Academy of Ancient Music (AAM) releases the final volume of an acclaimed project to record Mozart's complete works for keyboard and orchestra. Fittingly, this final instalment includes three works that in various ways are valedictory: K595 is Mozart's last completed keyboard concert, while K503 is the last concerto of his Viennese years. Louise Alder joins AAM and Robert Levin in an aria for solo soprano, solo keyboard and orchestra; Ch'io mi scordi di te? is a farewell to one of Mozart's favourite singers, Nancy Storace. The hardback CD package is accompanied by comprehensive notes commissioned specially for the album.

Academy of Ancient Music (AAM) continues an acclaimed project to record Mozart’s complete works for keyboard and orchestra, with this eleventh volume of the series. Renowned pianists Robert Levin and Ya-Fei Chuang join Laurence Cummings and AAM to present Mozart’s Concertos Nos. 7 and 10, the former of which is recorded here in Mozart’s own arrangement for two pianos. Also included is the Concerto Movement for Piano, Violin, and Orchestra, completed by Robert Levin. This hardback CD package is accompanied by comprehensive notes commissioned specially for the album.

Academy of Ancient Music (AAM) releases the penultimate volume of an acclaimed project to record Mozart’s complete works for keyboard and orchestra.

This volume includes Mozart’s Concerto No. 7 for Three Pianos and Orchestra, performed here uniquely on three different types of keyboard instruments: by Robert Levin (tangent piano), Ya-Fei Chuang (fortepiano) and Laurence Cummings (harpsichord).

It follows the release of the same concerto in Mozart’s own arrangement for two keyboards (Vol. 11) and is joined on this album by two other Piano Concertos composed in Salzburg in the early months of 1776.

The hardback CD package is accompanied by comprehensive notes commissioned specially for the album.

Academy of Ancient Music (AAM) resumes a celebrated project to record Mozart’s complete Piano Concertos, with this ninth volume released after an extraordinary 20-year wait. Together with renowned scholar-pianist Robert Levin, AAM presents Mozart’s Piano Concertos No. 21 in C Major K467, perhaps one of Mozart’s most well-known Piano Concertos and featured in films The Spy Who Loved Me and Elvira Madigan, and No. 24 in C Minor K491, described by Mozart scholar Alexander Hyatt King as ‘not only the most sublime of the whole series but also one of the greatest pianoforte concertos ever composed’. AAM’s founder Christopher Hogwood and Robert Levin came together in 1993 to record Mozart’s complete works for keyboard and orchestra for the first time ever on period instruments. Only eight albums out of a total of 13 were recorded, with the most recent released in 2001. This release marks the renewal of this landmark project and will be followed by the four final albums of the series later in 2023 and 2024.

Academy of Ancient Music (AAM) continues a celebrated project to record Mozart’s complete works for keyboard and orchestra, with this tenth volume of the series. Together with renowned scholar-pianist Robert Levin, and directed by Laurence Cummings and Bojan Cicic, AAM presents the Church Sonata No. 17 alongside the Piano Concerto No. 5 – Mozart’s first original keyboard concerto – both for orchestra and organ. The three K107 concertos are joined
by a concerto movement from the music book of Mozart’s sister, Nannerl, believed to have been drafted by Mozart as a young child, and completed here by Robert Levin. The hardback CD package is accompanied by comprehensive notes commissioned specially for the album.

Marien Hymns Masterpieces of musical Marian devotion over the centuries, composed by the greatest composers of the time as well as well-known traditional hymns, interpreted by renowned soloists and ensembles such as the Gachinger Kantorei Stuttgart under Helmuth Rilling, Renata Tebaldi, the Don Cossack Choir Serge Jaroff or the Stuttgart Hymnus Choir Boys' Choir.