Density 2036 - Parts VI-VIII (2019-2021) / Claire Chase
New Focus Recordings
CD
$32.99May 12, 2023
Virtuoso flutist Claire Chase continues her laudable documentation of her multi-year commissioning project, Density 2036, with a 3 CD set of the works from the 2019, 2020, and 2021 iterations. Featuring pathbreaking music for flute, in solo, electro-acoustic, and chamber settings, by Ann Cleare, Wang Lu, Matana Roberts, Liza Lim, Olga Neuwirth, Sarah Hennies, Phyllis Chen, and Pamela Z, "Density 2036: Parts VI-VIII (2019-2021)" represents a landmark addition to the contemporary flute repertoire.
The music of the composer, educator and musicologist Liza Lim, who was born in Perth, Australia in 1966, has a collaborative and transcultural focus. Her recent works have explored beauty, anger and noise, ecological issues, and women's spiritual traditions. Liza Lim has received commissions from leading orchestras and institutions worldwide, and her works continue to be performed at prestigious festivals. In 2024, she was named "Composer of the Year" by OPUS KLASSIK. Liza Lim is Professor of Composition and Australian Music at the Sydney Conservatorium of Music. As part of a Laureate Fellowship from the Australian Research Council, she will lead a five-year program starting in 2025 to promote the exploration of pressing climate and social issues through music. Her gender equity initiatives through Sydney Con's Composing Women have had a significant impact on commissioning, performance and next-generation leadership in Australian music. A Sutured World for cello and orchestra was commissioned in 2024 by musica viva of the Bayerischer Rundfunk, the Royal Concertgebouw Orchestra, the Cello Biennale Amsterdam, the Melbourne Symphony Orchestra and the Casa da Musica Porto. The world premiere recorded on this CD took place in the Herkulessaal of the Munich Residenz on October 25, 2024, with Nicolas Altstaedt (cello) and the Bavarian Radio Symphony Orchestra conducted by Edward Gardner. The orchestral work Mary - Transcendence after Trauma was commissioned by musica viva of the Bayerischer Rundfunk in 2020/21. The world premiere of the work at musica viva, originally scheduled for January 28, 2022, had to be cancelled due to the Covid pandemic. In the meantime, the triptych was premiered at the Cologne Philharmonie on April 29, 2022 as part of "Musik der Zeit" with the WDR Symphony Orchestra conducted by Cristian Macelaru. This CD features the musica viva recording of May 12, 2023 in Munich's Herkulessaal by the Bavarian Radio Symphony Orchestra under Franck Ollu. The Compass for flute, didgeridoo and large orchestra was commissioned by musica viva of the Bayerischer Rundfunk and the Sydney Symphony Orchestra in 2005/06. The premiere took place at the Sydney Opera House on August 23, 2006 with Rosamund Plummer (flute), William Barton (didgeridoo) and the Sydney Symphony Orchestra conducted by Alexander Briger. This CD features the musica viva recording of the European premiere of the work on January 12, 2007 in Munich's Herkulessaal, with Carin Levine (flute), William Barton (didgeridoo) and the Bavarian Radio Symphony Orchestra conducted by Christoph Poppen. ? The main work on the CD is Liza Lim's latest composition: a live recording of the world premiere of the cello concerto "A Sutured World" (2024) as part of the musica viva concert series by the Bayerischer Rundfunk from the Herkulessaal of the Munich Residenz - with the famous cellist Nicolas Altstaedt ? The CD also features Liza Lim's compositions "Mary - Transcendence after Trauma" (2020/21) and "The Compass" (2005/06) as live recordings from the musica viva concert series ? Performed and conducted by renowned musicians, all of them experts in contemporary music
The five works on Sarah Saviet's debut solo album each explore resonances and textures on the violin in unique ways. In Liza Lim's The Su Song Star Map, the scordatura and throaty bow gestures create a sensual and sonorous sound world, while Lisa Streich's Falter instructs the performer to 'be a lepidoptera' (a moth or butterfly) and focuses on lighter, more wind-born gestures. Evan Johnson's Wolke über Bäumen played with gut strings and baroque bow involves constant re-tuning of the instrument, allowing for and delighting in the inconsistencies produced in sounds and phrases. Arne Gieshoff's spun is the most outwardly virtuosic work on the album, and Lawrence Dunn's Habitual focuses on a private expression of an inner song.
