Donald Byrd - "The Cat Walk (Blue Note Classic Vinyl Edition)" [180g Heavy Vinyl] Donald Byrd was deep in a groove in 1960 as the trumpeter turned out one hard bop classic after another, including The Cat Walk, featuring Byrd's quintet with Pepper Adams on baritone sax, Duke Pearson on piano, Laymon Jackson on bass, and Philly Joe Jones on drums. The band struts their stuff on an engaging set of swinging originals by Byrd and Pearson. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Capitol Music Group; Blue Note; Jazz; Catalog.

When an artist follows trends, "electric" can sound like a gimmick. But with Donald Byrd, it's a natural evolution. On "Electric Byrd", electronic textures become an organic extension of his unmistakable lyricism, never artificial, always personal. With Duke Pearson on electric piano and the subtle rhythmic wizardry of Airto Moreira, the album unfolds as a series of vivid "feelingscapes." Moods shift fluidly from expressive trumpet solos to richly layered ensemble passages and intricate rhythm designs, creating a deeply cohesive listening experience. From the cool, floating woodwinds of "Estavanico" to the understated brilliance of drummer Mickey Roker on "Essence", 'Electric Byrd' is mood-driven jazz fusion at it's most imaginative and immersive.

Donald Byrd - "Stepping Into Tomorrow (Blue Note Classic Vinyl Edition)". Donald Byrd's 1974 funk/R&B fusion masterpiece, Stepping Into Tomorrow, was thethird album the trumpet legend made in collaboration with visionary producer Larry Mizell. Featuring the standout title track and "Think Twice," the album became a touchstone for future hip-hop generations and features Gary Bartz, Fonce Mizell, Chuck Rainey, Harvey Mason and others. This stereo Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Donald Byrd - "Royal Flush (Blue Note Classic Vinyl Series)" / Donald Byrd was off to the races after joining Blue Note in 1958 and had fully hit his hard bop stride by 1961 with his excellent album, Royal Flush. Joining the trumpeter was a state-of-the-art rhythm section, featuring Herbie Hancock on piano, Butch Warren on bass and Billy Higgins on drums, plus Byrd's frequent collaborator Pepper Adams on bari sax. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Special Pkg:180g Heavy Vinyl

Donald Byrd's "Thank You... For F.U.M.L." CD is a vibrant tribute to the jazz-funk fusion genre that he helped pioneer. The album showcases Byrd's masterful trumpet playing, blending seamlessly with groovy basslines and rhythmic guitar riffs. Each track is a journey through energetic and soulful landscapes, highlighting Byrd's versatility and innovation. The production quality is superb, capturing the essence of live performance with crisp and dynamic sound. Byrd's collaboration with talented musicians adds depth and richness to the overall sound. The album's title track stands out with it's infectious groove and memorable hooks. Overall, "Thank You... FOR F.U.N.K.I.N.G. Up My Life" is a fitting homage to Byrd's legacy and a must-listen for jazz-funk enthusiasts.

Vinyl LP pressing. Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd Blows On Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with his frequent collaborator Doug Watkins on bass along with Boston area musicians Ray Santisi on piano and Jim Zitano on drums. The standards heavy set was captured on a rainy Spring afternoon in the Beacon Hill home of engineer Steve Fassett which provided a casual atmosphere that gave the album both it's title and it's easy-going charm. Byrd is at his lyrical best on Joe Sullivan's tune "Little Rock Getaway" as well versions of "Polka Dots and Moonbeams," "If I Love Again," and "Stella by Starlight." The trumpeter lays out to let the trio shine on "People Will Say We're in Love" and "What's New."

A magnificent band featuring Hank Mobley, Herbie Hancock and Kenny Burrell helped this trumpet legend create one of his most memorable albums with this 1963 recording. Duke Pearson did the arrangements, and an eight-piece gospel choir helped Byrd reach the spiritual heights he was seeking; the stunning "Cristo Redentor" joins "The Black Disciple," "Elijah," "Chant" and more. This stereo Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180g vinyl! Blue Note.

Donald Byrd's 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, & packaged in a deluxe gatefold tip-on jacket.

Gatefold 180-Gram Black Vinyl. Donald Byrd's 1973 album Street Lady was produced by Larry Mizell and contains the classic jazz-funk tracks "Lansana's Priestress" and "Street Lady". Personnel playing on the album include Fonce Mizell (Larry's brother) on clavinet, trumpet, vocals and Harvey Mason on drums. Some of the songs on this record were later sampled by artists like Jungle Brothers, Del the Funky Homosapien, and Theo Parrish amongst others.

Limited 180gm vinyl LP pressing in gatefold jacket. In November 1960, trumpeter Donald Byrd brought his quintet into the Half Not Cafe in New York City to record this soulful, swinging and highly enjoyable live set of hard cop featuring Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass) and Lex Humphries (drums). Blue Note Tone Poet Series features all-analog, remastering.

Donald Byrd's 1975 album, Places and Spaces, featuring the hits "Wind Parade" and "Dominoes," was the culmination of his fusion period. It was his 5th consecutive album produced by the visionary Larry Mizell, and the second to last session Byrd would cut for Blue Note, the label he had been with since 1958. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Donald Byrd was an American jazz and rhythm & blues trumpeter & vocalist. He was a sideman for many other jazz musicians of his generation. Love Byrd is a 1981 album by Donald Byrd and 125th Street, N.Y.C., and was originally released on the Elektra labe

Donald Byrd was an American jazz and rhythm & blues trumpeter & vocalist. He was a sideman for many other jazz musicians of his generation. Love Byrd is a 1981 album by Donald Byrd and 125th Street, N.Y.C., and was originally released on the Elektra labe

Vinyl LP pressing. Trumpeter Donald Byrd and baritone saxophonist Pepper Adams had a formidable partnership throughout the early 1960s, making a series of highly regarded hard bop albums. Yet somehow this masterful quintet session from April 1961 (which also features Herbie Hancock, sounding exceptionally fine on his very first Blue Note recording session) remained unreleased for nearly 20 years. Of particular note are Herbie's playing on "Great God" and the sophisticated excellence the entire ensemble brings.

Limited vinyl LP repressing of this classic Jazz release. This album is a Blue Note essential and is part of the Blue Note 75 anniversary LP reissue campaign. At the Half Note Cafe is a live album by American trumpeter Donald Byrd recorded in 1960 at the Half Note in Manhattan and released on the Blue Note label originally as two single LP issues. Trumpeter Byrd is joined on this recording by Pepper Adams, Duke Pearson, Laymon Jackson and Lex Humphries. This first volume includes "Intro/My Girl Shirl', "Soulful Kiddy", "A Portrait Of Jennie", "Cecile", " and "Theme: Pure D. Funk".

The fifth and the last volume of “Montmartre Jazzhus 1965” Series turned out to be a reunion of Blue Note’s 1964 release “One Flight Up” team. Dexter Gordon was apparently enjoying the presence of the younger trumpeter Donald Byrd one year after their first encounter in a Paris studio. “ … Dexter and Donald again achieved an excellent blend and a relaxed outing … The two horns made for a nice contrast, with Byrd’s bright, melodic lines set beside Gordon’s robust outpourings.” (Mark Gardner)