The pandemic in 2020-21 brought little to dispel the gloom among performing musicians. But these months also proved to be a time of reflection and artistic rebirth for many, the arts became a breeding ground for spiritual offspring, and so it proved for me; the genesis of the work you can hear on this album. Finally, there was plenty of time to spend many hours every day working on the project against a background of calm, which made Bach's music all the more comforting!

With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam. The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.

A whole life, from birth to death, or the whole world, from the rising of the sun to its setting: nothing less than this is Bach's Goldberg Variations for saxophonist Peter Vigh. With the Aria at the beginning and at the end, a circle closes, and in between all sorts of things happen. Vigh orchestrated the monumental cycle for his Berlage Saxophone Quartet and has now recorded it on Super Audio album. The quartet tells of the ups and downs of existence with a sensitive sound: an experience that is as entertaining as it is deeply moving. Whether children playing (Variation 17) or a funeral procession (Variation 21): the associations that Bach's music evokes are intensely savored through the individual perspectives of the four Berlage artists. Ten different instruments are used and provide a colorful range that is second to none. And especially in the polyphonic parts, the work gains a new degree of transparency through the distribution among several players. To achieve this, the four Dutchmen went back to school: Guided by baroque specialist Walter van Hauwe, they intensively studied historical playing practice. And so one hears how surprising sounds with speaking articulation, elegant ornamentation technique and striking phrasing combine with the very highest pleasurable playing culture. With this new release, Lars Niederstrasser, Peter Vigh, Juani Palop and Eva van Grinsven once again demonstrate their extraordinary stylistic range.

Shortlisted for the Gramophone Awards!

Following the success of their last album, Timelapse, this new album from Orchestra of the Swan is a collection of extraordinary works connected by ideas of pilgrimage, contemplation, exploration and enlightenment through the works of composers such as Richter, Respighi, Britten, Piazzolla, Brian Eno, Nico Muhly, Joy Division and more. As with Timelapse, the joy is to be found in discovering the surprising and delightful connections between culturally disparate and musically contrasting time periods. Labyrinths have been an important part of humanity’s cultural landscape for thousands of years; from the Ancient Greek myth of Theseus and the Minotaur to the intriguing stories of Jorge Luis Borges and Umberto Eco. Our overwhelming desire to find patterns and ‘the hidden truth’ is perhaps nowhere more evident than in the subversive and complex vistas of music. Formed in 1995, Orchestra of the Swan is a British chamber orchestra which, under the artistic direction of David Le Page, is passionate about audience inclusivity and blurring the lines between genres, through its adventurous and accessible programming.

[The] new three-CD set titled “Zimmermann: Recomposed,” on the German Wergo label, is among the standout releases of 2022. -- The New York Times

Bernd Alois Zimmermann (1918–1970) was one of the most distinctive composers in the musical avant-garde after the Second World War. While Karlheinz Stockhausen served as a kind of ‘generator’ in Cologne during the 1950s and 60s, inventing completely new sounds and techniques, Zimmermann was in many ways his opposite, a ‘transformer’ who redefined previously existing material by placing it in new contexts and collage-like structures, anticipating the ideas of the Postmodernists. Zimmermann created these new contexts on many levels.

Especially in his younger years, he arranged and orchestrated songs and piano pieces using brash and daring instrumental colors. These arrangements then found their way into his works that are now recognized as modern masterpieces: “Alagoana”, “Konzert”, “Sinfonie in einem Satz”, “Stille und Umkehr”, etc. His self-composed works employing numerous quotations as well as his arrangements ‘recomposing’ previously existing music are juxtaposed in the excellent recordings presented by WERGO in this collection. It contains more than three hours of music as well as an extensive booklet with a wealth of information and an interview with Heinz Holliger, the guiding spirit behind this production.

Holliger conducted all of the recordings and has worked for years to ensure that Zimmermann’s long-forgotten arrangements were rescued, published, performed, and recorded. The performances and recordings took place as part of the celebrations organized by the WDR in Cologne in honor of Zimmermann’s 100th birthday. This new release from WERGO presents a fresh perspective on the composer Bernd Alois Zimmermann, whose tragic suicide shortly after the completion of “Stille und Umkehr” shocked the musical world. His fascinating instrumental effects and his embrace of popular and traditional music make his works feel much more at home in our contemporary world than they did in the cultural atmosphere of his time, with its faith with technology and progress.

This laid back program of classics by powerhouse jazz composers Duke Ellington and Billy Strayhorn adequately show Tommy Smith’s virtuosic saxophone playing. Smith does a fantastic job of keeping the composers’ intentions in mind, while still adding his own colors and textures to these classics. Smith is accompanied here by an all-star trio of musicians, including Kenny Barron, Peter Washington and Billy Drummond. Many of these tracks were recorded in just one take. This album was originally released in 1998, and is being re-issued here as part of Linn’s ECHO series.

Selmer Paris endorsed artist Cory Barnfield enjoys a busy and successful career. His playing has been described as: “having a warm and expressive sound that speaks melodies easily with complete control of the full range of his instrument. There is a unique intimacy to his playing that is a delight to the listener. His fingers are precise, and rapidly allowing the music to flow unimpeded to the listener’s imagination no matter how difficult or easy. His articulation on saxophone is superb.” (Saxophone Journal) He frequently performs with the Kentucky Opera and the Louisville Symphony Orchestra, and his recordings can be heard on multiple labels. He is a champion of new music and has commissioned several pieces from composers. One such work is included on this album: Peter Felice’s “Shadows of Paris.”