Two years after his #1 classical crossover hit Piano Piano, cofounder of The Lumineers and multi-instrumentalist Jeremiah Fraites is back with a breath-taking follow up record Piano Piano 2. With arguably bolder and more genre-bending instrumentation, Piano Piano 2 features a stunning vocal performance by Grammy-nominated folk artist Gregory Alan Isakov on a reimagined orchestral cover of the Radiohead classic "No Surprises."
Northern (Redux) is a complete reimagining of Deupree's acclaimed 2006 album featuring new piano contributions written and recorded by Fraites along with renewed versions of the original tracks composed by Deupree. The result is a hypnotic, majestic album filled with sweeping atmospheric melodies and rich, transformative soundscapes.
Vinyl LP pressing. 2021 release. The Lumineers co-founder, songwriter, and multi-instrumentalist Jeremiah Fraites' solo debut album Piano Piano. A collection of songs that's been in the works for the better part of a decade, Piano Piano features gorgeous, intimate piano-centric instrumental songs capturing Fraites' reflective moments from his Denver home.
2021 release. The Lumineers co-founder, songwriter, and multi-instrumentalist Jeremiah Fraites' solo debut album Piano Piano. A collection of songs that's been in the works for the better part of a decade, Piano Piano features gorgeous, intimate piano-centric instrumental songs capturing Fraites' reflective moments from his Denver home.
'Come On Up To The House: Women Sing Waits' is a unique compilation full of fresh interpretations of songs by the legendary Tom Waits. Aimee Mann, Joseph, Patty Griffin, Rosanne Cash, Phoebe Bridgers, Corinne Bailey Rae, Angie McMahon, Courtney Marie Andrews, and more each put their own unique spin on the gravel-voiced songwriter's work. "... to hear it all through these women's voices: for me, this is where the whole thing was delivered. I didn't just want to go to church, I wanted to go to their church. In much the way Burt Bacharach songs often seem most fully themselves in the hands of Dionne Warwick, or Dusty Springfield, or Jackie DeShannon, The Shirelles, Aretha, or Karen Carpenter. Or the way standards feel so fully standard in Ella Fitzgerald's rendering of the material. The Waits songs I was hearing through these women were breathing differently and deeply. In just the way Dylan cuts the definitive version but never stakes out the song's territory in a way that leaves no room for majestic covers, the recordings I was gathering were showing me the remarkable strength, the resonance of Waits' stuff. No one took ownership of the material, it was all on loan, still belonged to Tom Waits. But what a series of loans! And that's how it is with the very, very best songs. It all brought me back to the Tom Waits I'd begun to see an outline of as a young man, back to the Waits my mother brought into the family dining room. That strange and beautiful character who seemed to belong to no one. Who I now believe belongs to us all." - Warren Zanes, producer "Tom is a true original as a songwriter, singer and arranger. There just is no one like him. Beneath some of the layers of sound and his truly unique vocal phrasing, are some of the most beautiful and heartfelt songs I've ever heard. After some great creative discussions many years back with an old publishing colleague, the concept of focusing on the sheer beauty of these songs by having them interpreted by a group of amazing artists with stunning voices, was a must do project. Fast forward fifteen years later, we were thrilled with the passion and enthusiasm these artists showed when we approached them with the idea, which you can hear in their performances. Truly a musical celebration." - Scott Robinson, executive producer
