Dancing with the rain, in order to conjure, just for a moment, what we thought invisible. Driven by curiosity, eagerness, passion, excellency and tradition, the Percussions de Strasbourg ventures to embody the unique energy of a programme in tribute to four Japanese composers with admirable universes. Rain of petals, rain of screams, rain of silences, all these emotions are harmonized and kept in motion by Franck Rossi, Jean Geoffroy and the Percussions de Strasbourg. (Minh-T�m NGUYEN) Founded in 1962, the Percussions de Strasbourg are world-renowned ambassadors of musical creation. With their exceptional repertoire, the group performs twentieth century masterpieces and commissioned new works with the same concerns: to bring life to a contemporary heritage while revisiting it constantly, and to continue to innovate in a context of artistic diversification.

Dancing with the rain, in order to conjure, just for a moment, what we thought invisible. Driven by curiosity, eagerness, passion, excellency and tradition, the Percussions de Strasbourg ventures to embody the unique energy of a programme in tribute to four Japanese composers with admirable universes. Rain of petals, rain of screams, rain of silences, all these emotions are harmonized and kept in motion by Franck Rossi, Jean Geoffroy and the Percussions de Strasbourg. (Minh-T�m NGUYEN) Founded in 1962, the Percussions de Strasbourg are world-renowned ambassadors of musical creation. With their exceptional repertoire, the group performs twentieth century masterpieces and commissioned new works with the same concerns: to bring life to a contemporary heritage while revisiting it constantly, and to continue to innovate in a context of artistic diversification.

Jean Geoffroy writes: “This recording in itself defines the ensemble in its cohesion, its willingness, its imagination, its enthusiasm and its talent. Between the historical recordings of the 1970s and today, there is only one short step, which builds on those trodden by the four generations that have played a part in this wild adventure, one further step like a baton passed down from generation to generation, if only to ensure that the movement initiated by all the composers who have written for the Percussions de Strasbourg, Iannis Xenakis high among them, will never stop."