Works For Double Bass And Pian

The concerto, with its soloist thrilling and moving an audience with the support of an orchestra, has been one of the most popular musical forms for over 300 years. Now imagine a concerto for two instruments: twice the virtuosity and twice the expression! While Antonio Vivaldi was one of the first composers to investigate the possibilities of this format in his more than 500 concertos, he didn’t compose a single one for double bass. This recording rectifies Vivaldi’s omission and offers arrangements of two of his double concertos as well as one of his best-loved arias: Vedrò con mio diletto from the opera Il Giustino. A little more than century later, Giovanni Bottesini, the Paganini of the double bass, captivated first Europe and then the rest of the world, displaying a dazzling virtuosity in his numerous compositions that highlight the unique qualities of the instrument. For his second disc on the BIS label, Rick Stotijn, a tireless advocate of his instrument and its endless possibilities, has joined forces with his friends Johannes Rostamo, Olivier Thiery and Bram van Sambeek. Supported by Camerata RCO, a string ensemble from the Amsterdam Concertgebouworkest, they perform concertante works from these two Italian composers: Doppio espressivo!

Bottesini is of course familiar to many musicians and music lovers, particularly double bass players, since the composer-performer enjoyed an undisputed position as 'the Paganini of the double bass' throughout the 19th and 20th centuries. This recording is a collection of five important pieces with a virtuosic and concerto-like compositional style, where the violin and double bass often take the lead roles in dense, surprising dialogues. It gives fans of 19th-century music an opportunity to experience the technical and creative richness of a composer who was extraordinarily artistically courageous for his time and gives due credit to musicians who for various reasons have historically been undervalued by the prevailing musical hierarchy. Bottesini's creative boldness is evident in the way he dared to put forward the double bass as a virtuosic solo instrument, on a par with it's noble cousins, the violin, viola and cello. Many of his pieces feature solo parts that showcase dialogues between the extreme registers of the string instruments, from the 'demonic' violin with it's high notes at the limits of perception, to the abyss of the bottom notes of the double bass. No one before Bottesini had discovered the untapped expressive potential of the latter instrument, since it had always been considered essentially a reinforcement for the cello part, one octave down. Instead, he wanted to make the double bass 'soar'. The Andante for strings introduces the double bass as a deep soul often in unison with the orchestral strings. The piece is imbued with an aching intimacy and refined with a rocking, undulating rhythmic motion. His Fantasia on Bellini's 'La Sonnambula' introduces the always cantabile double bass as a voice from the outset, and it is easy to imagine how astounded the audience must have been to hear the melodious sound of this 'back-row' instrument poignantly reimagining Bellini's lyric opera. In the Gran duo concertante for violin, double bass & orchestra Bottesini brings together lyrical sensitivity and expressive power. Here, the violin conveys the greatest possible tensions, frequently leading then giving way to a double bass that performs with cello-like poetry. The String Quintet in F, reimagined as an orchestral piece by Massimo Belli with the backbone of a great symphony immersed in a romantic setting full of energy and drama. The Piccola preghiera (as Bottesini intended) reveals a sensibility quite similar to the Andante that begins this album. The style here is even more sober, with strings layering over each other in an all-encompassing world of sound, rich in harmonic progressions and peaceful resolutions. Other information: - Recorded February 2022, Trieste, Italy - Bilingual booklet in English and Italian contains liner notes by Marco Maria Tosolini and profiles of the ensemble and conductor - Giovanni Bottesini (1821-1889) is one of the most influential figures in the history of the double bass and Italian opera. Born in Crema, Italy, Bottesini demonstrated prodigious talent from a young age, mastering the double bass by his teens. His virtuosic abilities on the instrument propelled him to international fame, earning him the title "Paganini of the Double Bass." - Bottesini's contributions to the double bass repertoire are significant, composing numerous solo pieces, concertos, and orchestral works that pushed the technical and expressive boundaries of the instrument. His compositions showcase a deep understanding of the double bass's capabilities, blending melodic lyricism with dazzling technical displays. However, Bottesini's influence extended beyond the realm of the double bass. He was also a prolific conductor and composer of operatic music, writing several operas that enjoyed success in theaters across Europe. - This new recording presents concertante works for violin, double bass and strings, as well as a string orchestra version of the String Quintet in F major, music of great melodic charm and vibrant virtuosity. - Played by Francesco de Angelis, Francesco Siragusa (double bass) and the Nuova Orchestra Ferruccio Busoni, conducted by Massimo Belli, who recorded already several successful albums for Brilliant Classics, with works by Viotti, Cherubini, Tartini, Wolf Ferrari, Ghedini and others.

SOMM Recordings celebrates the bi-centenary of Giovanni Bottesini, a legendary double bass player and pioneering composer for the instrument, with First Recordings of his String Quintets Nos.2 (E minor) and No.3 (A major), performed by double bass virtuoso Leon Bosch and I Musicanti. A passionate, articulate champion for the double bass, Bottesini brought the instrument out of the orchestra and into the spotlight. His own prowess on the double bass and his music for it has seen him described as “the Paganini of the double bass”. Making its first appearance on album, the C minor Second String Quintet adopts the string quartet-with-second cello scoring employed by Schubert and Boccherini to create a work of rhythmic vitality, color and contrasting moods. Also receiving its premiere recording, the intricately designed Third String Quintet, in A major, employs the two-viola instrumentation preferred by Mozart, Mendelssohn and Beethoven and is, as Toby Deller observes in his booklet notes, “the more lyrically Romantic work of the three on this recording, with four sharply characterized movements”. Scored for string quartet and double bass, Bottesini’s Naples-composed First String Quintet, dedicated to Mercadante and familiarly known as the Gran Quintetto in C minor, completes the program. It seamlessly marries a venerable and inherited Italian instrumental tradition with the bel canto poetry of Italian romantic opera. Making their debuts on SOMM are double bassist Leon Bosch – of whom The Strad has said, he “demonstrates a natural affinity” with Bottesini; “his performances combine sonorous, lyrical, exquisitely nuanced playing with a remarkable command of the instrument’s bravura potential” – and the “flexible line-up of super-talented hand-picked performers” (Planet Hugill) he founded in 2013, I Musicanti.