Maciej Skrzeczkowski, the winner of the MA Competition in Bruges in 2023, devotes his new album to John Bull (1562 - 1628), an English composer who fled his country to take refuge in the Netherlands not only because of his Roman Catholic faith but also because of charges of immorality. There could be nothing more logical in this context than to use copies of English virginals as well as of a typical Dutch adaptation of the instrument known as the moeder en kind (mother and child). This association between English style and Dutch musical practice is clearly evident in John Bull's works, as he had also been in contact with the Amsterdam organist Jan Pieterszoon Sweelinck.

The acclaimed pianist and composer Francesco Tristano, returns to his first love – early music for his new studio album  ‘On Early Music’. The album presents Renaissance and early-Baroque works with five of his own Baroque-inspired piano pieces. Interspersed with these are works by some of early music’s greatest English composers and organists – Orlando Gibbons, John Bull, and Peter Philips – and one of Tristano’s greatest inspirations, Italian composer Girolamo Frescobaldi. Yet On Early Music is not merely a fitting homage to this repertoire; the works are given a fresh, contemporary twist thanks to Tristano’s production skills, studio mastery, and keen eye for detail.

All the works featured are tonally and melodically complimentary, and while some have been faithfully reproduced, others have been re-worked and reinterpreted. “I wanted to bring something new to them,” he says. “Something original.” That led him to works that reflected another of the album’s main themes, and something he wanted to focus on and bring to the fore – the gentle majesty of sunrise.

“Early music has a reparative power, just like an early sunrise,” he says, “and these works give me an uplifting feeling. There’s something really primitive about them, but something rejuvenating too.” For Tristano, this repertoire remains as joyful and inspiring as when it was composed over 500 years ago, and is thoroughly deserving of a contemporary audience.

Troubled Times: Music and Espionage in Renaissance England explores sacred music written amid the religious and political instability of 16th-century England. Performed by The Queen's Six with The Rose Consort of Viols, the programme examines how composers navigated shifting allegiances, censorship, exile, and suspicion, from the Henrician Reformation to the Elizabethan settlement. Works by Byrd, Taverner, Morley, Philips, Ferrabosco, and others reflect strategies of adaptation, concealment, and survival, whether through recusancy, foreign travel, or service at court. Placing music within it's historical context, the recording highlights the complex relationship between faith, power, and artistic expression during a period of sustained upheaval.

The Brussels court attracted some of the greatest composers and organists of the time at the beginning of the 17th century, including Peter Philips, Peeter Cornet, John Bull, and, a little later, Abraham Van den Kerckhoven, all of whom explored new ways of making organs sound. Flemish and Walloon organ builders throughout Europe, and in Spain and France in particular, were building instruments at that time that were to have a profound influence on organ building in those countries.