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COMPOSERBACH VICTORIA MOZART
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PERFORMEREssential Collection
Sounds Sublime - The Essential Collection / Christophers, The Sixteen
- Coro
- September 1, 2009
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RELEASE DATESeptember 01, 2009
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UPC828021607325
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CATALOG NUMBERCOR16073
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LABELCoro
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NUMBER OF DISCS2
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GENRE
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Magnificat anima mea
Composer: Johann Sebastian Bach
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Ave Maria, gratia plena a 8
Composer: Tomás Luis de Victoria
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Ave verum corpus in D Major, K. 618
Composer: Wolfgang Amadeus Mozart
Ensemble: The Sixteen Choir, Academy of St. Martin in the Fields
Conductor: Harry Christophers
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Iste Confessor, "La Stella"
Composer: Domenico Scarlatti
Ensemble: The Sixteen Choir
Performer: Libby Crabtree
Conductor: Harry Christophers
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Spem in alium
Composer: Thomas Tallis
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Man that is born of a woman, Z. 27
Composer: Henry Purcell
Ensemble: The Sixteen Choir, Symphony of Harmony and Invention
Conductor: Harry Christophers
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Thou knowest, Lord, the secrets of our hearts, Z. 58A
Composer: Henry Purcell
Ensemble: The Sixteen Choir, Symphony of Harmony and Invention
Conductor: Harry Christophers
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Zadok the Priest, HWV 258: Zadok the Priest
Composer: George Frideric Handel
Ensemble: The Sixteen Choir, The Sixteen Orchestra
Conductor: Harry Christophers
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Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen
Composer: Johannes Brahms
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Crucifixus a 8
Composer: Antonio Lotti
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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2 Hymns to the Mother of God: No. 1. A Hymn to the Mother of God
Composer: John Tavener
Ensemble: The Sixteen Choir, Duke Quartet
Conductor: Harry Christophers
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Te Deum: Te gloriosus
Composer: António Teixeira
Ensemble: The Sixteen Choir, Symphony of Harmony and Invention
Conductor: Harry Christophers
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The Lark, Part I: Spring Song
Composer: Leonard Bernstein
Ensemble: The Sixteen Choir
Performer: Nigel Short
Conductor: Harry Christophers
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Le Cantique des Cantiques: II. La voix du bien-aime
Composer: Jean Yves Daniel-Lesur
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Requiem, Op. 48: Pie Jesu (1900 version)
Composer: Gabriel Fauré
Ensemble: Academy of St. Martin in the Fields
Performer: Elin Manahan Thomas
Conductor: Harry Christophers
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7 Repons de tenebres: No. 1. Una hora
Composer: Francis Poulenc
Ensemble: The Sixteen Choir, BBC Philharmonic Orchestra
Conductor: Harry Christophers
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A Hymn of Saint Columba
Composer: Benjamin Britten
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Part II: Moses and the Children of Israel
Composer: George Frideric Handel
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Part II: I will sing unto the Lord
Composer: George Frideric Handel
Ensemble: The Sixteen Choir
Performer: Nicola Jenkin
Conductor: Harry Christophers
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Quoniam tu solus Sanctus
Composer: Johann Sebastian Bach
Ensemble: The Sixteen Choir
Performer: Michael George, Roger Montgomery
Conductor: Harry Christophers
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Cum Sancto Spiritu
Composer: Johann Sebastian Bach
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Solomon, HWV 67, Act III: Sinfonia, "The arrival of the Queen of Sheba"
Composer: George Frideric Handel
Ensemble: The Sixteen Orchestra
Conductor: Harry Christophers
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Vesperae solennes de confessore, K. 339: Laudate Dominum
Composer: Wolfgang Amadeus Mozart
Ensemble: The Sixteen Choir, Academy of St. Martin in the Fields
Conductor: Harry Christophers
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Miserere Mei
Composer: Gregorio Allegri
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Missa Papae Marcelli (Pope Marcellus Mass): Kyrie
Composer: Giovanni Pierluigi da Palestrina
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Deus in adiutorium meum intende
Composer: Juan Gutiérrez de Padilla
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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O Domine Iesu Christe
Composer: Tomás Luis de Victoria
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Libera nos
Composer: John Sheppard
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Mass for Double Choir: Agnus dei
Composer: Frank Martin
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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The Lamb
Composer: John Tavener
Ensemble: The Sixteen Choir, Duke Quartet
Conductor: Harry Christophers
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Missa pro defunctis a 6: Funeral motet: Versa est in luctum
Composer: Tomás Luis de Victoria
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Agnus Dei, Op. 11
Composer: Samuel Barber
Ensemble: The Sixteen Choir
Performer: Ruth Dean
Conductor: Harry Christophers
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Advance Democracy
Composer: Benjamin Britten
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Messiah, HWV 56, Part II: Hallelujah!
Composer: George Frideric Handel
Ensemble: The Sixteen Choir, The Sixteen Orchestra
Conductor: Harry Christophers
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Herz und Mund und Tat und Leben, BWV 147: Herz und Mund und Tat und Leben
Composer: Johann Sebastian Bach
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Gloria in D Major, RV 589: Gloria in excelsis Deo
Composer: Antonio Vivaldi
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Nun ist das Heil und die Kraft, BWV 50
Composer: Johann Sebastian Bach
Ensemble: The Sixteen Choir, Symphony of Harmony and Invention
Conductor: Harry Christophers
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Samson, HWV 57, Act III: Air and Chorus: Let the bright Seraphim in burning row
Composer: George Frideric Handel
Ensemble: The Sixteen Choir, Symphony of Harmony and Invention
Performer: Lynne Dawson, Crispian Steele-Perkins
Conductor: Harry Christophers
Featuring ⌄
Product Details ⌄
Works ⌄
R E V I E W:
British choir the Sixteen is billed as being among "the Voices of Classic FM," the impressively successful British independent classical radio network. This mixed-gender adult group of (natch) 16 voices performs music ranging from the early English Renaissance to Mozart and, on occasion, the Romantics. An objection to their style might be that they tend to sound similar in all these repertories. This double-CD "essential collection" tends to reinforce that idea, but it also showcases the group's considerable strengths. To put it briefly, the Sixteen makes early music go down easy and does so without turning it completely into something different. The vocal surfaces are gorgeous, and each album contains a note by director Harry Christophers that touches on connections between the music's origins and its resonances in our own time. They sweat the details and that has never been more apparent than in this greatest-hits release. Most of the time such albums are left to label underlings and produced without imagination, but this one is beautifully packaged and has a full new set of notes concisely explaining the album's fresh concept. That concept is well thought-out; the album is not just a random selection of tracks somehow judged to be the best of the Sixteen, whose music-making is nothing if not consistent. Instead, each piece chosen is associated with a specific historical event, many of them significant junctures in British history. You couldn't ask for a better place to start in approaching unfamiliar music than to get a basic grip on its context in this way and then have it very attractively performed. The remastering is very strong; there's little sense of shifting sonic perspective even though the originals are drawn from a wide variety of this prolific group's releases. All this makes the album a fine introduction to one of modern Britain's most successful vocal groups.
-- All Music Guide
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