Baritone saxophonist Gary Smulyan brings here his trademark “contrafacts” (a music making method that shares the chord progressions with other compositions) approach to this first SteepleChase leader outing challenging us (maybe?) to guess the tunes he is employing. Smulyan whose professional career took shape by joining Woody Herman’s Young Thundering Herds at age 22 (1978) has won Critics’ and Readers’ Poll awards numerous times by Downbeat and JazzTimes, among others. England’s Penguin Guide to Jazz once described Smulyan as “the leading American exponent of post-bop baritone”.

SteepleChase’ ongoing series of jam sessions expands its format on this 11th volume to septet with two brass and two reeds. Among the featured soloists Charles Sullivan (aka Kamau Muata Adilifu) may need a special mentioning here as this is one of his rare recording appearances since the late 80s. On previous SteepleChase Jam Session series, CD Review’s Rick Finlay wrote, … SteepleChase’s series of jam sessions drawing together the cream of the contemporary jazz world makes a refreshing change these days .…. highly recommended.”

A contrafact is a method of composing a new melody and arrangement on a pre-existing musical composition using its chord progression. In jazz, one of the most famous examples is “Hot House” (Tadd Dameron) based on “What Is This Thing Called Love?” (Cole Porter). Baritone saxophonist Gary Smulyan has been intrigued by this particular way of composition for a number of years. His first album on SteepleChase last year SCCD 31844 “Alternative Contrafacts” is a superlative example of his interest. Here on this new release “Our Contrafacts” is a collection of new contrafacts by contributed by each member of the trio. “While there are occasional short solos by Wong and Green, the focus throughout is on Smulyan, who has yet to record an unworthy record or play an uninspired chorus. His passionate sound and fresh ideas make Alternative Contrafacts a set well worth picking up, particularly by straight ahead jazz collectors.” (Scott Yanow – NYC Jazz Records on SCCD 31844)

This album is all about Tadd Dameron (1917 - 1965), one of the most important American jazz composer/musicians. Multiple award-winner Gary Smulyan conceived the brilliant idea of recording Dameron compositions with lyrics. The vocal part is phenomenally rendered by the young talent Anaïs Reno. Three songs including the lovely This Night Of Stars have never been recorded before. “an exhibition of the finest baritone sax playing.” (M McKergow – LondonJazzNews on Alternative Contrafacts SCCD 31844)

The origin of this album goes back to Texas in the early 90s where young baritone student Frank Basile at North Texas Univ. met for the first time his hero baritonist Gary Smulyan. Their friendship culminates here in a studio date in NJ in late 2023. “I was really just so happy to be there playing with him” declares Smulyan the mentor. “His passionate sound and fresh ideas make Alternative Contrafacts a set well worth picking up, particularly by straightahead jazz collectors.” (S. Yanow – NYCJR)

This album is all about Tadd Dameron (1917 - 65), one of the most important American jazz composer/musicians. The master baritone saxophonist and perennial pole winner Gary Smulyan conceived the brilliant idea of recording Dameron compositions with lyrics. The vocal part is phenomenally rendered by the young talent Anaïs Reno. Three songs including the lovely This Night Of Stars have hitherto never been recorded. “While Smulyan solos brilliantly throughout, Reno is the real treat here.” (Bill Milkowski – DownBeat on SCCD 31936). “Smulyan here brings to light Dameron’s heretofore unknown Library of Congress trove of standard-quality off-Broadway gems.” (Fred Bouchard – NYCJR on SCCD 31936) 180g Audiophile Vinyl

Baritone saxophonist presents rarely played ballads & medium tempo songs arranged & conducted by Bob Belden, feat. Mike LeDonne-piano, Peter Washington-bass & Kenny Washington-drums.

Gary Smulyan performs with the sax section of the Mel Lewis Orchestra arranged & conducted by Bob Belden, with Kenny Washington-drums.

Baritone saxophonist's quartet w. Tommy Flanagan on piano, Ray Drummond on bass, and Kenny Washington on drums, recorded Dec. 18, 1991.

Baritone saxophonist is backed by a 10 piece brass ensemble playing music composed, arranged & conducted by Bob Belden, who based all of the music on the blues; features Bill Charlap, Christian McBride & Kenny Washington.

2017 release. Smulyan's expert service in the fantastic large ensembles of Thad Jones and Mel Lewis, Woody Herman, Dizzy Gillespie and the Village Vanguard Orchestra has made him a standout section player and soloist. A voice that is distinctive and also an important element to the given ensemble. It is a rare pleasure to hear Smulyan in a small ensemble performance, a setting where you can really hear his genius unabated. A terrific opportunity came about during the fall of 2016 as the saxophonist was on a tour through Europe. Smulyan invited producer Jacques Muyal to a gig in Lausanne, Switzerland, which Muyal wasn't able to attend. Knowing that Smulyan would be in Paris shortly thereafter, Muyal reached out to the world-renowned club, Le Duc des Lombards, to secure permission to record. The subsequent Royalty at Le Duc presents the brilliant Smulyan in a setting that allows his music to truly blossom, live in a jazz club. The European rhythm section that Smulyan assembled for the tour was composed of French pianist Olivier Hutman, Italian bassist Michel Rosciglione and Austrian drummer Bernd Reiter. The ensemble was more than capable of handling the diverse program of jazz classics, including Thad Jones's "Thedia" and "Elusive," Billy Strayhorn's "The Star-crossed Lovers," Pepper Adams's "Cindy's Tune," Joe Henderson's "Serenity," Raksin and Mercer's "Laura" and Johnny Green's "Body & Soul."