It is difficult for us to put recording works into words. We are not authors, critics or musicologists. Actually, we want to let the works speak. For us, certain things can only be expressed through music and sound art. Our work began 35 years ago with the label JMT and has been continued and expanded for the past 25 years under the label Winter & Winter. Anniversaries invite us to venture a kind of retrospective: Looking back towards the future" (we were inspired by the motto of the X Documenta). But it's not us who direct, it's the artists. They make their selection, determine the order of the music pieces and present their own choice: "My Choice." Guy Klucevsek opens the programme, followed month by month this year by further choices from Jim Black, Uri Caine, the tango musician Andrés Linetzky to Aarón Zapico and his baroque orchestra Forma Antiqva." (Mariko Takahashi and Stefan Winter)

On this musical voyage, the point of departure is a series of short pieces written and played by Guy Klucevsek for Annie Proulx's novel Accordion Crimes. The adventure continues with Teodoro Anzellotti playing selections from Johann Sebastian Bach's Goldberg Variations, and beyond!

Cold Blue Two is an anthology of fourteen new, previously unrecorded works—many of them written just for this CD. Enthralling music by John Luther Adams, Gavin Bryars, Rick Cox, Michael Jon Fink, Jim Fox, Peter Garland, Daniel Lentz, Ingram Marshall, Larry Polansky, David Rosenboom, Phillip Schroeder, Chas Smith, and James Tenney. Performers include Sarah Cahill, Guy Klucevsek, ETHEL, Formalist Quartet, John Schneider, and other fine musicians, including many of the composers themselves. It was a WQXR Q2 Music “Album of the Week” in 2012. “Darkly lyrical, evocative.... Whether plaintive, hypnotic, or enigmatic, this is music that is cool but not unemotional—and always a rich, twilit blue.” [John Schaefer, host of WNYC’s New Sounds] “This record pretty much kicks ass—an alluring, arresting document from a brilliant cast of composers.” [composer-performer Glenn Kotche] “The music by Daniel Lentz that opens this anthology, a solo cello line harmonically enriched through overdubbing, is graceful, understated and tinged with melancholy. The closing piece, Jim Fox’s filmic Colorless sky became fog, shares those qualities. They seem to define a Cold Blue soundworld, although these 14 previously unissued tracks, some specially commissioned, accommodate diverse and individualistic composers…. This is a post-experimental label, presenting work that subtly channels lessons learnt from radical sources into music that is unapologetically attractive and accessible.” [Julian Cowley, The Wire] “Superb…music that exemplifies refinement without at the same time being overly burdened by formality and convention.” [Textura (Cold Blue Two was on Textura’s “Best of 2012” list.)] “Listen closely: there is almost always a sharp edge hidden among these glistening surfaces…. The most casual listen to this haunted music-box, as often eerie or melancholy as it is soothing, is an unsettling experience, a quiet disquiet. Cold Blue the label and Cold Blue the anthologies are aptly named: cold and like a glacier or a clear winter sky, this music is as shiver-inducing as it is lovely.” [Daniel Stephen Johnson, Q2 Music, WQXR] “A sampler that confirms the tradition of American experimental music to be alive, well and in safe hands.” [Int’l Record Review] “A panoramic view of Cold Blue’s offerings, which are quite varied and yet make a powerful unified statement. These works could be described as beautiful oddities—some even devastatingly gorgeous, but always with a twist. Even if unapologetic beauty is not your cup of tea, worry not—upon close listen each one of these works sports frayed edges, chipped corners, or other subtle disturbances that turn it into a highly personal proclamation…. Each work contains treasures to be discovered within, and the heart-on-sleeve honesty of the works is not something one hears often.” [Alexandra Gardner, NewMusicBox]

If there’s one adverb-adjective combo that can describe composer/accordionist Guy Klucevsek, it’s unabashedly eclectic. Over the course of twenty-one releases, his music has combined the heart-pounding rhythms of eastern Europe with teeming contrapuntal passages, gorgeous melodies, and Klucevsek’s own “trailblazing virtuosity” [Wall Street Journal]. But his twenty-second release, The Multiple Personality Reunion Tour, might be his most ambitious yet. The Multiple Personality Reunion Tour is made possible by a United States Artists Collins Fellowship.