To mark the 50th anniversary of Noël Coward's death, celebrated musicians and regular Signum artists Mary Bevan, Nicky Spence and Joseph Middleton join forces for this album of works by Coward and his contemporaries. Featuring songs such as Parisian Pierrot and The Man I Love, the album comprises of a collection of solos, duets and instrumental songs by composers such as Ned Rorem, Liza Lehmann, William Walton, and Benjamin Britten.

We are very pleased to announce a new recording from MPR of music for string orchestra entitled 'Palace Premieres', with the Countess of Wessex's String Orchestra. The playlist consists of hitherto unrecorded music performed during Royal Investitures (where honors are bestowed by Her Majesty the Queen or by one of her close family) and includes works such as Suite: In Rural England by Thomas Dunhill, Shepherd's Delight by Alec Rowley, Pastoral Scene by Frederic Curzon, Fragment for Strings by Bertram Walton O'Donnell, Nocturne by WH Speer, In Georgian Days by Roger Quilter, Rivers of Devon Suite by Ernest Markham Lee and a number of beautiful light music arrangements for strings of folk songs. We have also included as a 'bonus' a suite of Seven Pieces by Giles Farnaby, arranged by Bantock. We recorded the latter only to discover that in fact it has already been recorded but only once to our knowledge and we decided that as it is such good material we just had to include it. The Countess of Wessex's String Orchestra is very sensitively directed by Major David Hammond, a truly fine musician. The orchestra consists of the best string players in the Army who are very fine and highly trained musicians. The quality of playing is really excellent and the performances committed. The album was recorded in the sumptuous acoustic of the Guards Chapel in London and the recording engineer is the legendary Tony Faulkner. Mike Purton was producer and editor and we recommend this recording to anyone who loves British music of a certain period (see above). Lee's 'Rivers of Devon' Suite is very Elgarian, Speer's little 'Nocturne' brings to mind Wagner’s 'Siegfried Idyll' and you can see from many of the titles that spirit of Rural Englandis frequently invoked. This recording has been made in collaboration with the Corps of Army Music Trust.

Scott Robert Shaw's debut "The English Tenor" takes us on a beautifully performed journey through a who's who of great English composers and their vocal works. The names Ivor Gurney, Benjamin Britten, Ralph Vaughan Williams, Gerald Finzi and Roger Quilter are synonymous with English Song, and a Golden Age of British music. The wide variety of accompanying instruments and artists, the broad range of text settings and the mix of cornerstone works of the repertoire alongside lesser-known cycles make "The English Tenor" a thrilling debut album.

A product of the English church music tradition, Australian born Scott Robert Shaw has been performing works in this oeuvre since childhood. Whether on the operatic or oratorio stage, as an ensemble singer or soloist, his deep cultural roots to the British music world are laid bare for all to see. This deeply personal album stands as testament to his background, and as a homecoming to his earliest steps as artist.

Beginning his career and training as a boy soprano at the St George’s Cathedral Perth Choir, Scott attended the McDonald College of the Performing Arts in Sydney, studying music and acting in the Stanislawksy/Laban tradition, awarded a full scholarship for Excellence in Performance. He then attended the Sydney Conservatorium of Music, and was given the Most Exceptional Contribution to the Arts award from Wesley College, University of Sydney. In London he continued his studies with the English National Opera’s Baylis Programme for young performers and was regularly engaged to perform as a recitalist and operatic tenor in festivals and opera companies in both the United Kingdom and France. He then completed his studies at the Royal Conservatory in The Hague where he studied Early Music and Classical Singing, and now based in Düsseldorf, is regularly engaged as a soloist in The Netherlands and Germany, with a particular focus on Bach oratorios and Evangelist roles in the Passions.

SOMM Recordings is proud to announce a recital disc from cellist Adrian Bradbury and pianist Andrew West titled The Pre-Raphaelite Cello – at once ground-breaking and celebratory, and rich with first recordings. The curiosity piqued by the album’s unusual name will be amply rewarded with the fascinating story of the artistic threads this programme weaves together and their relevance to important commemorations being observed this year.

The idea was conceived and devised by pianist Oliver Davies (1938–2020)*, and the recording is dedicated to his memory. It is a tribute to the renowned British cellist Beatrice Harrison and her association with the composers of The Frankfurt Gang whose music she championed. And the occasion of this tribute is the 100th anniversary of the Nightingale Broadcast, one of the earliest ever made by the BBC from a remote location: on 19 May 1924 Beatrice sat and played her cello in the garden of “Foyle Riding” (the family home at Oxted), duetting with the local nightingales before a microphone that carried them over the airwaves to more than a million listeners and enchanted a nation.

The composers in Beatrice’s circle included a multi-year cohort of anglophone composition students under Iwan Knorr at Frankfurt before the turn of the 20th century. Englishmen Roger Quilter and Cyril Scott and the Australian Percy Grainger belonged to this Frankfurt Gang, who remained close friends after their student days in Germany and who adopted the Pre-Raphaelite banner from the like-minded brotherhood of English painters and poets, distinguishing themselves musically from other British composers through a focus on emotion rather than musical architecture. They were among the composers inspired by Beatrice’s musicianship, and their works on this album were arranged for her or played and loved by her. These are prefaced on the programme by cello-piano pieces from Iwan Knorr (the composition professor who unites the Gang) and Hugo Becker (Beatrice’s cello teacher from the age of 15).