Soler as a departure for a richly inventive orchestral fantasy. The dramatic Sinfonia No. 4 was described by ArtsNowNashville as 'a textbook example of how this composer breathes new life into old forms. The piece is basically a classic Germanic symphony imbued with Spanish sensibilities and reinvigorated with new harmonies and rhythms.' Robert Schumann is subtly evoked in Carnaval, five character pieces that explore mythical creatures, both menacing and serene.

This recording presents first performances of four recent scores by Arlene Sierra, the American composer, now living in London. Arlene Sierra’s music packs volcanic rhythmic power into compositions that are at once atmospheric, yet possessed of inexorable forward drive. The subject matter of Sierra’s compositions is far flung, and includes East Asian studies, evolutionary biology, entomology, game theory, siege engines, and architecture, to name but a few. In recent years Sierra has been commissioned by the New York Philharmonic and the Seattle Symphony, and both of these compositions are heard here. Sierra teaches composition at Cardiff University, Wales and the The BBC National Orchestra of Wales, led by their Principal Guest Conductor, Jac Van Steen, have played Sierra’s orchestral music more frequently than any other orchestra. Their superb performances capture the visceral quality and detail of Sierra’s virtuosic scores. - Bridge Records

Arlene Sierra, Vol. 3 presents chamber music composed over a sixteen year period (1997-2013), by the brilliant composer. An American composer based in London, Arlene Sierra writes music that takes its impetus from rich sources including military strategy, game theory, Darwinian evolution, and the natural world. Her music has been lauded for its “highly flexible and distinctive style” (The Guardian), and its “remarkable brilliance of color, rhythmic dexterity and playfulness” (NPR Classical). Declared “a name to watch” by BBC Music Magazine, Arlene Sierra is the subject of a critically-acclaimed series of portrait discs with Bridge Records. She has received fellowships from the American Academy of Arts and Letters, the MacDowell Colony and the Tanglewood Music Festival, and has had portrait concerts at the Crush Room, Royal Opera House, London, the Yellow Barn Music Festival, Vermont and Columbia University’s Miller Theatre, New York. A Takemitsu Prize-winner and Latin GRAMMY nominee, Sierra has received commissions from BBC Radio 3 and the BBC Philharmonic, the New York Philharmonic, Seattle Symphony, Bremen Philharmonic Society, BBC National Orchestra of Wales, Albany Symphony, the Cheltenham, Huddersfield and Tanglewood Music Festivals, and many ensembles and soloists.

Puerto Rico-born composer Roberto Sierra is internationally renowned for his integration of Caribbean music with the Western idioms he acquired during studies in Europe. The character of Kandinsky ranges from the intimate to the bold and virtuosic, responding with fresh and surprising impressions to a selection of Wassily Kandinsky's unique paintings. The 'Clarinet Sonata' explores the intricate swing of Caribbean mixed meters and instrumental colors in a work of stunning expressiveness and virtuosity. Sierra's longest chamber work to date, 'Treinta y tres formas de mirar un mismo objeto,' was composed for Cheryl Seltzer and Joel Sachs, and is also one of the most substantial works in the repertoire for two performers at a single piano. This recording was made possible in part by grants from the New York State Council on the Arts, a State Agency, and Cornell University.

Roberto Sierra’s refined compositional voice is subtly combined with contemporary musical techniques and his Puerto Rican heritage in the three works recorded here.

Cantares, commissioned by the Cornell University Chorus and Glee Club to celebrate the university’s sesquicentennial anniversary, evokes ancient Peruvian, Aztec and Afro Caribbean voices lost in time. The virtuoso Triple Concierto transforms the popular Caribbean rhythms of salsa, bolero and merengue into complex contemporary expressions, while the polyrhythmic layers of Loíza conjure a Puerto Rican town known for its strong African traditions.

Puerto Rico-born composer Roberto Sierra is internationally recognized and renowned for his integration of Caribbean music with the Western idioms he acquired during studies in Europe, and this release of recent works follows a whole series of much-admired and highly popular recordings of his music on the Naxos label. The most recent of these, Kandinsky (8.559849), was described as ‘a real find’ by Gramophone, and as presenting ‘mouth-dropping renditions of this music of supreme virtuosity’ by Fanfare. Sinfonía No. 3 ‘La Salsa’ (8.559817) was admired by ClassicsToday.com for ‘three highly entertaining orchestral works saturated with Latin rhythms and melodic motives’, and the Missa Latina (8.559624) was a GRAMMY nominee and summed up as ‘a powerful and individual major work performed with exemplary skill and commitment in superb sound’ by MusicWeb International. In other words, new recordings of works by Roberto Sierra are always a welcome and much in demand addition to the catalogue.

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REVIEW:

Cantares is performed atmospherically and with a thoroughly mystical character. In Loiza, the Afro-Caribbean dance Bomba is the starting point for polyrhythmic variations that are enchantingly dancing. It is an original and rousing work. Sierra has dedicated his Triple Concerto to the Arbós Trio. It is based on Caribbean music and popular rhythms. This work too is presented in an enthralling interpretation, so that this distinctive CD and the exemplary performances can only be strongly recommended.

– Pizzicato

Listen to the Naxos Podcast to learn more about this release

We have on this disc three highly entertaining orchestral works saturated with Latin rhythms and melodic motives. The Symphony No. 3 actually casts a wider net than just “Salsa.” The performances, featuring Sierra’s home town team under the capable baton of Maximiamo Valdés, do the music proud, and the engineering is vivid.

-- ClassicsToday.com

Commissioned by the National Symphony Orchestra of Washington DC, Roberto Sierra's Missa Latina "is remarkably organic in its expression: if it is music that sets out to be liked—perhaps loved—it is also a unified and, one suspects, deeply felt utterance of the heart...the Missa Latina will bring pleasure to a great many listeners. (Indeed, the ‘Sanctus’ could almost be turned into a pop song.)...I can't imagine anybody who starts listening to the Missa Latina wanting to turn it off before it is over."

- The Washington Post

Much of Arlene Sierra's compositional output centers on the natural world, addressing the subjects of landscape, evolutionary biology, and the sounds, processes and behavior of birds and insects. Arranged into three books, Sierra's Birds and Insects comprises 15 movements composed across a twenty-year period. The three books are performed brilliantly here by pianists Steven Beck (Books 1 and 2) and Sarah Cahill (Book 3). The album is the fourth in Bridge's ongoing Arlene Sierra series.