Available as a recording for the first time ever: the first of Mikis Theodorakis' 3 great ''lyrical tragedies'' (i.e. operas). The composer based his arrangement of the plot on Sophokles' version of the famous ancient tragedy – thus the 'theodorakian' Electra is the protagonist. She is the daughter of King Agamemmnon. After 10 years of battle for Troy the King has just returned to his palace in Mykene – only to be treacherously killed by his faithless wife Klytaimnestra and her lover Aigisthos. The murderous couple marries soon after the crime; however, their plans haven't considered Electra, who is craving revenge for her father ... ''Electra'' was composed between 1991 und 1994; its world premiere was held on May 2nd 1995 at the municipial theater of the former 'european capital of culture', Luxemburg. The 3-CD-recording was actualized under direction of Mikis Theodorakis himself with the St.Petersburg State Academic Orchestra & Choir.

"The Metamorphoses of Dionysus", Mikis Theodorakis’s first opera, from 1985 — it was followed in 1990 by "Medea", in 1993 by "Elektra", in 1996 by "Antigone", and in 2001 by "Lysistrata" — is based on a free variation and an individual reading of Greek history. It is at once a parable of the excesses and suggestive effects of power, but also of the relationship between art and politics. It centers around the suicide of the civil servant and poet Kostas Karyotakis, whose poems Theodorakis set for the opera. The libretto, by Theodorakis himself, incorporates various texts by Karyotakis and two fragments from the poem "The Good People" by Kostas Varnalis (1884–1974). The opera begins and ends with the suicide of the poet Kostas Karyotakis, whose poems are presented as arias in the opera, running through the entire work. They are framed with texts by Theodorakis, producing a collage of verses of poetry and his own texts, of melodic and grotesque passages, that becomes the opera’s essential structuring feature: the contrast between the arias, the set “tragic” poems by Karyotakis, and the musical farces, the music to Theodorakis’s “sarcastic” texts.

The enthusiasm for Mikis Theodorakis' songs has remained unabated. WERGO now releases a new album with some his most famous song compositions, sung by Mikis Theodorakis himself! The present release contains 12 compositions by the great Greek composer, some of which were written during the Papadopoulos dictatorship in the years 1967-74. In his exile, Theodorakis rearranged texts of his own and texts of other modern Greek poets to produce these compositions. The songs are timeless, lyrical, yet also political and have lost none of their topicality: 'I was fortunate to work with outstanding poets so that the texts and messages of my songs can be regarded as timeless.' (Mikis Theodorakis)

In her new album, Maria Lettberg takes a musical journey through the countries of the European Union. She has curated a selected work for piano from each of the respective countries, regardless of the period or style. All the major styles of classical music are represented in this collection: from the Renaissance, Baroque and Viennese classical periods to Romanticism, Late Romanticism, Impressionism, 20th-century music, minimalism and neoclassicism. Each piece from the 27 countries has it's own fascinating characteristics, and together they paint a multi-layered picture of the European Union.

The complete symphonic version of Theodorakis' best-known work including English, French and German libretto. In the "Zorba" ballet suite, Mikis Theodorakis uses almost exclusively well-known popular songs which he composed mainly in the 1960s. Some of them have been incorporated in the work as melodies, some of them as vocal pieces. It took twenty years before the composer became his normal self again; he first had to experience the disillusionment at the end of the 1970s concerning the social progress in Greece in order to be finally able to pick up the musical material, continue the compositional impetus of the 1950s and develop an appreciation for the genre of the opera in the mid-eighties which suits his composer's mentality – both as a melodist and as a symphonic composer – very well. When looking at the last and probably most productive period of his life, Theodorakis' return to symphonic music in 1980 must be seen as an act of liberation, as a return to his self. Since then, he has written several symphonies and oratorio-like works. In 1987, at last, the Zorba ballet marks the beginning of a new aesthetic practice.

Almost 70 years after it's premiere in Athens, we are now experiencing the German premiere of Mikis Theodorakis' First Symphony. This expressive composition has a dramatic history: the boiling sounds of this composition reveal the suffering, hope, and desire for freedom that the 25-year-old composer felt when he wrote this work on the prison island of Makronisos. This is contrasted with Ektoras Tartanis' own symphonic debut work, Erato Psaltrian, for baritone, harp, and orchestra; three movements entitled Genesis, Journey, and Celebration. Tartanis introduces us to the world of Greek mythology, the tradition of Byzantine chant, and, at the same time, to contemporary soundscapes. The piece was written for Anneleen Lenaerts, principal harpist of the Vienna Philharmonic, who performs the work together with the internationally acclaimed Swedish baritone Kosma Ranuer Kroon.

The German-Greek pianist Danae Dorken belongs to the elite of a new generation of internationally sought-after artists. The current album is a tribute to the great Greek composer Mikis Theodorakis on the 100th anniversary of his birth, which is on 29 July 2025. Theodorakis compositions blended classical, folk, and modern elements, often expressing the struggles and spirit of the Greek people. The Staatskapelle Weimar under Kornilios Michailidis are accompanying the pianist with the Suite No. 1 and the Helikon Concerto No. 2 for piano and orchestra.

The Athens State Orchestra is the oldest symphony orchestra in Greece. On the occasion of Mikis Theodorakis' 100th birthday, GENUIN evokes the spirits of his homeland and of classical antiquity in three symphonic works by Greece's most famous composer-works that played an important role toward the end of his life: from the early "Sinfonietta" in a new version, through the folk-inspired "Rhapsody for Guitar and Orchestra," to the equally moving nine-part "Rhapsody for Cello and Orchestra," Theodorakis's last orchestral work. The young, rising Kornilios Michailidis leads Greece's premier orchestra with verve, while the album's soloists contribute at the highest standard of playing to these remarkable recordings!